
The Friday Dispatch
Julia Holter, Black Marble, Agnes Obel, Matt Berninger on The Jesus Lizard, and today’s best new releases
New perspectives on music and pop culture
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Julia Holter, Black Marble, Agnes Obel, Matt Berninger on The Jesus Lizard, and today’s best new releases

A guide to the highs and the low of the Bee Gees, Britain's First Family of Harmony.

Phoebe Bridgers' Lost Weekend is a product of the harder, messier work underneath it all – and that's why so many artists chasing her throne fail to catch up.

Laura Veirs, Phoebe Bridgers, Graham Coxon and Tough Cookie

Delving into the highs and low of Glasgow’s finest guitar band.

Mitch Stevens makes the case for responsible stewardship of music's legacy titles – and why cuts to AltPress, BrooklynVegan, Revolver and Goldmine expose a deeper crisis in music media ownership.

Nina Winder-Lind, Zoumer, DIIV on Aphex Twin and the week's best new music

Tom Kingsley tracks the highs and lows of the 70s’ dorkiest band

Preloved, isobel, Roger Sanchez and gia

Thomas Hannan explores the entry point, the high and the low of The Boss’s formidable back catalogue

Portraits of Tracy, Mannfólkið breytist í slím, and Murex
The highs and low of Daniel Johnston, the outsider songwriter, artist and godfather of Lo-Fi

Baby Rose, Lindsey Lieberman, Maggie Rogers, and silt.

Bonnie Kemplay, Patchwork, Gelli Haha, Lucinda Williams and Lonnie Gunn

The producer and Bleachers' songwriter on why the truest work only reveals itself once he's left the studio behind.

Do audiences have any goodwill whatsoever to whoever plays before the headliner?

Mitch Stevens explores the highs and low of the dark princes of third wave emo

Minneapolis DIY quintet she’s green are making star-dazey shoegaze fed by the tranquillity of the natural world.

Olivia Rodrigo’s new Daisy Chain Fields fest recalls the spirit of Lilith Fair — but for Gen Z, it’s also a play for legacy, positioning the pop star as a cultural kingmaker.

New York hardcore band Show Me The Body on creating a record forged in grief, fatherhood and the conviction that love, at high enough volume, can become a militant act of resistance.

Sub*T, Jim Croce, Ryan Beatty, and RAYE on Nina Simone

How I found hope at Primavera Sound.

Chanel Beads, Coupdekat, and Angel Olsen on Leonard Cohen