No Home Like Place
Elizabeth Casqueiro, Sunanda Khajuria, & Mona Bozorgi look homeward; multiple photographers make progress; Hiroshima from above and within; cracked icons for sale; a jewel box of small images
DisCerning Eye
reviews of Washington area exhibitions
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Latest posts
Within and Without
Into and beyond nature with Georgia Nassikas, Joseph Cortina, and David Carlson; community history marks Touchstone’s 50th
Cross Purposes
Neo-minimalists draw the line at PFA; disparate approaches to collage at Pyramid Atlantic and I Street Gallery; Studio’s best contemplate the worst
Cosmic Visions
Timothy Makepeace's telescoped space; Susan Goldman's angled circles; Richard Dana's B&W phantasms; A. Brockie Stevenson's abstract America; Bonnie Lautenberg's art duets; Gail Rebhan's U.S. queries
Remembering Maine
Janis Goodman’s journeys to Maine; Tao Ya-Lun visits ghost-lands; Waverly Street artists push their boundaries; stone and wood at Studio Russo; senses of place and tricky ceramics at Glen Echo
Striking It Glitch
All sorts of snags at Addison/Ripley; Bob Burgess encounters color; at 250, the U.S. looks a bit off; stories on fabric and paper; Wayson R. Jones turns from pumice to paper
Fields of Gleams
Mostly new ‘60s-style abstraction; issues on display in WOW 12; nature in wide shot and in close-up; villains and more villains; landscapes in black & white
Lost in the Street Market
Leslie Rose’s wispy real-world vignettes; representation in Bethesda; Rick Bach cuts and Tara Youngborg haunts; Noël Kassewitz takes the plunge; Foundry’s new members
Space Is the Place
Paul Myoda’s luminous nooks; Robin Croft’s metal absurdities; John Thomas Paradiso layers gay identity; Fred Zafran’s urban solitaire; Jessica Drenk reclaims the disposable; Willem de Looper evolves
Hitting the Mark
The National Museum of Women in the Arts showcases the impressively eclectic Shah Garg Collection
Gardens of Stones
Kathryn Camicia fuses stone and cloud; Scott Robinson seeks patterns; Leslie Kiefer encircles nature; two video surveys at VisArts; Susan R. Johnson fashions the past; three soloists in McLean