
Issue One - Exit Wounds - Max Wallis
And here we end Issue One
Backed by Arts Council England, The Aftershock Review is a radical poetry journal of survival and aftermath—publishing fierce, necessary work on trauma, queerness, class, madness, and recovery. Print ISSN 2976-9752 Online ISSN 2976-9760
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And here we end Issue One

i.m. Niall McDevitt - 'So light you almost seemed to float / On golden feet by Tyburn brook and river Fleet'

Ecoshock proof copy has arrived and it is BEAUTIFUL.

'to everyone's delight / the bus shelters from Auschwitz / have arrived safely in Piccadilly'

Another quick note today as I’m busy typesetting Ecoshock and our Aftershock Poet collections.

Featuring new poetry by Imtiaz Dharker, Glyn Maxwell, Di Slaney, Pascale Petit and more. What does it mean to love a living world while the systems around us unmake it?

'Skin, stretched out / like the sky –' (Aside: I used to keep my tax details in my copy of Sidereal)

I’ve known John McCullough ever since he won the Polari Prize, in 2021, for his collection The Frost Fairs. (My pamphlet, Modern Love, was shortlisted, too.) Big love, John…!

ft. Jacqueline Saphra, Richard Skinner

Issue Four is still open today. "there are only so many poems that can fit inside it before it stops being a magazine and starts being a shed"

Submit today!

Katy Evans-Bush, Rhian Elizabeth and Gwyneth Lewis

Out in July - submit now!

Di Slaney and Polly Atkin have been longlisted for Best Single Poem for their work in Issue One of The Aftershock Review

After trauma, there is still poetry. And sometimes, thank God, it is weird.

‘The line of trust runs at 45°, / the point of intersection changing // from nursery to nursing home’

Order a copy today!

Stairs know a great deal / about ghosts. They are - / predictably - a symbol of change.

The nurse reels out / the padding from the entrance to my womb

How Aftershock began

ft. poems by Jackie Hagan, Miles Hadfield and Gerry Potter from Issue One