Don’t Be the Sad Snack
Packaging expert Lisa Cain shares her opinion on the brand identity for vegan meat brand Juicy Marbles designed by Ljudje.
BP&O
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Latest posts
BP&O Logo Gallery: Ancestrel Wines & Number 12 Cider
This week, logos designed by All Purpose and Buddy Buddy
How & How takes a smart, bright collage-based approach to overhauling Bristol Dockyards
For those outside of Bristol, it’s all too easy to assume it's merely where Triphop and Dubstep were born; a Mecca for trustafarian ketamine-heads – but this brand proves there's more to it than that.
The Art of Subtle Persuasion
Packaging expert Lisa Cain shares her opinion on LG2's branding and packaging for Health Hut.
BP&O Logo Gallery: Abitibi-Témiscamingue & Hometree
This week, logos designed by lg2 and How&How
Base’s brand for smalltown ’80s seafood spot Ray’s is a masterclass in earnestness done well
It’s always a joy to see an international agency lavish the same respect, care, and craft on a relatively unknown, very local brand as they would on a household name – exactly what Base has done here.
Studio Gruhl’s Global Hypercolour-esque brand identity for Rerun looks to “see what robots see”
Rerun is an open source platform building the data layer for robots, drones and autonomous vehicles. And it seems it's also a company that's unafraid to take risks when it comes to its brand design.
Who knew a spiral could do so much? Pentagram did, in this joyful Tokyo museum identity
MoN Takanawa is experimental site with an identity in which twists and turns and joy and surprise coalesce in one of my favourite recent museum brands.
The Extraction Economy
Packaging expert Lisa Cain shares her opinion on tube keys and skincare products.
BP&O Logo Gallery: Open Point & Malwarebytes
This week, logos designed by 20(Something) and Redscout
Creative Spark’s bold, no nonsense identity for hair loss brand Leo
Leo is billed as a “hair rejuvenation brand”, founded by a father and son duo with the broad aim to make hair loss feel “less isolating and less complicated”.
A New Kind of Black Gold
Packaging expert Lisa Cain shares her opinion on Smörgåsbord's branding and packaging for Coaltown Coffee.
BP&O Logo Gallery: Flipper Taps & Going
This week, logos designed by Red Dot Studio and Further
Another Collective’s identity for smash burger brand Brusco deftly reinvents classic burger joint design tropes
The smash burgers trend shows no signs of going away: one of many think pieces, however, dubbed the meal "a flattening of creativity" – a charge that couldn't possibly be levelled at this superb work.
Daylight Savings
Packaging expert Lisa Cain shares her opinion on ready-to-drink sparkling tonic brand Sunwink.
BP&O Logo Gallery: Whale Tales & Boligkontoret Danmark
This week, logos designed by Interbrand and RE-Public
Koto breathes new life into Floridian arts institution The Norton
The brand strategy underpinning the entirety of the new identity is beautifully simple, summing up everything The Norton is about in succinct, accessible terms: ‘Where Art Meets Life’.
Now You See It
Packaging expert Lisa Cain shares her opinion on Studio Bland's work for Australian butter brand Bu Deli.
OlssønBarbieri rewrites the rulebook on ‘formality’ in its melodrama-infused Theaterbaren identity
The Oslo-based studio's designs both honour the Nationaltheatret’s architectural and cultural significance and create something modern, social, and playful.
BP&O Logo Gallery: Benifex & Bio
This week, logos designed by For Different and Si Maclennan Studio
Friction Kills Fantasy
Packaging expert Lisa Cain shares her opinion on Beta Design's work on Fussy's refillable hand soap.
A deliciously tactile, folkish new identity for Mecca Coffee by Christopher Doyle & Co.
Without ever overtly leaning on the boring old origin story stuff, minimalism to the point of boredom to signify quality and so on, this identity succinctly conveys reputation, ethics, and quality.