
The BBC Got This Wrong — and Ex-Google Boss Matt Brittin Should Know Better
Cutting development to “focus on ideas with the strongest chance of success” sounds like rigor. It’s the opposite — you cannot pick better by looking at less.
My mission is to pioneer innovative and data-driven production methodologies that elevate the art of visual storytelling while optimizing efficiency, quality, and collaboration across global film and television productions.
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Cutting development to “focus on ideas with the strongest chance of success” sounds like rigor. It’s the opposite — you cannot pick better by looking at less.

A showrunner’s warning about data and the creative is correct, and incomplete. The data he fears captures the story. The data he is missing is the only thing that can defend it.

On data, Tobias Queisser is half right. Here's the other half.

Why generative AI multiplies expertise instead of collapsing it — and what the Innovative Dreams news really tells us.

Stephen Marinaccio described the operational intelligence system that experienced line producers actually use. It is a phone call.

Hollywood’s AI investment pattern reveals a fundamental misreading of where value is created — and destroyed

What a $1 billion bet on physical-world AI gets right, and what it leaves completely untouched.

Netflix got the philosophy exactly right — and applied it at precisely the wrong end of the pipeline.

How AI Is Rewriting the Laws of Cinema — and What Comes After

Anthropic just mapped which jobs AI is coming for. Production professionals should read it carefully, and then understand why the most important part of what they do does not appear on the map.