
The End of Oak Street Is the Wrong Kind of 1980s Movie
It has the dinosaurs, the suburbia and the score. It doesn't understand why those films made childhood hurt.
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It has the dinosaurs, the suburbia and the score. It doesn't understand why those films made childhood hurt.

Nolan built sets, found locations, cast actors and took risks. Musk attached his AI product to the same news cycle with a single post. Here is what that tells us about the business he is running

The director has been criticised for creating female characters who are only present to serve a male protagonist. Has 'The Odyssey' changed that?

Nolan refused influencer screenings for The Odyssey. Disney embraced them for Moana. The system built to entice audiences is evolving, and that's the best news cinema has had in years.

Everyone is furious about A24’s AI deal. So why is there no backlash over Obsession?

What the record-breaking success of Welsh-language film 'Effi o Blaenau' at the UK box office says about the future of European cinema if we continue to amplify minority language storytelling.

France’s CNC says it will support filmmakers facing pressure on freedom of expression. The test is whether it protects only the artists France is comfortable defending or the difficult cases to

Christopher Nolan broke first-day ticket sales before critics have even begun to mull over The Odyssey. Warner Bros. losing him looks like one of the decade's worst business decisions.

Spielberg's alien epic Disclosure Day promises to reckon with God and science. But the big arguments are undermined by his now familiar retreat into childhood wonder.

At FIDMarseille, the boycott of Nadav Lapid exposed the impossible tests now applied to artists — passport, politics, funding — and the collateral damage they leave behind.

Marjane Satrapi’s films understood exile, love, rebellion and the absurdity of grief. Somehow, they also became part of my own story...