
Returns, Revisitings, A Plan?
Late summer's heady stillness has forced me to return home. Taking this week to remind myself how and why I'm writing about museums, and asking what the future holds.
I am writing about every natural history museum in England. Is it sexy? Is it dated? Does it serve? Interested in the aesthetics of museum display, the way it ‘legitimises’ artefacts, and the ways in which it can be re-thought to present alternatives.
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Dormant Last read · last published · next check
Read 11 days ago and current, but nothing has been published for 2 years.

Late summer's heady stillness has forced me to return home. Taking this week to remind myself how and why I'm writing about museums, and asking what the future holds.

I went to see the new temporary exhibition "Birds: Brilliant and Bizarre" at the Natural History Museum in London.

I’m floating in midair in a crisp sky. I think it's early morning. I can feel a thin blanket of dew settling across my cheeks. I can't believe my GPU is big enough to hold a church.

Dipping the smallest toe into taxonomy because of beautiful shell displays, wondering about the role of divinity in a museum, and sweating whilst doing it all.

Off piste this week - even from behind bars, nature reached down my throat and rummaged around inside me, scared me, tantalised me, and made me feel sick in a thrilling and new way.

A couple of weeks ago I went to the Angela Marmot centre at the Natural History Museum to look at a specimen of the Museum beetle.

'Distasteful Eggs' and penchant for exceptionalism, Eton's Natural History museum is excellent and awful at the same time.

A short one this week with lots of pictures! I fell down an archival rabbit hole & with the Horniman closing its natural history wing for two years, here's what it's looked like in the past.

I press a button to hear a nightingale’s call and let it cascade over the roof of my head. As I walk further in, there’s a display of exotic birds - one looks just like a radicchio.

What actually counts as 'natural history'? This week I'm looking at the importance of contextualising an archive, using UCL's Galton collection as a case study.