
COLUMN: When I was a Child (The Khronikle #6)
‘Shèun continues his column about the arts in Africa, discussing his childhood in Nigeria in the ‘90s, and how one can feel nostalgia for the past-- even in a country ruled by a military dictator.
Zona Motel is an online literary space for conversation, community, and independent literature.
Overdue Last read · last published · next check
Last read 1 day ago, longer than this feed's 12 hours schedule.

‘Shèun continues his column about the arts in Africa, discussing his childhood in Nigeria in the ‘90s, and how one can feel nostalgia for the past-- even in a country ruled by a military dictator.

In his newest column on epic poetry, Stephen Meisel explores Frank Stanford’s The Battlefield Where the Moon Says I Love You.

Hanna Andrews, Brandi Homan, and Becca Klaver on Switchback’s origin story and evolution
“The first year we did this, one person tried to pee in a bag. The second year, someone pulled out a knife.”

She’s definitely out there and she probably hates her father

Another Victor Serge biography attempts to wall off his life from his art.

Three micro-budget art films about 1919 Chicago

Oscar d’Artois reattempts Céline’s seminal work

Suspect’s greatest strength is Tron’s refusal to paint herself as an innocent. She never shies away from conveying the inner workings of the adolescent brain in all it’s mixed-up glory.

The movie’s badness comes from a lack of trust in his audience: a lack of trust in our ability to make connections, to synthesize ideas, to see and appreciate real beauty instead of spectacle

Jarett Kobek attends 2 recent Bob Dylan shows, causing him to write a 10,000-word essay about the performances, but also fame, football hooligans, erectile supplements, and the promise of America.

"Weirder and better than Faulkner"

Grief and play, and the thread of truth that flows through them

"Should I be like, Hey mom, just so you know, this book is not about you."

Hannah van Binsbergen and Tom Snarsky chat about socialism, the shape of poetry careers in the Netherlands, and fighting for the future.

Ricky Allen explores the mall as a place of temptation, possibility, and the universal search for connection.

Sometimes the dead horse wants you to keep beating it, actually.