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Chris Remke · Jul 21, 2026

The Nations' Wall of Murals Is on Life Support — Tonight, Council Votes

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Chris Remke · Chris Remke

BL2026-1423 | Metro Council final reading TODAY, July 21, 2026

Write your Council Member now. Ask them to defer the final reading and hold a community meeting — a real one — so the mural terms can be rewritten to require preservation, to fund it, and to hold the permits until a real plan is in place.

Find your Council Member on the Council website: nashville.gov/departments/council/metro-council-members

Or email all Council Members at once: councilmembers@nashville.gov

Wood Partners — CM Horton is pledging that you intend to fund the preservation and restoration of these murals. If that’s true, show up and testify to it yourselves, on the record, before the vote.


What We Asked for

By Lauren Magli


”The community-drafted amendment requiring professional preservation of the mural, submitted to the sponsor for consideration without response:

11. The existing mural located on the west façade of the existing structure fronting 60th Ave. N. shall be professionally preserved in place, or professionally removed, relocated, and reinstalled in a publicly viewable location, prior to the issuance of any building permit for development of the site. Prior to the issuance of any building permit for development of the site, a preservation plan shall be developed in consultation with the Mural Preservation Committee, consisting of the 12 original artist(s), or their designated representative(s), the Nations Neighborhood Association, the Metropolitan Arts Commission, and the Council Member for District 20. The preservation plan shall comply with all applicable preservation laws, including the Visual Artists Rights Act. If relocated, the mural shall remain publicly viewable following reinstallation. The cost of preservation, removal, relocation, and reinstallation shall be the responsibility of the developer.

What we got:

Sponsor-drafted amendment leaving the mural’s fate to the developer, with no enforceable requirement to preserve it, introduced one day before third and final reading:

11. The existing mural on the west façade of the existing structure fronting 60th Ave N. shall be preserved and reused or repurposed within the new development, returned or donated to the artists, or otherwise relocated to another publicly viewable area.

The Nations’ Wall of Murals is on life support.

Tonight, the Metro Council holds its final vote on an amendment that would let a developer demolish ten mural panels that have become a neighborhood landmark — with no enforceable requirement to preserve them.

Council Member Allen, the only person in the committee room to lift a finger for constituents - asked twice whether the developer would pay to save the mural. Nobody answered. Instead, Council Member Horton told the committee that this new amendment codifies the developer’s intention from 2023. But in 2023, the mural was project scope, not an intention. The amendment is silent on funding.

The 2023 plan put the mural on the developer as project scope, documented on the site plan sheets. The building was retained, and the plan carried an explicit note: “GARAGE WALL TO RECEIVE MURAL ART.” Those were plan requirements, enforceable through site-plan review, removable only by Council ordinance.

The 2026 replacement documents have nothing written or adopted about the mural. The plan sheets are silent. The new plan demolishes and omits that scope, and replaces it with a menu of four options, all of which end with the wall down, funded by no one. The amendment does not require preservation. It gives the developer the option to disassemble the murals and leave them for pickup. That ends the developer’s problem and puts it onto the backs of the neighborhood. There are no memorialized teeth in the documents or the amendment to restrict obtaining permits. The developer can pull permits and demolish without resolving the mural question first.

The amendment passed committee 8–0.

Video — CM Horton pledges on behalf of the developer; testimony salad and references to a past zoning bill getting replaced:

What follows is the documentation: the hearing testimony beside the plan documents, the full transcript, and the gap between what the committee was told and what the records actually say.

Burkley Allen asked the only question that mattered: will the developer pay? She asked it twice.

“If there’s no funding, can planning enforce that this actually happens? It seems so important to the community that that be preserved. Can we ensure that this language will make that happen?”

And then, more directly:

“Is there a reason to believe that the developer would commit to whatever it costs to relocate if that’s the option that’s chosen?”

Nobody answered. Planning described a menu of options and said:

“We would ask for confirmation if it’s not sort of preservation or relocation that there’s been an offer made.”

That sets the enforcement floor at an offer, not at preservation, and it does not answer the funding question. Then Horton stepped in and told a story about the developer’s intentions from 2023. That story substituted a word — “intent” — for what the 2023 documents actually contain.

In a Specific Plan, the drawings are the law. The 2023 approval says so: Condition 3 of that approval makes the site plan and its documents the controlling record, and Condition 9 says those requirements can only be removed by a Council ordinance. The mural was on those drawings. The 2023 plan retained and renovated the existing building that carries the mural, keeping that portion in place. For the panels displaced by partial demolition, the site plan carried an explicit note on page 2: “GARAGE WALL TO RECEIVE MURAL ART.” That made it project scope, not aspiration.

Horton told the committee:

“It was the developer’s intent to reuse or repurpose this throughout the existing site… So this is codifying an existing intent by the developer to address some community concerns that they might not have complied with their original intent.”

But the 2023 commitments were not intentions. They were plan requirements, enforceable through site-plan review, removable only by Council ordinance. And he never answered Allen’s question about money.

The 2026 plan demolishes the building that was to be retained and drops the garage. That garage was the designated location on the 2023 site plan for the relocated mural panels. The note on page 2 reads “GARAGE WALL TO RECEIVE MURAL ART.” That building does not exist in the new proposal. The commercial partner from the 2023 plan, Vintage South, is no longer part of the development team.

What replaces two documented plan requirements is a four-option menu. All four options end with the wall down when no one is required to fund them. The cheapest option — hand the panels to the artists — was never part of the council floor discussion. It is the most likely outcome.

The amendment does not codify the old commitment. It replaces two documented plan requirements with a four-option menu that, by Planning’s own testimony, can be satisfied with an unaccepted offer and zero dollars.

Three distinct points, all documented:

1. The 2026 plan documents are silent. No mural note, no provision, nothing written, nothing adopted. The 2023 plan had “GARAGE WALL TO RECEIVE MURAL ART” on the site plan. The 2026 sheets carry nothing.

2. The amendment does not require preservation. It gives the developer the option to disassemble the murals and leave them for pickup. That ends the developer’s problem.

3. No permit gate. There are no memorialized teeth in the documents or the amendment to restrict obtaining permits. The developer can pull permits and demolish without resolving the mural question first.

That’s the full gap: the old plan had scope on the sheets and enforcement through site-plan review. The new plan has empty sheets, an amendment that lets the developer walk away after disassembly, and nothing holding the permits.

The commitment documents for the new plan include no requirement for the developer to fund preservation, relocation, or anything beyond demolition. The entire mechanism would function through an offer to the artists and neighbors who partnered with Nashville Public Art to create the work — not a voluntary offer from the developer, but one verified by Planning on the developer’s behalf. Metro is negotiating for the developer, not for the neighborhood. That offer is not required in writing, not required to be accepted, and not memorialized anywhere in the amendment.

The artists hold no title to the land, no storage, no funding, and no standing short of a federal courtroom.

Verbatim recording transcript. BL2026-1423, Planning Committee hearing on the mural amendment.

CM Horton (00:00): Evans’ ordinance from 1917 of the Metropolitan Code of Laws, zoning ordinance of the Metropolitan Government of Nashville, and Davis County, by amending a specific plan on property located at 5901 California Avenue at the southeast corner of 60th Avenue North and California Avenue, zoned SP, to permit a mixed-use development. Do we have a motion?

Council member (00:15): Motion to amend the zoning.

CM Horton (00:16): Moved and seconded. Do we have a motion on the amendment?

Council member (00:18): Is he amending?

CM Horton (00:19): Moved and seconded on the amendment. Brief explanation: this adds a requirement to reuse, repurpose, or otherwise display in a public place the mural that’s located on the current building, which would otherwise be destroyed. Any discussion? Councilmember Allen, you’re recognized.

CM Allen (00:36): Thank you, Mr. Chair. I appreciate the amendment being offered. I know that was something we certainly heard a lot about at the public hearing earlier, during public comment tonight as well. And one question is some of the questions that were raised in terms of if there’s no funding: can planning enforce that this actually happens? It seems so important to the community that that be preserved. Can we ensure that this language will make that happen?

CM Horton (01:05): I’ll go to the Planning Department. You’re recognized.

Planning Dept. (01:09): Hi. So there are several different options within the amendment as written, and so preservation, relocation, offering to artists. And so we would ask for confirmation if it’s not sort of preservation or relocation that there’s been an offer made.

CM Horton (01:34): Thank you for that explanation. Any further discussion on the amendment? Councilmember Allen, you’re recognized.

CM Allen (01:40): Thank you. And I guess the question was raised just in terms of funding and things like that. Do you — would the — is there a reason to believe that the developer would commit to whatever it costs to relocate if that’s the option that’s chosen?

CM Horton (01:52): Yeah. I mean, it’s a condition of the SP. This was something that on the original SP, approved by my predecessor back in 2023. When I was on the board, this was a concern that I had, that the original SP would have destroyed the mural, which is really the only remarkable part of the current building, which is otherwise unremarkable. It was the developer’s intent to reuse or repurpose this throughout the existing site, especially the main portion of the mural, which says “Out West,” the nation’s on it. So this is codifying an existing intent by the developer to address some community concerns that they might not have complied with their original intent. So we are amending the SP to make this a condition of the zoning.

Council member (02:32): Thank you.

CM Horton (02:34): Any further discussion on the amendment? Seeing none, all in favor?

Council member (02:38): Aye.

CM Horton (02:39): Any opposed? Any not voting? Recommend approval of the amendment. 8 in favor, 0 against, 0 not voting. We are now on the bill as amended. Do we have a motion? Moved and seconded. All in — any discussion? All in favor? Any opposed? Any not voting? Recommend approval as amended. 8 in favor, 0 against, 0 not voting.

The Nations working group is requesting a deferral of the final reading and a required community meeting — a real one — so the mural terms can be written to be enforceable: to require preservation, to fund it, and to hold the permits until a real plan is in place.

What the committee was told — that this codifies the developer’s existing intention — is not what the documents say. The old plan had scope on the sheets. The new plan has empty sheets and a condition that, by Planning’s own testimony, can be satisfied by an unaccepted offer and zero dollars.

The murals can still be saved. But not by a pledge on behalf of a developer. Not by an amendment with no teeth. Not by an offer nobody has to accept.

ABOUT THE AUTHOR

Christopher Remke [AIA ret.] brings an unusual combination to real estate analysis: the quantitative rigor of a veteran Design-Build-Development Advisory Professional merged with the cultural awareness of a Context-Sensitive Urbanist. As Principal of Linked, L. L. C., he’s the rare voice who can deconstruct a pro forma, read municipal debt structures, and simultaneously ask whether the project destroys or enhances the neighborhood’s social fabric.

This dual perspective - analytics meets urbanism - allows Chris to expose what architects, planners, builders, and conventional real estate experts miss: how financialization, zoning manipulation, and tax policy don’t just change property values, they fundamentally alter how cities function as communities.

As President of Save Our Nashville Neighborhoods (SONNinc.org), Chris fights extraction-urbanism’s standardized templates and champions genuine neighborhood diversity. Through his writing, he operates in “Decoder Mode,” making complex policy accessible while revealing the truth behind political narratives.

His mission is simple:

Neighborhoods need a voice, Working People need a voice, and the City needs a Council that connects with constituents.

Because transparency builds trust. Manipulation destroys it.

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