Dolemite (1975) | Blaxploitation and the Cities That Make Us
“Dolemite is my name, and f***ing up mother f***ers is my game.”
Bobbi Broome
find me at the cinema | curator | film programmer | los angeles | no AI 🚫
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Coffy (1973) | Blaxploitation and the Cities that Make Us
Coffy, Vengeance, and the Voices Behind Los Angeles' Drug Trade
Cotton Comes to Harlem (1970) | Series 2: Blaxploitation and the Cities That Make Us
"So, what is a bale of cotton doing in Harlem?"
Cleopatra Jones (1973) | Series 2: Blaxploitation and the Cities That Make Us
“My jurisdiction extends from Ankara, Turkey to Watts, baby!”
Better Late Than Companion (2025)
Over a year later, Drew Hancock's sci-fi thriller still has plenty to say, even if it whispers.
Women on the Verge of a Nervous Breakdown (1988) | Series 1: Women on the Verge (Of a Nervous Breakdown)
Breaking Down the Intersection of Gazpacho, Barbiturates, and Psychological Collapse
Valley of the Dolls (1967) | Series 1: Women on the Verge (Of a Nervous Breakdown)
The "Dolls" Are Not Alright
Ganja & Hess (1973) | Series 1: Women on the Verge (Of a Nervous Breakdown)
Black Feminine Agency, Vampirism, and Self-Determination in Ganja & Hess
Jennifer's Body (2009) | Series 1: Women on the Verge (Of a Nervous Breakdown)
Hell is a teenage girl in pink fishnets.
Perfect Blue (1997) | Series 1: Women on the Verge (Of a Nervous Breakdown)
There is no verge, this is the "Real Thing."
A Girl Walks Home Alone at Night (2014) | Series 1: Women on the Verge (Of A Nervous Breakdown)
Are we going to talk about the elephant, I mean cat, in the room?
Self-Sovereignty and the Power of Free Will in The Testaments S1, E1-8
Agnes, Daisy, and the intersection of freedom, belief, and desire in the world of Gilead