
Study Calligraphy Online this Fall!
Registration opens today for my Art 50 Calligraphy & Letterform course at Stanford.
Thoughts on the artmaking process.
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Registration opens today for my Art 50 Calligraphy & Letterform course at Stanford.

Sometimes we use the grid, sometimes we avoid it, but we're always are aware of it.

My favorite bullet points about the importance of studying organized handwriting.

The groundbreaking book by Josef Albers opened the eyes of the world to a more comprehensive visual experience.

In prehistorical art and ancient artifacts, we see an affinity for decorative pattern, rhythm, and use of dark/light contrasts.

How does the visual artist shape their play? What drives the artist toward their final form of balance and equilibrium?

"Chance is the only way to avoid control of the rational." —Marcel Duchamp

Giving a voice to passions, the handwritten word is close to home.

See the word, read the explanation, use it in your work.

The ancient design principle of dark and light is bedrock for designers.

Thoughts on combining poetry and visual imagery in a single work.

Thoughts on dark and light, and how we move.

Spring is the time for visiting local artists and collecting new pieces!

In art we encounter the limits of expression and of available surface.

Preparing for your ongoing study of handlettering

Opportunities missed, roads not taken.

The annual Spring Retreat is next week, and I'm going!

Stand and move, reflect, and get ready for change.

A woven carpet of freehand lettering can be your next design challenge.

Keep your basic tool kit packed and ready for lettering.