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God help us lose our minds

I write about the structures we inhabit, the pressures we naturalize, and the quiet violences that shape contemporary life. A sociological reading of the everyday — from within late capitalism’s fractures.

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Girlboss dies in silence

In a world where femininity is a project and marriage is an investment, Amy in Gone Girl shows that winning the game of neoliberal narrative often means the quiet death of the girlboss.

Why nothing is happening and that's enough

To watch without the promise of resolution is to confront time in its most ordinary form

Choice Feminism Meets Rent

Cinema and the class conditions of autonomy

You’re Not Interesting Enough

Why does contemporary cinema hate mediocrity?

The world may end, but the system must go on

Why Cinema Loves Apocalypses but Fears Revolutions

Misery but make it legible

On Europe’s Conditional Love for Peripheral Art

It's a golden age of assholes and the triumph of disgrace

When Antiheroes Serve the System

How much can a rat take?

A study in exhaustion, adaptation, and the quiet violences that shape late-capitalist life