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The Line of Best Fit

New perspectives on music and pop culture

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The Friday Dispatch

Julia Holter, Black Marble, Agnes Obel, Matt Berninger on The Jesus Lizard, and today’s best new releases

Where do I begin with... The Bee Gees

A guide to the highs and the low of the Bee Gees, Britain's First Family of Harmony.

Why Phoebe Bridgers is still the only one who can do this

Phoebe Bridgers' Lost Weekend is a product of the harder, messier work underneath it all – and that's why so many artists chasing her throne fail to catch up.

The Friday Dispatch

Laura Veirs, Phoebe Bridgers, Graham Coxon and Tough Cookie

Where do I begin with... Teenage Fanclub

Delving into the highs and low of Glasgow’s finest guitar band.

Music writing is an important cultural archive, and Veeps just proved how easily that gets forgotten

Mitch Stevens makes the case for responsible stewardship of music's legacy titles – and why cuts to AltPress, BrooklynVegan, Revolver and Goldmine expose a deeper crisis in music media ownership.

The Friday Dispatch

Nina Winder-Lind, Zoumer, DIIV on Aphex Twin and the week's best new music

Where do I begin with... Genesis

Tom Kingsley tracks the highs and lows of the 70s’ dorkiest band

The Friday Dispatch

Preloved, isobel, Roger Sanchez and gia

Where do I begin with... Bruce Springsteen

Thomas Hannan explores the entry point, the high and the low of The Boss’s formidable back catalogue

The Friday Dispatch

Portraits of Tracy, Mannfólkið breytist í slím, and Murex

Where do I begin with... Daniel Johnston?

The highs and low of Daniel Johnston, the outsider songwriter, artist and godfather of Lo-Fi

The Friday Dispatch

Baby Rose, Lindsey Lieberman, Maggie Rogers, and silt.

The Friday Dispatch

Bonnie Kemplay, Patchwork, Gelli Haha, Lucinda Williams and Lonnie Gunn

How I began songwriting by Jack Antonoff

The producer and Bleachers' songwriter on why the truest work only reveals itself once he's left the studio behind.

We have a problem in the pit

Do audiences have any goodwill whatsoever to whoever plays before the headliner?

Where do I begin with... My Chemical Romance

Mitch Stevens explores the highs and low of the dark princes of third wave emo

she's green is on the rise

Minneapolis DIY quintet she’s green are making star-dazey shoegaze fed by the tranquillity of the natural world.

Olivia Rodrigo and the artist as curator

Olivia Rodrigo’s new Daisy Chain Fields fest recalls the spirit of Lilith Fair — but for Gen Z, it’s also a play for legacy, positioning the pop star as a cultural kingmaker.

Show Me the Body are rewriting the language of strength

New York hardcore band Show Me The Body on creating a record forged in grief, fatherhood and the conviction that love, at high enough volume, can become a militant act of resistance.

The Friday Dispatch

Sub*T, Jim Croce, Ryan Beatty, and RAYE on Nina Simone

The joy of Primavera Sound

How I found hope at Primavera Sound.

The Friday Dispatch

Chanel Beads, Coupdekat, and Angel Olsen on Leonard Cohen