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THE REFLECTIVE EYE

A monthly slow-looking practice: following one artist across the month through sustained visual analysis. + Proust: reading In Search of Lost Time through art.

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Höch and Dada: Cut it like it is

| 2 of 4 | Deep Dive I: Visual Analysis of Cut with the Kitchen Knife Dada Through the Last Weimar Beer-Belly Cultural Epoch of Germany (1919/20)

Hannah Höch: First Look

| 1 of 4 | Cut, collage, rebellion and the strange poetry of the fragments

Hammershøi’s Hidden Colors

| 4 of 4 | Muted Palette in a Decade of Color

Proust’s Gallery #10: Sandro Botticelli

Reading In Search of Lost Time through art: Odette as Botticelli’s Zipporah, and the ghost of Ruskin

The Golden Age, Emptied: Hammershøi’s Depopulated Cities

In 1907 Hammershøi photographed his street, then painted out every person on it. Why emptying a living city was a radical act.

Hammershøi: Back Story

| 2 of 4 | Deep Dive I: why Hammershøi stops time

Vilhelm Hammershøi: First Look

Begin the Hammershøi arc with a slow gallery: Ida from behind, doors onto doors, rooms with no one in them, a Copenhagen without people.

Egon Schiele: First Look

| 1 of 4 | Line as its own kind of metaphysics

Proust’s Gallery #9: Pieter de Hooch

Reading In Search of Lost Time through art: Interior and the receding planes of light

Proust’s Gallery #8: Vittore Carpaccio

Reading In Search of Lost Time through art: the sound of the trumpet