26 I Tell Stories; That Doesn’t Mean They’re True, Does It?

Posted on August 12, 2026 by Mike Glyer

(1) BUTLER BOOK IS BACK. The Huntington in Pasadena, CA will host “Reading Octavia E. Butler’s ‘Lost’ Novel” on September 2 from 6-8 p.m. Attendees will be able to get Butler’s Survivor, which has been long out of print. Ticket information at the link.

Be among the first to get your hands on legendary speculative fiction writer Octavia E. Butler’s novel, ‘Survivor’, out in a new edition Sept. 1.

Returning to print after nearly 50 years, Survivor extends Butler’sPatternist series, telling the story of a woman struggling to stay alive on a warring planet far from Earth. The new edition includes essays from Alyssa Collins, The Huntington’s inaugural Octavia E. Butler Research Fellow.

Gather with fellow book lovers to hear Collins in conversation with Butler scholars Alaina Morgan (USC) and Phoenix Alexander (UCR). Learn more about this exciting novel, the decision to reprint it, and what Butler’s archives at The Huntington can tell us about her thoughts regarding its composition and publication.

Survivor will be available for purchase. This event is sponsored by Hachette Book Group.

(2) CAN DO. The New York Times tells “How Nigel Farage Ended Up Running Against Count Binface in Clacton”. “Nigel Farage forced a new election in his parliamentary seat after coming under pressure over his finances. His main challenger is Count Binface, a novelty candidate.” In theory this link bypasses the NYT paywall, but it mostly doesn’t.

Count Binface, a man in a trash can costume, was trying to explain why he would be a winner no matter what happened on Thursday in the most high-profile election he’s ever fought.

“Shall we do a little flowchart?” he asked me, gesturing with his gloved fingers.

If you haven’t been following British politics, you may be wondering why I was interviewing someone who claims to be an intergalactic space warrior from the planet Sigma IX. Count Binface is a character played by the writer and comedian Jon Harvey, 46, and he has run in several elections as part of Britain’s long tradition of novelty political candidates.

Now he is heading for his biggest gig yet. He is the main opposition to Nigel Farage, the leader of the right-wing populist party Reform U.K., in a special parliamentary election in Clacton, an area on England’s eastern coast….

Count Binface, a candidate in Britain’s upcoming general election, poses for photographers during the Glastonbury Festival in Worthy Farm, Somerset, England, Saturday, June 29, 2024. (Scott A Garfitt/Invision/AP)

(3) LUNCH IS SERVED. “Skywalker Grill opens bookings ahead of hotly anticipated $1B Lucas Museum debut” reports Yahoo!

May the forks be with you!

The Lucas Museum of Narrative Art announced the debut of Skywalker Grill Wednesday, an out-of-this-world restaurant inspired by the essence of George Lucas’ creative workplace Skywalker Ranch.

The long-awaited museum, alongside the Grill, will open its doors next month to the public — art enthusiasts, cinephiles and Star Wars fanatics alike have been anticipating the grand opening of the museum since an official unveiling date was announced in November 2025.

The menu will incorporate locally-grown ingredients to make up its classic American fare. Some options include a Skywalker Ranch Wagyu burger, Dungeness crab cakes, lobster corn dogs, house-made pastas, seasonal salads and communal appetizers…

(4) COULD IT BE…MALARKEY? [Item by Steven French.] Theatre critic Michael Billington adopts a somewhat jaundiced view towards claims that The Game of Thrones prequel The Mad King is ‘Shakespearean’, despite it being performed by the Royal Shakespeare Company: “Game of Thrones, Shakespearean? What fools these mortals be!” in the Guardian.

As a latecomer to Game of Thrones, I am struck by how many people tell me it is “very Shakespearean”. It is as if they need to justify its heady escapism and heavy reliance on bonking and brutality. But its debt to the Bard – apart from the rivalry between the houses of Lannister and Stark – rests mainly on the casting. Watching the first 11 episodes, I noticed four Lears past and to come (Julian Glover, David Bradley, Oliver Ford-Davies and Roger Allam), a Macbeth (Sean Bean), a Hamlet and Henry V (Iain Glen) and a Cassius (Michelle Fairley) among many others.

Because it is presented by the Royal Shakespeare Company and staged by Dominic Cooke, who memorably directed The Hollow Crown on television, we shall doubtless hear the same arguments about Game of Thrones: The Mad King at Stratford. But, although there are frequent nods to Shakespeare, they totally lack the resonance of the original….

(5) FRANKENSTEINLY SPEAKING. “Chris Carter on How the Real World Has Caught Up With ‘The X-Files’” at Gizmodo.

Cheryl Eddy, io9: The director’s cut is billed as being more horror-oriented than the original. But other things have also changed—the movie’s a few minutes shorter, some scenes are re-edited, and there are some musical swaps too. What was the process like as you decided what to change?

Chris Carter: There were things I wanted to put back in to make it the scary movie I always imagined it [would be], but there are also things I wanted to take out….

… And when I talk about horror elements, I’m realizing I keep talking about this as a horror movie. It’s really an X-Files horror movie. The original idea came to me when I read a story about a doctor in Cleveland, Ohio, who had transplanted the head of a monkey onto another monkey, and he did it successfully. I thought that’s X-Files territory right there. So I went and sought this guy out, and he explained to me how he had done it and the process … so [I Want to Believe co-writer] Frank Spotnitz and I set about trying to tell an X-Files story about this very thing…

… I’ll tell you the reason to do this director’s cut. It came out of an experience that I had when I showed I Want to Believe to the executives. They watched it. The lights went up and they were angry. They said, “This is not the PG-13 movie you promised you’d make for us. This is torture porn,” they called it, which is a term often used to reference movies like the Saw movies. But, you know, this wasn’t a Saw movie. This was an X-Files movie. But we had to cut it back to satisfy them…

(6) MONSTER TIMES CO-FOUNDER EULOGIZED. “The Passing of a Visionary: Remembering Larry Brill, Co-Founder of ‘The Monster Times’” — Dream Saga pays tribute. (See Steve Vertlieb’s own account from File 770 yesterday, “Remembering Larry Brill And ‘The Monster Times’”.)

…Larry Brill was not merely a businessman; he was a cultural provocateur. In the early 1970s, the landscape of horror fandom was dominated by glossy magazines like James Warren’s Famous Monsters of Filmland. Brill and Waldstein envisioned something different: a bi-weekly tabloid that treated the “fantastic” with the urgency and layout of a major metropolitan newspaper.

The Monster Times premiered in January 1972. While industry insiders predicted a swift and expensive failure, the publication defied the odds, running for 48 issues until 1976. It became a cornerstone of the “Second Wave” of horror fandom, providing a platform for serious film scholarship, investigative reporting on special effects, and a training ground for the next generation of film critics.

Brill’s personality was as much a part of the publication’s DNA as the monsters on the cover. A fierce advocate for human rights and an outspoken participant in cultural debates, he ensured that The Monster Times was more than just a fan magazine—it was a reflection of a creative, adventurous, and often provocative spirit….

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

August 12, 1931 — William Goldman. (Died 2018.)

By Paul Weimer: William Goldman was a screenwriter par excellence, so you probably think I am going to mostly talk about The Princess Bride in this piece. And you would be right, we’ll start there. He adapted his own novel (which had not really found an audience) into one of the greatest screenplays in movie history. It’s the kind of movie roleplayers quote and reference endlessly, it’s a movie with verve, and love, and drama, and everything that viewers of any age could possibly want. I didn’t get to see it until 1990 or so on a videotape of it. I wondered why the Wonder Years kid was the grandson of an old looking Columbo, but I highly enjoyed it.

As my mother was a big fan of WWF (at the time) wrestling, I particularly liked seeing Andre the Giant, especially because in a few short years, he would get less and less mobile and capable, but in the movie he is delightfully fully able. The swordfighting scene is a masterpiece, the duelists actually performing the real swordsmanship schools as they are fighting. (Was 7th Sea the RPG born thanks to this sword fighting sequence?). And so much more.

And Goldman is much more than The Princess Bride. He wrote the screenplay for All the President’s Men although he wasn’t happy with the changes to it. He wrote the screenplay for Butch Cassidy and the Sundance Kid and won an Academy Award for Best Adapted Screenplay. He also did the screenplay for a number of other movies I’ve loved…Heat, Misery, Maverick, Dreamcatcher, and The Ghost and the Darkness. His oeuvre was varied, his scripts excellent, and his talent undeniable. My favorite remains The Princess Bride, but I think you expected that. I’ll blame Vizzini.

William Goldman. Photo by Bernard Gotfryd

(8) COMICS SECTION.

Herman knows the family.
Mother Goose and Grimm applaud self-determination.
Off the Mark demonstrates a new app.
Reality Check has a super-horrible pun.
The Argyle Sweater lists hilariously-named failed cartoons.

(9) TREK COMIC. Charlie Jane Anders announces “I’ve Written a Star Trek Comic!” at Happy Dancing.

… I have loved Star Trek for as long as I can remember. Literally, somewhere there exists a photo of me aged seven or eight wearing my homemade Starfleet uniform — which I probably wore to school, let’s be real. I’ve also been a massive fan of Star Trek tie-in media forever. Star Trek is how I first became a fan of the legendary Vonda McIntyre and the iconic John M. Ford. I will always consider Diane Duane’s Rihannsu novels to be the definitive version of the Romulans. I still have a collected edition of the Gold Key comics that I defaced as a small child with lots of terrible doodles and scribbles. I have a complete set of Peter David’s New Frontier novels, along with a smattering of his other Trek books and comics. And last but definitely not least, I’ve been absolutely blown away by everything IDW has been doing with the Star Trek comics for the past few years.

More than any other big science fiction or fantasy universe, I’ve always seen Star Trek as being at least as much about the novels and comics as the TV shows and movies.

So yeah — when I was approached to write a Star Trek comic, I was over the moon. Especially the opportunity to start a title from scratch, with a brand new ship and a mostly new crew, including a few characters from existing TV shows, felt like a massive gift. The comic I’m writing is called Star Trek: Zero Point and the first issue is out October 14. However, if you want to make sure your local comic book store sets aside a copy for you and you don’t lose out, you only have until September 7 to request it. This is a weird quirk of how comics work — they’re non-returnable, so if you really want to read something, you absolutely need to ask for it over a month before-hand.

Star Trek: Zero Point takes place five years after the end of the Picard TV show….

… One thing I can tease about the opening storyline is that we’re visiting an eyeball planet! Long-time readers of my work will know that I am obsessed with tidally-locked planets, meaning planets where one side faces towards the sun and the other side is always locked in darkness. Many tidally-locked planets are believed to be so cold that they are covered entirely with ice except for a small dot of liquid water where the planet is closest to the sun — hence eyeball. To make this work, I ended up talking to four physicists and exoplanet scientists, including a former NASA scientist. I’m super passionate about including real science in this comic wherever I can…

(10) DOGS RECOGNISE HUMAN EXPRESSIONS. [Item by SF Concatenation’s Jonathan Cowie.] “We should smile at our dogs – a new scientific study reveals why” at BBC. (Subscription required for readers outside the UK.)

Now scientists have worked out exactly what is going on inside a dog’s brain when it sees a human – even a complete stranger – smiling or scowling.

Their research involved 14 dogs in total who all sat very still in a brain scanner while they were shown pictures of people’s faces.

Photographs of happy, smiling human faces made an area of the brain that is associated with reward “light up” with activity.

This reward circuitry is the part of the brain that is activated when we enjoy and remember good things, like tasty food or praise.

In terms of our own brains, we often refer to it as the “hit” or “high” that is triggered by winning a game or even receiving a positive comment on a social media post….

Primary research for above is here.

[Thanks to SF Concatenation’s Jonathan Cowie, Chris Barkley, Steve Vertlieb, Paul Weimer, Mark Roth-Whitworth, Kathy Sullivan, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 11/4/2025 Can We Have Pixels For Breakfast, Filer Dear, Filer Dear?

Posted on November 4, 2025 by Mike Glyer

(1) STOKERCON 2026 ADDS GOH. The Horror Writers Association (HWA) and the StokerCon® 2026 Committee today announced author Rachel Harrison as a Guest of Honor at next year’s event, taking place in Pittsburgh.

Rachel Harrison is the author of acclaimed novels including Play Nice, So Thirsty, Black Sheep, Such Sharp Teeth, Cackle, and The Return, which was nominated for a Bram Stoker Award® for Superior Achievement in a First Novel. Her short fiction has appeared in Guernica, Electric Literature’s Recommended Reading, as an Audible Original, and in her debut collection, “Bad Dolls.” She lives in New Jersey with her husband and their cat overlord.

“We’re thrilled to welcome Rachel Harrison to our slate of Guests of Honor for StokerCon 2026 in Pittsburgh,” says Maxwell I. Gold, Executive Director of the Horror Writers Association. “Her distinctive blend of horror, feminism, and dark humor has won her a devoted readership and a critical following. She’s a powerhouse voice in contemporary horror.”

Other 2026 Guests of Honor include: Linda Addison, Ann VanderMeer, John Shirley, Billy Martin, James Tynion IV, and Rachel Harrison. Learn more about the Guests of Honor and register for the event on the Official StokerCon® website. Tickets are available via Eventbrite.

(2) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present: Mary Robinette Kowal & Lara Elena Donnelly on Wednesday, November 12, 2025, 7:00 p.m. Eastern at KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

Mary Robinette Kowal

Mary Robinette Kowal is the USA TODAY bestselling author of the Hugo, Nebula, and Locus award winning alternate history novel The Calculating Stars, the first book in the Lady Astronaut series. She’s won the Astounding Award for Best New Writer, four Hugo awards, the Nebula, and Locus awards. She has also worked as a professional puppeteer, is a member of the award-winning podcast Writing Excuses, and performs as a voice actor, recording fiction for authors including Seanan McGuire, Cory Doctorow, and Neal Stephenson. She lives in Denver with her husband Robert, their dog Guppy, and their “talking” cat Elsie.

Lara Elena Donnelly

Lara Elena Donnelly is the author of the Nebula nominated Amberlough Dossier, the contemporary thriller Base Notes, and short fiction in Strange Horizons, Escape Pod, Nightmare, and Uncanny. She has taught in the MFA program at Sarah Lawrence College, as well as the Catapult Workshop. She is a graduate of the Clarion and Alpha writers’ workshops, and has served as on-site staff at the latter, mentoring amazing teens who will someday take over the world of SFF. You can also find her at Homeward Books, where she’s one of four co-founders working to bring genre-defying literature into being.

(3) SEATTLE BOOKSTORE’S USE OF AI. [Item by Frank Catalano.] I have no horse in this game (and I am not a romance reader), but GeekWire has an interesting story on how a new romance bookstore in Seattle is using AI on the backend to help with book categorization, choosing inventory and building a customer loyalty program.

While I am generally on Team Not-AI, some of these applications may actually make sense for genre bookstores in general. If they actual prove to work as expected here: “She left tech to open a romance bookstore, and AI is helping the small business blossom” at GeekWire.

…Here are some of the ways Swoon City is tapping into AI, leveraging Coughlin and Vetoshev’s know-how:

To help pick the store’s inventory of 3,000 books, they used analysis based on Seattle Public Library data of the most-borrowed romance novels over the past 18 months.
They built a custom generative AI tool to categorize all the romance novels they bought into sub-genres so people can quickly find their favorites. For example, the book “Thirsty” would typically just be categorized under romance or maybe paranormal romance, but Swoon’s system categorizes it as paranormal romance, LGBTQ, enemies to lovers, vampire romance, romantic comedy, and urban fantasy.
GenAI was used to build a customer loyalty program. Vetoshev, who said he is “all in” on Anthropic, asked the AI assistant Claude to analyze some requirements they had for different programs. Claude wrote back and said, “You could go with this one, or you could just build it yourself. Here’s how.”…

(4) HANDMADE EDITION OF BUTLER BOOK. Tomorrow night The Huntington will host “Alison Saar and the Arion Press Edition of Octavia E. Butler’s ‘Kindred’”. November 5, 2025, 7:30—9:30 p.m. It’s free – register at the link.

Please join us for a talk with celebrated artist Alison Saar that explores the intersection of storytelling, bookmaking, and history.

The event will center on Saar’s collaboration with Arion Press—the last printer in America to make books entirely by hand from comma to cover—to print a fine press edition of Octavia E. Butler’s influential novel Kindred as an artist book.

Saar will appear in conversation with Arion’s Creative Director Blake Riley to reveal the story behind the craft of Arion’s Kindred. The evening will illuminate how the creative decisions behind the book—from the choice of materials to the typeface—amplify the powerful social themes of Butler’s masterpiece and Saar’s aesthetic vision.

The Huntington is pleased to present this event to highlight the Octavia E. Butler papers and the Library’s distinctive holdings in fine press editions and artist books.

(5) MURDER TOURISM. Rachel Corbett tells about Sherlock Holmes creator’s interest in the Ripper in “Arthur Conan Doyle, Jack the Ripper and the Fact and Fiction of Criminal Profiling” at CrimeReads.

…Doyle was in his mid-forties and already the knighted author of the fanatically beloved Sherlock Holmes stories when he visited the East End that rainy spring day in 1905. He met up with his companions for the tour—an actor, a literary critic, a barrister, and a physician—at the Bishopsgate Police Hospital. They were all members of Our Society, a secretive gentlemen’s group that had recently formed to analyze the most gripping murders of the era and the criminal minds behind them. One of its members, Samuel Ingleby Oddie, had managed to secure an exclusive walking tour around each of Jack the Ripper’s five canonical murder sites, led by detectives and the police surgeon who had performed the autopsy on the fourth victim.

Oddie, who went on to become a coroner for the city, wrote in his memoir years later that of all the murders he’d seen, the one on Dorset Street was the most horrific. “I saw the police photographs of the mass of human flesh which had once been Mary Kelly, and let it suffice for me to say that in my twenty-seven years as a London Coroner I have seen many gruesome sights, but for sheer horror this surpasses anything I ever set eyes on.”

Our Society was popularly known as the Crimes Club and its members over the years included academics, the owner of the Daily Mail, and scores of writers, including P. G. Wodehouse and Bertram Fletcher Robinson. They gathered over dinner to discuss cases such as the serial poisoner Dr. Thomas Neill Cream; the “Brides in the Bath” killer George Joseph Smith, who drowned three of his wives; and now the infamous Jack the Ripper cold cases. They looked at crime-scene evidence, evaluated the police work, and considered whether the laws had been correctly applied. But they also took into account something the police often did not: the killer’s psychology. Fingerprints and blood tests were not yet available during Jack’s season of terror. But by the time the club formed, its members were learning about exciting developments in forensics, as well as a new field called criminology, which explored the root causes of and responses to criminal behavior…

(6) DEL TORO EVENT IS BOON TO LA PUBLIC LIBRARY. The Library Foundation of Los Angeles says its October 3 event “Guillermo Del Toro in conversation with Ken Sanders: Frankenstein” raised a lot of money, including a big check from the director.

At our sold-out evening, Frankenstein: Guillermo del Toro in Conversation with Ken Sanders, filmmaker Guillermo del Toro helped raise $100,000 for the Los Angeles Public Library. Hosted by Netflix in partnership with Rare Books LA, the event offered an intimate look into del Toro’s creative vision, where he shared that art, like Shelley’s Frankenstein, stands out to him as a true act of creation: a reflection of humanity, empathy, and imagination.

From the stage at Netflix’s Tudum Theater, del Toro announced a personal $50,000 matching gift, doubling the night’s impact.

(7) MOTHERSHIP CONNECTION. The New York Times appreciates an impressive work in “A Public Art Rocket Ship Lands in Manhattan”. (Behind a paywall.)

On a small pedestrian oasis on 14th Street between Hudson Street and Ninth Avenue stands “The Mothership Connection,” an artwork that appears to be a funky rocket ship that’s landed in New York after roaming the African-diasporic cultural universe.

Downtown Manhattan was not a stop on its original itinerary. Its maker, Zak Ové, a 59-year-old British-Trinidadian artist who grew up in London, was commissioned in 2019 to make a work that spoke about the African diaspora for a sculpture park in Hawaii. To design it he leaned into his fascination with the mythologies of traditional masks from African antiquity and his childhood memory of seeing Parliament-Funkadelic in concert; the sculpture is named after the band’s 1975 album.

The 30-foot-tall sculpture seems simultaneously a rocket and a monumental totem for some undiscovered tribe. It has several tiers, including red and green legs angling over the bottom section, where a yellow cylinder decorated with vertical magenta bars surround undulant red flames in Perspex.

The next tiers above are varicolored squares with blue and magenta posts poking outward and above glassy mask forms and incised Haitian Vodou symbols. Above this is a multicolored body of appliquéd lights designed for vintage Cadillac cars and decorative flanges that project outward like wings. The top of the piece is a blue mask of West African origin, topped with and surrounded by a translucent red headdress.

In an interview, Ové described the work as “a mash-up.” He noted specific elements including a Mende helmet mask worn by women in healing ceremonies in Sierra Leone, the Luba masks from the Democratic Republic of Congo, Kwele masks and Vodou veve’s symbology from Haiti and from Trinidad. Not long before making the piece, he had visited Washington, D.C., he said, where he was “fascinated by Masonic architecture, so I’ve referenced things like Masonic pillars.”…

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(8) PETER WATKINS (1935-2025). [Item by Steven French.] From the Guardian obituary of Peter Watkins who made the terrifying post-nuclear mockumentary The War Game: “Peter Watkins: an English film-making revolutionary from a tradition of uncompromising radicalism”.

At the beginning of the 1970s, Watkins gave us a movie that is less well known than Culloden and The War Game, but is perhaps his masterpiece. Punishment Park, from 1971, is closer to the deadpan dystopian satire that was soon to be fashionable in Hollywood, but is absolutely characteristic of Watkins. Though it is set in the US, a crisp, received-pronunciation English voice introduces what is apparently to be a BBC-style documentary. The American government is getting tough with hippies, troublemakers and radicals, and makes them choose between 20 years in jail or a few days in the mysterious new “Punishment Park”. Of course most choose the Park, not knowing what is in store, and for once Watkins’ godlike narrator loses his cool at what is happening, eventually screaming in horror and disgust, as if Ludovic Kennedy or David Attenborough had been reduced to a nervous breakdown. It is an unforgettable moment.

(9) MEMORY LANE.

[Written by Cat Eldridge.]

November 4, 1996 — DS9’s “Trials and Tribble-ations”

Twenty-nine years ago on this evening in most U.S. markets, DS9’s “Trials and Tribble-ations” first aired in syndication.

A most delightful episode, it blended footage from the original “The Trouble with Tribbles” into the new episode in a manner that allowed the characters from DS9 to appear to interact with the original Trek crew. (The original Tribbles episode was nominated for a Hugo at Baycon in 1968 but lost to “The City on the Edge of Forever”. All five nominees that year were Trek episodes.)

The story is that those meddlesome Agents from Temporal Investigations have arrived on Deep Space 9 and so Sisko is recounting how he and the crew of the Defiant traveled back in time to the 23rd century to prevent the assassination of Captain James T. Kirk during the original Enterprise’s mission to Space Station K-7.

The story was by Ira Steven Behr, Hans Beimler and Robert Hewitt Wolfe, with Ronald D. Moore and René Echevarria writing the actual script. It’s amazingly well done for that many hands being involved.

So let’s talk about this episode.

It would digitally insert the performers from this series into the original episode. I’m still amazed after watching a half dozen times how well they did this. I’ve watched both shows back-to-back several times, which is well worth doing as they did a stellar job of making the DS9 characters work seamlessly in the old episode. (I know they weren’t actually there but I still think they are there as they feel like they are.)

It was because of the complexity of these digital interactions, and many other things, the single longest shooting of any Trek episode. Just creating the footage for the fight with the Klingons in the bar would take almost a full week to shoot due to the number of separate shots involved, the complexity of staging, and other minor details.

And everyone loved that they brought Charlie Brill back to film new scenes.

Every detail possible was attended to. The original model of station K-7 was long lost by the time this episode was being shot so the model here was created by watching the original episode over and over until they got it just right says the modeling staff. Yes, almost everything here isn’t digital.

For their model of the Enterprise, the staff consulted sketches made for the original series and had a special set of plans made for the new model’s construction. They couldn’t use the original model in Smithsonian as the restoration over the decades had altered the way it looked. Pity that.

I think can best have its attitude summed up in this conversation…

Sisko to Bashir: “Don’t you know anything about this period in time?”

Bashir: I’m a doctor, not an historian.”

Dax in her red short skirt: “In the old days, operations officers wore red, command officers wore gold… (Looks at her outfit.) “And women wore less. I think I’m going to like history.”

Paramount promoted the episode by arranging the placement of around a quarter million tribbles in subways and buses across the United States. Anyone see one of these?

A note: In the original episode, after Kirk opens the cargo hold door and is showered in tribbles, lone tribbles continue to fall on him one by one, every minute or so, for the rest of the scene. This episode provides the explanation as to why this happens: Sisko and Dax are hiding in the cargo hold, scanning all the tribbles and then tossing them out the door. Very neat.

Deep Space Nine, like almost everything else Trek, is available on Paramount+.

(10) COMICS SECTION.

Brewster Rockit knows the truth.
Glasbergen has an exit strategy.
The Argyle Sweater knows credentials.

(11) THIS GORE WAS NOT A SENATOR. [Item by Steven French.] The Guardian’s Keith Stuart recalls the moral panic over Mortal Kombat: “How Mortal Kombat (and moral panic) changed the gaming world”.

On 9 December 1993, Democratic senator Joe Lieberman sat before a congressional hearing on video game violence and told attendees that the video game industry had crossed a line. The focus of his ire was Mortal Kombat, Midway’s bloody fighting game, recently released on the Sega Genesis and Super Nintendo Entertainment System after a successful run in the arcades. “Blood splatters from the contestants’ heads,” he told the room. “The game narrator instructs the player to finish his opponent. That player may choose a method of murder ranging from ripping a heart out or pulling off the head of the opponent, with spinal cord attached.”

Lieberman’s aim with the congressional hearing had been to force the US games industry into creating a formal ratings system, preventing minors from buying violent titles. He succeeded in that – the Entertainment Software Rating Board was established as a result of the hearing – but he also boosted a moral panic that had quietly begun with the launch of the Mortal Kombat arcade game in 1992. This then took on more urgency following the high-profile home console release on 13 September 1993 – a global simultaneous launch Midway named Mortal Monday. US news networks were sending reporters to arcades, interrogating teens as they enthusiastically dismembered each other’s fighters. Newspapers were interviewing alarmed child psychologists. The BBC responded by featuring the game on its late-night news magazine programme The Late Show, calling in author Will Self to play live in the studio….

(12) BLASTING OFF. Daniel Greene leads his October 28 YouTube sff news video with a poorly-researched but highly energized rant against those who gave Dave McCarty another week to deliver the 2023 Hugos: “The Greatest Display Of Incompetence I Have Ever Seen”. Here’s an example of one of the things Greene doesn’t understand. At one point he underscores his commentary with an onscreen headline “Dave even resigned in 2024!” But what McCarty resigned from was his position as a director of Worldcon Intellectual Property, Inc. – he never resigned as Hugo Administrator of the Chengdu Worldcon. WIP administers the service marks, it does not run the awards, individual Worldcons do that.

(13) ANTIMATTER DRIVE PREDICTED. [Item by SF Concatenation’s Jonathan Cowie.] Hyper-space drives, jump drives, space-folding, wormholes, sub-space and even — unlikely as it may seem — infinite improbability drives among many others show that science fiction is not short of modes of faster-than-light transportation. But unless we can find a hack to get around Einstein, they are all likely to remain just genre tropes. The good news is that there are other drives than chemical rockets that physics will allow even if they will not be with us tomorrow. One such is the use of anti-matter. There are huge problems to overcome, but it could be – just could be – that one form of anti-matter drive could be with us in decades’ time!

Physicist Matt O’Dowd over at the PBS Space-Time YouTube Channel has just taken a look at this in his 20-minute video: “Why Antimatter Engines Could Launch In Your Lifetime”.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Mike Kennedy. And Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 10/21/25 Waiter, There’s A Flying Saucer In My Soup

Posted on October 21, 2025 by Mike Glyer

(1) KIM STANLEY ROBINSON ARCHIVE GOES TO HUNTINGTON. Announced today:“The Huntington Acquires the Archive and Library of Award-Winning Science Fiction Writer Kim Stanley Robinson”. The collection will be processed with the goal of making it available to researchers by 2027.

Kim Stanley Robinson beside a chapter outline for The Ministry for the Future, 2018.

The Huntington has acquired the papers and personal library of Kim Stanley Robinson, a New York Times bestselling author and winner of the Hugo, Nebula, and Locus awards.

Robinson is the author of more than 20 books, including his bestselling Mars trilogy—Red Mars (1992), Green Mars (1993), Blue Mars (1996)—and the widely praised 2312 (2012), Shaman (2013), New York 2140 (2017), and The Ministry for the Future (2020).

“It’s a deep pleasure to have my archive go to The Huntington,” said Robinson. “I remember visiting from Orange County when I was in school; as a lifelong library lover, I was amazed there could be such a big and beautiful one. Since then, I’ve known The Huntington as the home of the Octavia E. Butler papers, and I’m proud to have mine join hers there. Science fiction is the genre best suited to expressing Southern California—as our work will show. I’m also honored to have my papers join the library that holds those of other authors I admire, such as Hilary Mantel and Thomas Pynchon.”

Award-winning novelist Jonathan Lethem hailed Robinson’s Ministry for the Future, which envisions the consequences of a future climate crisis, as the “best science fiction–nonfiction novel I’ve ever read.” The novel inspired the 2024 launch of the real-life Oxford Ministry for the Future, which describes itself as “an interdisciplinary network of academics, writers, policymakers, and corporate leaders working to convene high-profile public events and educational activities that amplify voices from the humanities and social sciences.” The protagonists of Robinson’s novels are often scientists, with storylines that engage in both technological discovery and the social issues surrounding scientific progress.

“The Huntington’s acquisition of Robinson’s archive and library expands our capacity to connect literature with pressing questions facing society today,” said Karen R. Lawrence, president of The Huntington. “Robinson’s unflinching fiction urges us to judge our present actions ‘from the angle of the future,’ as one of his characters puts it. The Huntington’s wide-ranging collections and support for advanced research will enable scholars to see Robinson’s work within both its literary traditions and cultural impact.”…

…“Robinson’s archive strengthens the Huntington Library’s holdings in contemporary literature, enriching a collection that also includes such speculative fiction writers as Octavia E. Butler and Robert Silverberg,” said Sandra Brooke Gordon, Avery Director of the Library. “Robinson’s archive also complements Huntington collections documenting the history of the American West, Southern California’s astronomical research, and the aerospace industry.”

The Robinson archive comprises 50 linear feet of papers, photographs, and manuscripts as well as thousands of digital files. It contains:

Draft manuscripts, typescripts, and digital files for nearly all of Robinson’s novels, with extensive revisions that reveal his writing process and evolving ideas.
Research materials and notes on subjects ranging from Martian geology and Antarctic glaciology to climate science and economics, which informed his fiction.
Correspondence with scientists, policy experts, and fellow authors, offering insight into his collaborations and his role in climate policy discussions.
Personal notebooks and journals documenting Robinson’s creative process, daily life, and reflections on environmental and political issues.
Thousands of digital photographs related to his travels and backpacking expeditions as well as ephemera related to his public appearances.
Annotated editions of works by authors who influenced him, including Henry David Thoreau, Virginia Woolf, and Ursula K. Le Guin.

(2) READING NAYLER. Rich Horton is jazzed about Ray Nayler’s new book, as he explains in his review for Strange at Ecbatan, “The End of the World (and a Beginning?)”.

Ray Nayler’s remarkable new novel is, from one perspective, a tale of the end of the world. It is from another perspective an oddly hopeful novel — though the hope is for something diminished, in a sense. It is a novel that is completely uncompromising both in its treament of its characters and in its view of its world and its power structures. It is also true SF and stuffed with fascinating ideas….

… The plot is intricate, with lots of spywork — daring escapes and desperate searches. As I said, Nayler is unsparing of his characters — no one is guaranteed to survive…

(3) SEE LE GUIN’S MAPS IN LONDON. The Architectural Association School of Architecture is hosting “The Word for World”, an exhibition and book presenting the maps of Ursula K Le Guin, at its London gallery through December 6.

When Ursula K Le Guin was writing a new story, she would begin by drawing a map. The Word for World presents a selection of these images by the celebrated author, many of which have never been exhibited before, to consider how her imaginary worlds enable us to re-envision our own.

Le Guin’s maps offer journeys of consciousness beyond conventional cartography, from the archipelagos of Earthsea to the talismanic maps of Always Coming Home. Rather than remaining within known terrain, they open up paradigms of knowledge, exemplified by the map’s edges and how a map is read, made and remade together.

The exhibition coincides with the release of The Word for World, a book co-published by Spiral House (a new imprint of Silver Press) and AA Publications. The book brings Le Guin’s maps together with poems, stories, interviews, recipes and essays by contributors from a variety of perspectives to enquire into the relationship between worlds and how they are represented and imagined.

(4) SEE LE GUIN’S ART IN PORTLAND. Theo Downes-Le Guin alerted readers today that an exhibition about Ursula Le Guin’s life and art – “A Larger Reality: Ursula K. Le Guin” – will open at the Oregon Contemporary in Portland, OR on November 1 (and remain up through February 8, 2026).

A Larger Reality: Ursula K. Le Guin offers a biographical and poetical portrait of one of Oregon’s best known artists. Examining important moments and themes in Le Guin’s life and oeuvre, the exhibition encompasses a rich variety of media, immersing guests in the ideas, playfulness and hope that course through Ursula K. Le Guin’s art. The exhibition is curated by Theo Downes-Le Guin, the author’s son, with contributions from many others who knew the author or her work.

A Larger Reality honors many facets of this complex artist, intermingling contemplative and open-ended experiences with texts, images, audio, video, interactive experiences, and ephemera, places to lean back and unwind, and places to lean in and engage. The exhibition offers different levels of engagement for fans and Le Guin novices alike.

During the three month exhibition run, A Larger Reality will be punctuated by programming that brings in other elements of Le Guin’s art including music, activism, and community engagement. An accompanying book, published by Winter Texts (Port Townsend) offers a series of texts by Le Guin and others.

(5) TREEHOUSE OF HORROR TIME. “’The Simpsons: Treehouse of Horror XXXVI’ Score Was Inspired by ‘Jaws,’” explains Variety.

Yes, that was a “Jaws” reference in the latest “The Simpsons: Treehouse of Horror” episode, and it very much riffs off John Williams’ iconic score.

Composer Kara Talve confirms “Jaws” was the main reference. Talve is no stranger to scoring “Treehouse of Horror,” the annual horror-themed episode of “The Simpsons,” which is now in its 37th season. She is part of Bleeding Fingers Music, a collective founded over a decade ago by Hans Zimmer. Talve is on her sixth go-round with score producer Russell Emanuel.

In the episode, Springfield is “menaced by a mysterious murdering monster from out of the sewers, Krusty has a demonic special guest on his live Halloween special, and we are transported a thousand years into the town’s poseable plastic post-apocalyptic future.”

The episode is split into three segments, the first titled “The Last Days of Crisco.” Fatberg is the monster who draws fat from his victims and parodies “Jaws.” Emanuel explains, “The music to Fatberg had to be delightfully distasteful and disgusting. So we had to score disgusting.”

Talve adds, “‘Jaws’ was the biggest reference for Fatberg. So we got to go really John Williams, with heavy orchestral music, and we used big, over-the-top brass.” The duo moved around notes to create a sound that was dissonant, amplifying the disgusting effect….

… “Clown Night with the Devil” sees Krusty the Clown’s show go haywire when the Devil (voiced by Idris Elba) shows up and causes chaos. Unlike the previous segment, the music veered away from orchestral sounds and leaned into synth-heavy tones. Talve points out, “It references ‘Late Night With the Devil.’”…

… “Plastic World” leans away from horror and more into a dystopian depiction of Springfield, imagining a world covered in Buzz Cola bottles. For that segment, renowned woodwind player Pedro Eustache was brought in with his extensive arsenal of woodwinds. Talve says, “He used the Wilding Horn,” and, in addition to that, Eustache — who is known for making many of his own instruments — brought in a pipe.

Emanuel says, “He had made this giant thing out of PVC pipe, and he was a key part of the sound of ‘Plastic World.’”….

YouTube has a promo trailer — The Simpsons treehouse of horror XXXVI trailer (2025); a snip from the intro — The Simpsons treehouse of horror XXXVI intro (2025); and a two-minute clip from the episode — Bart Gets Dragged from Hell.

(6) SEVEN-FIGURE SHRINKAGE. “Disney+ Cancellations Jump After Kimmel Suspension” – the New York Times has the numbers. (Article behind a paywall.)

Disney+ and Hulu customers canceled their subscriptions in droves last month, according to independent data released on Monday, an apparent reaction to Disney’s temporarily pulling “Jimmy Kimmel Live!” off the air.

About three million Americans canceled Disney+ in September, up from a three-month average of 1.2 million, according to Antenna, a subscription research firm. Disney-owned Hulu had roughly 4.1 million cancellations in the United States, up from 1.9 million.

The numbers offered the first glimpse at the economic fallout for Disney from the “Jimmy Kimmel Live!” dispute. The company pulled Mr. Kimmel’s show on Sept. 17 after growing criticism, including by a top federal regulator, over comments Mr. Kimmel made during his show about the man accused of fatally shooting the conservative activist Charlie Kirk. The show’s suspension set off a national debate about free speech and the Trump administration’s attacks on the media.

People who were angry about Disney’s action began calling for a boycott of the company’s products, in particular its streaming services. “Cancel your @disneyplus @hulu @espn subscriptions!” Tatiana Maslany, who starred in the Disney+ show “She-Hulk: Attorney at Law,” posted on her Instagram account.

Mr. Kimmel’s show returned on Sept. 23….

(7) TODAY’S BIRTHDAY.

[Item by Paul Weimer.]

October 21, 1956 — Carrie Fisher. (Died 2016.)

By Paul Weimer: She’ll always be Royalty to me, to quote the movie.

Since, as I have mentioned before, Return of the Jedi was the first Star Wars movie I saw, I got to see her in her most deprotagonized state, in the bikini, before seeing the more proactive and kick-ass heroine of the first two novels. Still, I couldn’t take my eyes off of her, given my age, and given her magnetism and charm, who could blame me?

So, when Fisher returned in the latest Star Wars Trilogy, after decades, I was cheered in The Force Awakens. And then felt the tragedy and weight of her passing, both cinematic and real, in The Last Jedi. I didn’t quite realize just how much she was a formative figure in my genre life, until she had passed and I could reflect on it.

In a non-genre mode, I highly enjoyed her as well in one of my favorite romantic comedies (if not the favorite), When Harry Met Sally. And again, who could blame Bruno Kirby’s character, upon seeing her on the double date, wanting to switch from Meg Ryan (sorry Meg) to Carrie Fisher first chance that he got.

And off screen, she showed she was as smart as she was intelligent and charismatic with her skills in script writing and rewriting. Truly a talent far beyond a woman in a gold bikini…and one that is missed.

Editorial note: This is her in Wonderwell, her last performance. She played Hazel who or may not be The Witch of The Woods. Though it was released in 2023, it was filmed in 2016.

(8) COMICS SECTION.

Carpe Diem can’t go back for it.
Saturday Morning Breakfast Cereal discusses signaling.
Speed Bump knows true pain.
The Argyle Sweater never expected this security question.
xkcd graphs a thing about Star Wars casting.

(9) DOUBLE DAY. Apprehension/Red Star Hustle, the former by Mary Robinette Kowal, the latter by Sam J. Miller, are part of a new Saga Double book released October 21.

Two expertly crafted crime stories, by two Nebula award winning authors, set in a far-future science fiction universe, from two award-winning authors known for their gripping plots and unforgettable characters—a short novel and a long novella that will thrill fans of space adventures, mystery, and intergalactic intrigue in this Saga Double.

(10) KICKSTARTER-FUNDED ON SPEC 2026 ANTHOLOGY COMING. Shadowpaw Press has announced it will carry on the legacy of On Spec, Canada’s premier magazine of science fiction and fantasy, which recently announced it will be ceasing publication after thirty-five years. (You can read more about the history of On Spec here.)

The current plan is to Kickstart an On Spec 2026 anthology early in 2026, with the goal of opening to submissions after that and publishing the book in the fall. If the Kickstarter succeeds, the aim would be an annual anthology thereafter.

The anthology will be open to all Canadian writers of science fiction and fantasy and edited by Shadowpaw’s publisher and editor Edward Willett, an Aurora Award-winning author of science fiction, fantasy, and non-fiction for all ages. Like so many other Canadian authors, Willett has himself been published in On Spec. Willett looks forward to drawing on the expertise and assistance of the current On Spec editorial staff as he works toward publication of the new anthology.

Willett has previously run six successful Kickstarters, most notably the campaigns that produced the five Shapers of Worlds anthologies, featuring authors featured on his Aurora Award-winning podcast, The Worldshapers, international award-winners and bestsellers among them, and numerous Canadians.

(11) WHAT IF WE FIND SOMETHING? [Item by Steven French.] It’s good to be prepared … “What do we do if SETI is successful?” asks Phys.org.

The Search For Extra Terrestrial Intelligence (SETI) is evolving. We’ve moved on from the limited thinking of monitoring radio waves to checking for interstellar pushing lasers or even budding Dyson swarms around stars. To match our increased understanding of the ways we might find intelligence elsewhere in the galaxy, the International Academy of Astronautics (IAA) is working through an update to its protocols for what researchers should do after a confirmed detection of intelligence outside Earth.

(12) JELLICLE PARODY. From Forbidden Broadway — “I Enjoy Being A Cat”. Hear the tune at the link.

Remember when actors played humans
Now to bring home a paycheck I dress up in fur
So I glue on my whiskers, tail and animal hair
And I grin it and I bare it with a purr.

When I wear my brand new collar
And my fur is all smooth and pat
I love to hear the public hollar
I enjoy being a cat.

I rather do serious dramas
But as long as my paychecks fat
The show is the cat’s pajamas
I enjoy being a cat.

[Thanks to Mark Roth-Whitworth, Steven French, Kathy Sullivan, Mickey Mikkelsen, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/22/25 Four Worldcons And A Funeral For The Eyes Of Fire

Posted on April 22, 2025 by Mike Glyer

(1) TRIMMED FROM THE HUGOS. Nicholas Whyte has done a study of Hugo disqualifications and withdrawals in “Booted from the Ballot: the almost-finalists in the Hugo Awards” at From the Heart of Europe. Charts and graphs! Voter turnout analysis! A truly deep dive.

In the brief downtime between announcing the Hugo final ballot, and getting voting under way (which will be Real Soon Now), I reflected that the two disqualifications and two withdrawals from the ballot this year seemed rather low by recent standards. So I looked into the records, and found indeed that of the seven years that I have been involved with running the Hugos, only one had fewer such cases – two were disqualified, and one declined, in 2021…

(2) SCIENCE FICTIONAL BLOSSOMS. “It’s Springtime on Polaris-9b, and the Exoflowers Are Blooming”. The New York Times article is behind a paywall. However, artist Vincent Fournier’s website has a gallery of images – “Flora Incognita”.

Imagine setting out for a springtime stroll. Not here on Earth but on some distant planet — call it Novathis-458b — orbiting a distant star. Even light-years from home, you recognize some familiar pleasures: The sun (albeit a different sun) is shining. The roses are in bloom. A breeze is blowing.

But these are no ordinary roses, and it is no everyday breeze. The wind clocks in at more than 15,000 miles per hour, and the flowers, Rosa aetherialis, have evolved to harness it. Their strong pink petals curl around a spiral interior that holds the plant’s reproductive organs. The spiral shape directs the supersonic wind through the center of the flower to flush out its pollen and carry it across the planet.

If roses had evolved in a place like Novathis-458b — an imaginary place, but one that bears certain similarities to real exoplanets — this is what they might look like, Vincent Fournier, a French artist and photographer, posits in his otherworldly project, Flora Incognita, which will be on display this week at the Association of International Photography Art Dealers show in New York….

(3) KAIJU IN THE HEARTLAND. [Item by Sean Mead.] Bloomington has declared June 27th as Godzilla Day to celebrate a screening of the 1954 film. “Mayor Thomson declares Godzilla Day for rare film screening” reports Indiana Public Media.

Godzilla is perhaps best known for destroying cities, but an Indiana city will celebrate him this summer.

Bloomington Mayor Kerry Thomson proclaimed June 27 as the first ever Godzilla Day.

In her proclamation last Tuesday, Thomson said the city wants to honor the original, uncut 1954 Toho Studios film screening at the Buskirk-Chumley Theater that evening….

… The original cut of the Godzilla film that will be shown at the Buskirk sat in storage for over 50 years before the studio re-released it in 2006.

The version of Godzilla familiar to most Americans was recut by distributors for American audiences. They removed 20 minutes of footage and much of the soundtrack, in addition to inserting new sequences featuring an American reporter as the main character.

“It’s a little bit more gritty, and it really talks about the realities of what had happened during the war and the atomic bombing,” Bredlau said about the original. “So much of that was sanitized for the Americans. It really took away a lot of the responsibility and heaviness of what happened in the war.” …

(4) MORE ON WILLY LEY. Andrew Porter sent along some of the comments left on the New York Times article “Willy Ley Was a Prophet of Space Travel. His Ashes Were Found in a Basement” linked in yesterday’s Scroll. (Link bypasses paywall.) Here are several excerpts, the first two from well-known sff writers.

Prof. John G. Cramer, Seattle, WA

When I was a teenager, Willy Ley wrote a regular science column in Astounding Science Fiction magazine. (It’s now called Analog, and now I write a regular science column in it.) I was a teenage physics experimenter, and I managed to wind a magnet solenoidal coil that had the shape of a Moebius Strip, a peculiar topological cylinder that has only one edge instead of two. I thought it should do something interesting, but it didn’t seem to do so. I took a picture of it and sent it to Willy Ley at Astounding, asking why it didn’t have one magnetic pole instead of two, since it only had only one edge. To my amazement, he replied with a long letter, exposing me for the first time to the ideas behind Maxwell’s Equations and explaining why my weird coil had to have two magnetic poles. Willy, I owe you a lot, and I miss you.

Al Sirois, NC

Willy Ley was a great but humble man, a far-sighted visionary who fled the Nazis. In NY he helped design and build the first interstate mail rocket, liquid fueled. You can see Pathe newsreel footage of the flight on YouTube. I built model kits of his spaceship designs when I was a kid. I interviewed his widow for a novel I later wrote about Willy and his work and his clash with Nazi spies (speculative, that last bit).

Michael Patlin, Thousand Oaks CA

My parents got to know Ley through their friends Fletcher Pratt and Sprague de Camp . Both Sci-Fi writers and space enthusiasts. Pratt was the founder of the “ Trap Door Spiders” , a literary group in NYC in the 40s and 50s amongst other endeavors .

Andrew Porter, Brooklyn Heights

In the second half of the 20th Century, Willy Ley was the go-to person for informed commentary on astronautics and space travel. Living in NYC, he was a frequent guest at science fiction conventions (where I was privileged to hear him speak), as well as being author of many authoritative books on the field. I have shared the link to this widely with the science fiction community, both to individuals and to various news sites. Hopefully we can quickly raise money to send the ashes into space.

(5) RESISTANCE AND COLLABORATION. Gita Jackson’s New York Times opinion piece says “Watching ‘Andor’ Is No Substitute for Actual Resistance”. (Link bypasses paywall.) Chris Barkley, whose own pre-review of Andor Season 2 posted today, sent the item with the comment, “I disagree with her view of Andor as a ‘feel good about ourselves” show…”

… The series’ ability to capture a radical ideology has been the source of much of the show’s critical praise. I found that seeing my own anticapitalist, anti-empire ideals reflected back to me in this show was affirming, as well as inspiring. But it also made me feel conflicted. After the creator of “Star Wars,” George Lucas, sold his production company to Disney in 2012, the series became part of Disney’s larger economic ecosystem. The company’s existing “intellectual property” — for it is always property, not art — becomes commerce: spinoffs, merchandise, theme park rides. Even the great revolutionary Cassian Andor is available for purchase as a part of “Star Tours — The Adventures Continue” at Disney World….

… I worry that for many people the consumption of this television show feels pacifying, as if watching it is a replacement for joining a protest, their fandom for the rebel alliance a stand-in for their politics in the real world. Disney wants to provide every product to you, even the language of your rebellion against Disney. What’s the point of feeling affirmed if the ultimate goal of Disney is to get you to spend more money on its brands?…

(6) HUNTINGTON HOSTS PANEL ABOUT OCTAVIA BUTLER. The Huntington in San Marino, CA celebrated Founders’ Day with a program about “Octavia E. Butler’s Seeds of Change”. Moderator Monique L. Thomas was joined by panelists Tamisha A. Tyler, John Williams, and Nikki High.

This year’s program, “Sowing Community: Living with Octavia E. Butler’s Parables,” featured a special guest panel of scholars and local leaders discussing themes of resilience, community, and social change in two acclaimed works by science fiction writer and Pasadena native Octavia E. Butler. The Huntington is the home of Butler’s archive, which has been the most frequently accessed collection in the Library for the past nine years. …

… For Nikki High, a former communications executive who opened the Pasadena bookstore Octavia’s Bookshelf in 2023, this inclusion altered her life’s course. “Reading books by Octavia Butler really did change what I expected out of sci-fi stories,” High said. “I had never really seen myself represented in those stories. … I just wanted to know, ‘Hey, where are the Black and brown people 100 years from now? What did they do to us?’ And [Butler] just made sure that she wrote us in.” …

…There was agreement among the panelists that change as represented in the books—whether the collapse of society, ecological catastrophe, or a sudden resurgence of nationalism—was a power to be shaped more than feared, especially through collective effort. Tyler spoke persuasively about Butler’s reframing of change—a seemingly determinative force in our lives that is, on the contrary, capable of being harnessed and redirected.

“One thing that I think Butler does beautifully is she restores our agency back to us, because she says, ‘All that you touch, you change,’” Tyler said. “And she gives us tools. She says, ‘Kindness eases change.’ She says, ‘Partnership is life.’”

High stressed the importance of partnership as an act of community-building, comparing it to the development of speculative worlds that is the essence of science fiction. “What literature does, and [Butler’s] sci-fi specifically, is it allows the writer to create a world, and create alternatives in this world, so that you can actually see what [social] equity might look like,” she said. “Hopefully, as you’re metabolizing this new world … you will start to ask yourself some questions about your role in world-building and to see every single decision you make as contributing to the world that you’re living in.”

Lessons From Recent Wildfires

The discussion turned to real-world examples of change and resilience, particularly the community response to the Eaton Fire that devastated Altadena—a disaster that disproportionately affected Black residents and Black creative culture.

“When you’re watching the world … burn right before your eyes, you’re forced to change,” High said. The fires dramatically altered her daily life. “But look at this change that we created. This community … was in crisis. We all came together. Everybody who was in these little, tiny circles suddenly started to open them and embrace each other.” …

(7) AI CREEP. “Oscars OK the Use of A.I., With Caveats” reports the New York Times (behind a paywall).

The Oscar gods embraced A.I. on Monday.

Sort of.

The Academy of Motion Picture Arts and Sciences said in a statement that it had updated its plethora of rules for voting and campaigning. Going forward, for instance, members must now watch all nominated films in each category before they can vote in the final round. (How will that be policed? It won’t. Voters will need to confirm on ballots that they have watched each film, but they could still lie.)

But one update stood out: For the first time, the academy addressed the use of generative artificial intelligence, a technology sweeping into the film capital yet hugely divisive in the industry’s creative ranks.

A.I. and other digital tools “neither help nor harm the chances of achieving a nomination,” the Oscar rules now state. The academy added, however, that the more a human played a role in a film’s creation, the better. (“The academy and each branch will judge the achievement, taking into account the degree to which a human was at the heart of the creative authorship when choosing which movie to award.”)

The academy had been considering whether to change its submission process to make it mandatory that A.I. use be disclosed. But it decided not to go that far.

Simply acknowledging A.I.’s creep into moviemaking is a big deal for the academy. Unions for writers and actors made protections against the technology a prominent part of recent contract negotiations. A.I. was hotly debated in Hollywood and among fans in the lead-up to the Oscars in February, after it became known that “The Brutalist,” an immigrant epic nominated for 10 statuettes, used the technology to enhance Hungarian accents. Some people defended the filmmakers, while others decried the use of A.I. as unethical.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

April 22, 1992 — Quantum Leap’s “The Curse of Ptah-Hotep”

Razul: You are a student of Egypt, but you are not one of its sons. And until you have heard what I have heard and seen what I have seen, I would not expect you to believe that such a thing as a curse could be true, but it is.

Sam: 3500-year-old dead men don’t just get up and walk around.

Thirty-three years ago this evening, Quantum Leap’s “The Curse of Ptah-Hotep” first aired on NBC.

In 1957, Sam leaps into the body of Dale Conway, an American archaeologist at a dig in Egypt just as he and his partner Ginny Will discover the tomb of Ptah-Hotep. A sand storm traps them deep in the tomb’s inner chambers.

You think that they made up this particular Egypt royal person but no, he was quite real. Ptahhotep, sometimes known as Ptahhotep I or Ptahhotpe, was an ancient Egyptian vizier during the late 25th century BC and early 24th century BC Fifth Dynasty of Egypt.

The curse that forms the story here was evidently a real one that affected a number of archeological digs undertaken here. And it is worth definitely worth noting that Sam, throughout the entire series, thoroughly disbelieves in the supernatural, except for the force has him leaping around and that could be or not be science. He frequently tells Al not to be superstitious about anything. But here he certainly seems to take the resurrected mummies in this episode as a given.

The series won’t resolve whether science or something else is responsible for what’s happening to him.

It is, surprisingly, not streaming anywhere despite NBC being the network that broadcast and it being on Peacock rather recently.

(9) COMICS SECTION.

Brilliant Mind of Edison Lee attends an advanced science fair.
Dinosaur Comics discusses living on the moon.
Saturday Morning Breakfast Cereal reveals our past selves would be so disappointed.

(10) COMIXOLOGY, KINDLE UNLIMITED, 3-MONTH $0.99 SALES. [Item by Daniel Dern.] Via various sources I trust, e.g.

“Subscription to Comixology Unlimited for three months for $0.99” at ComicBuzz.
“Best Kindle Unlimited deal: Get 3 months of Kindle Unlimited for 99 cents” at Mashable.
“Get 3 Months for $1 on Kindle Unlimited, Comixology, Audible – And Other Deals” at The Ebook Reader.

Amazon’s ComiXology and Kindle Unlimited will be on sale, 3-months @$0.99/month, as part of the Amazon Book Sale, April 23-28, 2025.

I subscribed to ComiXology for a few months, years ago (prior to, IIRC, its acquisition by Amazon), e-gulping down vast quantities of e-comics, but, based on periodic perusals, haven’t felt inclined to re-indulge at full price… DC and Marvel e-subs, combined with Hoopla and Libby library e-borrows (e.g., re-re-reading Erik Larsen’s Savage Dragon), e-scratch that e-itch pretty well… but at this price, I’ll be re-indulging for three months.

(11) TODAY’S THING TO WORRY ABOUT. Mental Floss rates “The 10 States Most Likely to Survive an Alien Invasion”.

… Researchers from the online calculator website GIGAcalculator determined the states most likely to survive the hypothetical event. They considered factors like terrain (e.g., percentage of area covered by forests and water and number of caves), population density, and essential personnel (for example, active and inactive military workers, law enforcement officers, and engineers) per 1000 people. The website then calculated a score for each state based on these data points and ranked them to see which U.S. state has the highest chance of enduring an alien invasion. You can view the full dataset here…

… Virginia has the highest likelihood of survival, with a score of 8.06 out of 10….

Nevada has the worst rating – maybe that’s why Las Vegas was targeted in Mars Attacks?

(12) I’LL BE DAMMED. “Behold! The World’s Largest Beaver Dam” – Mental Floss has pictures.

In 2007, an ecologist named Jean Thie was scanning the Alberta wilderness with Google Earth in an effort to study permafrost thaw in the Canadian wild. But then something unusual appeared on his screen: A beaver dam so huge, it was more than twice the length of the Hoover Dam.

Located in Wood Buffalo National Park in Alberta, Canada, the world’s largest beaver dam is at least 2790 feet long. It likely contains thousands of trees and appears to have required the handiwork of at least two beaver families. It’s believed the beavers began the construction project up to three decades ago.

While it’s an impressive feat of animal engineering, the dam is not very scenic. “The hodgepodge of mud, branches, stones, and twigs is cloaked in a layer of grass, meaning it’s been there for a while,” Atlas Obscura reports. “The dam stretches across a remote wetland area, which provides the creatures with both plenty of fresh water and bountiful building materials.”

In fact, the dam is located in such an inhospitable area of Canadian swampland that it isn’t known to have been visited by humans until 2014, when Rob Mark, a member of the Explorers Club in New York City, made the trek. He began his journey in Fort Chipewyan, more than 120 miles away, and it took him five hours to cover the final mile (the ground was that boggy). “It was the only hard ground around for miles so I was happy to stand on it,” he said about reaching the dam….

(13) TRAILER PARK. “Rick and Morty gets a psychedelic season 8 trailer that declares it ‘the best high concept sci-fi rigamarole in the universe’” says GamesRadar+.

… In its own weird way, Rick and Morty is indeed the culmination of decades of pop culture, taking its cues from some of the most complex sci-fi stories around, combined with a uniquely cynical take on the classic trope of a boy and his old man scientist pal.

With Rick and Morty season eight now looming with a May 25 release date, fans won’t have to wait much longer to find out about all the trailer’s weird alt-reality versions of Rick and its many alien worlds, hopefully with some absurd (and salty) comedy along the way….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Sean Mead, Daniel Dern, Jo Fletcher, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/6/24 Scrollerman vs. Mr. Mixy-Pixel-like

Posted on February 6, 2024 by Mike Glyer

(1) GLASGOW 2024 REOPENS HUGO NOMINATIONS. Members of Glasgow 2024 were notified today that online nominations for the Hugo Awards are working again.

One day after they initially went live on January 27, the committee announced in social media, “We are aware of an issue with nominations. We have taken that system offline as a precaution.” There is no extension to the originally announced deadline; all nominations must be received by Saturday, March 9, 2024, 16:00 Greenwich Mean Time (GMT) (UTC+0). Detailed instructions for how to nominate, plus more specific information about the nomination categories and eligibility, are available here.

(2) CASHING IN. AbeBooks shared their “Most expensive sales in 2023”, and several are sff or comics.

1. Thomas Pynchon Collection – $125,000

Thomas Pynchon is one of America’s most reclusive novelists and the author of V., The Crying of Lot 49, Gravity’s Rainbow, Slow Learner, Vineland, Mason and Dixon, Inherent Vice, and Bleeding Edge.

This is a collection of 246 items comes from a fine private library.

Highlights include: an advance reading copy of V. (1963), Pynchon’s first novel, in its original wrapper, as well as a first edition copy of V. in a dust jacket, advance unbound signatures and an uncorrected proof of Gravity’s Rainbow (1973), the binder’s dummy of Mason & Dixon (1997) in a proof dust jacket, and more.

“Assembled over a lifetime by a dedicated private collector, this remarkable collection of Thomas Pynchon’s work contained over 240 items. One would be hard-pressed to find a more bibliographically complete collection containing so many Pynchon rarities in such perfect condition.”

2. Harry Potter and the Philosopher’s Stone by J.K. Rowling – $85,620

This true first edition of Harry Potter and the Philosopher’s Stone was published by Bloomsbury in June of 1997. Only 500 copies were printed, 200 of which were used to promote the book, and 300 were provided to libraries. This copy was originally owned by Edinburgh Public Library in Rowling’s hometown. She wrote the novel while sitting in various cafes around the Scottish city.

The book’s library card shows that it was borrowed 27 times between December 15, 1997 and October 12, 1999 before it was withdrawn from service. Those 27 readers were among the first people to experience the magic of Hogwarts.

This copy is a hardcover and was issued without a dust jacket. It has been restored and housed in a full red leather box lined with black suede. The sale marks our second most expensive sale of all time, and shows that the Harry Potter phenomenon, which began in 1997, has not diminished.

This is likely the most expensive online sale of a first edition of the Philosopher’s Stone. Another first edition sold at a live auction for $471,000 in 2021….

7. The Chronicles of Narnia Set by C.S. Lewis – $45,699

This remarkable set is made up of the first editions of each book in the author’s classic Chronicles of Narnia series, which has sold over 100 million copies and been translated into 47 languages….

10. Calvin and Hobbes: The Last Sunday, “Let’s Go Exploring” by Bill Watterson – $35,000

A rarity, this large color proof of the final Calvin and Hobbes strip is signed by Bill Watterson.

Calvin and Hobbes was a daily comic strip that ran between 1985 and 1995. It became hugely successful and was featured in thousands of newspapers around the globe.

This signed color proof was one of a small number produced and sent as a thank-you gift from Watterson to select newspapers who carried the strip.

(3) FREE READS. Analog and Asimov’s are offering their short fiction that made the Locus Recommended Reading List for readers to enjoy.

Analog Science Fiction and Fact

Novella:

“The Tinker and the Timestream”, Carolyn Ives Gilman (3-4/23)

Short Stories:

“Secondhand Music”, Aleksandra Hill (9-10/23)
“An Infestation of Blue”, Wendy N. Wagner (11-12/23)

Asimov’s Science Fiction

Novellas:

“Blade and Bone”, Paul McAuley (11-12/23)
“The Ghosts of Mars”, Dominica Phetteplace (11-12/23)

Novelettes:

“The Unpastured Sea”, Gregory Feeley (9-10/23)
“Planetstuck”, Sam J. Miller (3-4/23)
“Deep Blue Jump”, Dean Whitlock (9-10/23)

Short Story:

“Jamais Vue”, Tochi Onyebuchi (1-2/23)

(4) 100. Sunday Morning Transport, in search of subscribers, also has a free read: “A Hundred Secret Names” by Margaret Ronald.

My forty-eighth secret name is Accurate-in-Speech, so you will know that every word I say to you tonight is true.

I was born under the ice mountains, the second-youngest of a clutch of five. Like me, my siblings were loud and demanding in our fiery infancy, and unlike me, they are uninteresting. My mother was much the same; the only importance she has is that before she left us for good (for we had grown near her size and would soon be extinguished enough to venture out), she took each of us aside and whispered to us our first secret names. My siblings, being what they were, immediately told each other and reveled in this new ability to be individually loud. I, being as I am, wisely kept my name to myself….

(5) DUNE WHAT COMES NATURALLY. It’s really a thing. And Mashable conducted blindfolded testing. See video here: “We tested the Dune 2 Sandworm Popcorn Bucket. It was uncomfortable” reports Mashable.

“This was a choice!”

We blindfolded 5 Mashable employees and asked for their honest reactions to Dune: Part 2sandworm popcorn bucket. They did not disappoint. Dune: Part 2 premieres in theaters March 1st, 2024.

An even better video, however, is last weekend’s Saturday Night Live parody the “Dune Popcorn Bucket”.

A group of teenagers sings a song about a special night.

(6) ELON SAYS HE’S FOOTING THE BILL. An actress’ wrongful termination suit has an angel, of sorts: “Gina Carano Sues Disney for ‘Mandalorian’ Firing — With Elon Musk’s Help” in Variety.

Actor Gina Carano sued Disney and Lucasfilm on Tuesday for firing her from “The Mandalorian” in 2021, over a social media post in which she compared being a Republican to being Jewish during the Holocaust.

The suit, filed in California federal court, alleges wrongful termination and discrimination, as well as a demand that the court should force Lucasfilm to recast her and pay at least $75,000 in punitive damages.

Elon Musk is funding the suit, following his promise to pay for legal actions taken by people claiming discrimination from posts to Twitter/X. However, the posts in question originated on Carano’s Instagram Stories….

(7) IS IT WORTH WHAT YOU PAY FOR IT? An employee of Heritage Auctions answers the question “Is Toy Grading A Good Idea?” for readers of Intelligent Collector.

If you are a toy or action figure collector, you likely have a strong opinion on the subject when it comes to your personal collection. But whether it is a go0od idea for positive future monetary returns is an entirely different question.

While many collectors have long seen the encasement of their treasures as a separation from their tactile enjoyment, others have maintained that it preserves them in their highest quality state as time moves forward. Neither is wrong, strictly from a personal collecting perspective, but grading action figures and toys can have a significant effect on the value when sold. That is not to say that every toy should be graded as there is a real cost associated with it, but the right pieces with good grades can multiply the value from hundreds to thousands of dollars per item.

My general rule of thumb is that a toy is worth grading if the value of it is increased by at least 150% of the grading fee when added to the ungraded value. This is the case for items that already have value and a demonstrated history of selling in graded and ungraded condition. Of course, the final value will depend on the grade that the item receives as buyers pay more for higher-graded toys. For example, if a carded action figure is worth $300 and costs $100 to grade, I would grade it if it were certain to bring at least $450 at the lowest conceivable grade it could get.

On the opposing side, I would not recommend grading most brand-new items as they have not yet proven their value in the longer term. Many of the newer toys graded today may never increase in value over the grading cost and I have seen many toys over the years that are still unable to recoup the money paid for the service. Because many collectors now save packaged toys, there are many more in circulation than have ever been in the past due to the speculation of future value. If there is the potential of significant future value, I would recommend bagging and boxing the toys separately or using temporary clamshell cases made to preserve their condition.

As for vintage toys from the 1980’s and before, if the value is significant and the grade is expected to be 80 or above, I highly recommend grading to increase the value. It makes buyers more comfortable with their purchase of a graded item and its confirmed condition. Of course, these are general guidelines and there are many situations where exceptions would be made….

(8) SEW WHAT? The Huntington shares an item of Civil War history in “Guns, Secession, and a Secret Message in a Spool”.

…Yet the envelope’s contents turned out to be rather curious. There are several labeled items, apparently intended for a museum of the War Department that Townsend was trying to develop after the Civil War. Along with a piece of a British flag captured in 1781 at Yorktown and a length of red tape used by Confederate President Jefferson Davis during his detention at Fortress Monroe, there was a spool of thread wrapped in a piece of paper.

Spools like this were found in the numerous sewing kits (known as “housewives”) carried by U.S. soldiers. But it was the wrapper that caught my eye. It contained a typescript message dated 1861—several years before the typewriter was invented. A note written in Townsend’s hand along the bottom of the page read: “Sent this way to pass thru rebel lines. Message in spool of thread from one Union officer to another.”

I peered into the hole of the spool. Sure enough, inside was what appeared to be a tightly rolled piece of paper. I immediately contacted The Huntington’s superb conservation lab, where project conservator Cynthia Kapteyn managed to extract the paper and smooth it out. (You can watch a video of the extraction here.) The unrolled page revealed a handwritten message, hastily scribbled in pencil. The text matched the typed transcription.

The humble spool and the grubby note shed new light on the dramatic events that unfolded shortly after the election of Abraham Lincoln in November 1860….

(9) WORLDCON IN MEMORIAM CHANGES PLATFORMS. Steven H Silver announced that he’s moved the Worldcon In Memoriam account from Twitter (theoretically known as X) to Bluesky. Please can follow it at “Worldcon In Memoriam” (@wcinmemoriam.bsky.social).

(10) TONY BENOUN OBITUARY. Twenty-five year LASFS member Tony Benoun died January 18 after a long illness. He was active in Doctor Who fandom and helped found the Gallifrey One convention as Shaun Lyon recalls in his tribute “Tony Benoun remembered by Gallifrey One”.

Throughout the year 1988, following the Doctor Who Traveling Exhibition’s visit to Los Angeles the prior October, scarcely a month went by at the meetings of our local Doctor Who club, the Time Meddlers of Los Angeles, without someone giving voice to the idea that we should run a convention of our own. Tony Benoun was one of those loud and frequent voices in 1988, clamoring for us to step up to the plate and run our own event. He’d been part of Los Angeles Doctor Who fandom since the early 1980s, as part of the Chancellory Guard fan group; had participated in phone banking at KCET during Doctor Who pledge breaks; and had worked many other events, including as security for Creation Conventions. Tony was right with us in early 1989 when our club at large decided to move forward with the dream that would become Gallifrey One; he was with us in 1990, when that dream became reality; and he was with us ever since, as Gallifrey One persists through to this day.

As one of the longest-serving members of the Gallifrey One staff –and one of the few of us still left from those early days — Tony had been co-lead of what we’ve always called our Special Projects division: working on (and selling) our convention merchandise, T-shirts, tote bags, playing cards, stickers and more; supervising the moving and maintenance of our homegrown TARDIS for many years (he was part of a small group that created it, a group we’ve always referred to with a wink as the TARDIS Movers Union Local 42)….

He is survived by his wife Sherri, another member of the Gallifrey One team, and innumerable friends.

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 6, 1922 — Patrick Macnee. (Died 2015.) So let’s talk about Patrick Macnee. Even the character of Patrick Macnee as John Steed in The Avengers is more complicated than we generally think of him. Steed started as a rougher agent than the gentleman he would become during the Gale and Peel eras.

His dress as Dr. David Keel’s sidekick was a trenchcoat and suit, though the famous bowler hat and umbrella showed up very occasionally part way through the first series.

The gentleman agent in look and manner came to be in the second series when the actor who played Keel quit to pursue a film career. Once Macnee was promoted to star he adapted permanently that Saville Row suit and bowler hat with the sword cane look that he’d keep for the entire series and the New Avengers as well.

So what else do I find interesting about his career? (My way of saying don’t expect me to cover everything he did here.)

Now you might well guess the first role I’ll single out.

He may, and I say may deliberately, played Holmes twice in two television films, The Hound of London and Sherlock Holmes: The Case of the Temporal Nexus. The latter may or may not exist as commenters online say they cannot actually find this case of paranormal murders and extraterrestrials. Holmes meets War of the Worlds? Surely in those nearly one and fifty films involving him, that been done, hasn’t it? Or not.

Of his Watson performances, more is certain. He played him three times: once alongside Roger Moore’s Sherlock Holmes in these television films: Sherlock Holmes in New York, and then twice with Christopher Lee, first in Sherlock Holmes and the Leading Lady, and then in Incident at Victoria Falls.

He sort of plays him a fourth time. He appeared in Magnum, P.I. as, what else?, a retired British agent who suffered from the delusion that he was Sherlock Holmes, in the episode titled “Holmes”.

What next? In a one-off, he took over Leo G. Carroll’s role as the head of U.N.C.L.E. as Sir John Raleigh in Return of the Man from U.N.C.L.E.: The Fifteen Years Later Affair. Anyone see this?

He’s in A View to Kill as Sir Godfrey Tibbett, a Roger Moore Bond film, as a horse trainer who helps him infiltrate Zorin’s chateau and stables.

Since everyone it seems showed up on this series, it probably won’t surprise you I that he was on Columbo in the “Troubled Waters” where he’s Capt. Gibbon. They filmed it on a real cruise ship, called the Sun Princess at the time. It was later sold many times and renamed Ocean Dream finally. It was abandoned off the coast of Thailand and sank there. Don’t you love my trivia?

Finally, I think, he appeared on Broadway as the star of Anthony Shaffer’s Sleuth in the early seventies. He then headlined the national tour of that play.

No, I forgot an appearance I wanted to note. My bad. He appeared on The Twilight Zone in “Judgement Night”. There he played the First Officer on the S.S. Queen of Glasgow, a cargo carrier, headed out on London to New York with a passenger with no memory but a feeling that something very bad will happen.

I’m going now. Really I am.

(12) COMICS SECTION.

Annie incorporates a reference to an old Galaxy Magazine pardner.
The Argyle Sweater grants a wish.
Mannequin on the Moon notes the problem with writers’ contracts.
Pearls Before Swine knows how hard it is to hear what is being said.

(13) EGYPTIAN GRAPHIC STORIES. Hear about “Cairo in comics” in The Documentary at BBC Sounds.

Modern Cairo is a crowded metropolis. The city’s ‘thousand minarets’ are now dwarfed by a new skyline of slick tower blocks. Modern highways fly over bustling kiosks where residents gather to smoke and buy soda drinks.

Inspired by the lives of their neighbours, playing out among mosques, high rise buildings and on busy streets, Egyptian writers and graphic artists, including Deena Mohamed, Shennawy and Mohamed Wahba bring their thousand-year-old capital to life. They tell the stories behind their own books and comics – Tok Tok, Shubeik Lubeik, and A Bird’s Eye View over Cairo. And how today, the city’s dedicated festival Cairo Comix has become an annual destination for artists and fans from around the world.

(14) FROM SPACE COWBOY BOOKS. Released on February 4: Another Time: An Anthology of Time Travel Stories 1942-1960 edited by Jean-Paul L. Garnier.

The nature of time has forever perplexed humankind. Add the many ripe paradoxes of time travel and the situation gets complicated. While science has shown us that time travel is technically possible, at least on paper, we still know little about what time actually is, or our place within it. Science fiction has long explored this theme and it has become one of the cornerstones of the genre. In this collection of stories, we find visions of what time travel could be, what could go wrong, and dive headlong into the paradoxical nature of what it might entail. Tales ranging from 1942 to 1960 bring us into these mysterious worlds and provide a window into what the writers of this era grappled with when exploring time and the possibilities of traveling within the fourth dimension. Readers will also delight in traversing another time in literature, with stories that first appeared in Worlds of IF, Astonishing Stories, Galaxy Magazine, Thrilling Wonder Stories, Startling Stories, and Imagination Stories of Fantasy & Science Fiction.

With stories by:

C. Shook
Darius John Granger
Evelyn E. Smith,
Sylvia Jacobs
Rog Phillips
Miriam Allen deFord
Anthony Boucher
Henry Kuttner
Alfred Bester

With an introduction by Dr. Phoenix Alexander. Original cover art by Zara Kand. Get your copy at Bookshop.org.

(15) THIS YEAR’S CROP. Apple+ announced several new shows yesterday, including two intriguing sf series: “Apple TV+ Unveils New Slate Of Originals for 2024” at AllYourScreens.

Constellation
Premiere date: Wednesday, February 21
A new, eight-part conspiracy-based psychological thriller starring Noomi Rapace and Emmy Award nominee Jonathan Banks that will premiere globally on Wednesday, February 21, 2024 with the first three episodes, followed by one episode weekly, every Wednesday through March 27 on Apple TV+.

Created and written by Peter Harness, “Constellation” stars Rapace as Jo – an astronaut who returns to Earth after a disaster in space – only to discover that key pieces of her life seem to be missing. The action-packed space adventure is an exploration of the dark edges of human psychology, and one woman’s desperate quest to expose the truth about the hidden history of space travel and recover all that she has lost. The series also stars James D’Arcy, Julian Looman, Will Catlett, Barbara Sukowa, and introduces Rosie and Davina Coleman as Alice.

“Constellation” is directed by Emmy Award winner Michelle MacLaren, Oscar nominee Oliver Hirschbiegel and Oscar nominee Joseph Cedar. Produced by Turbine Studios and Haut et Court TV, the series is executive produced by David Tanner, Tracey Scoffield, Caroline Benjo, Simon Arnal, Carole Scotta and Justin Thomson. MacLaren directs the first two episodes and executive produces the series with Rebecca Hobbs and co-executive producer Jahan Lopes for MacLaren Entertainment. Harness executive produces through Haunted Barn Ltd. The series was shot principally in Germany and was series produced by Daniel Hetzer for Turbine Studios, Germany…

Dark Matter
Premiere date: Wednesday, May 8

Dark Matter is a sci-fi thriller series based on the blockbuster book by acclaimed, bestselling author Blake Crouch. The nine-episode series features an ensemble cast that includes Joel Edgerton, Jennifer Connelly, Alice Braga, Jimmi Simpson, Dayo Okeniyi and Oakes Fegley. Dark Matter makes its global debut on Apple TV+ on May 8, 2024, premiering with the first two episodes, followed by new episodes every Wednesday through June 26.

Hailed as one of the best sci-fi novels of the decade, Dark Matter is a story about the road not taken. The series will follow Jason Dessen (played by Edgerton), a physicist, professor, and family man who — one night while walking home on the streets of Chicago — is abducted into an alternate version of his life. Wonder quickly turns to nightmare when he tries to return to his reality amid the mind-bending landscape of lives he could have lived. In this labyrinth of realities, he embarks on a harrowing journey to get back to his true family and save them from the most terrifying, unbeatable foe imaginable: himself.

Crouch serves as executive producer, showrunner, and writer alongside executive producers Matt Tolmach and David Manpearl for Matt Tolmach Productions, and Joel Edgerton. Dark Matter” is produced for Apple TV+ by Sony Pictures Television.

(16) FANCY EDITION. The Illustrated World of Tolkien from Easton Press is pretty.

An excellent guide to Middle-earth and the Undying Lands, including vivid descriptions of all Tolkien’s beasts, monsters, races, nations, deities, and the flora and fauna of the territory. Full-color pages with stunning illustrations create an enchanting source for information on all the fantastical places and creatures that sprung from Tolkien’s mind….

(17) THE SINGULARITY WILL NOT BE TELEVISED. Is ChatGPT compiling clinical information or drumming up business? “FDA medical device loophole could cause patient harm, study warns” at Healthcare IT News.

Doctors and researchers from the University of Maryland School of Medicine, the UMD Institute for Health Computing and the VA Maryland Healthcare System are concerned that large language models summarizing clinical data could meet the U.S. Food and Drug Administration’s device-exemption criteria and could cause patient harm.

WHY IT MATTERS

Artificial intelligence that summarizes clinical notes, medications and other patient data without FDA oversight will soon reach patients, doctors and researchers said in a new viewpoint published Monday on the JAMA Network.

They analyzed FDA’s final guidance on clinical decision support software. The agency has interpreted it as involving “time-critical” decision-making as a regulated device function, and that could include LLM generation of a clinical summary, the authors said.

Published about two months before ChatGPT’s release, the researchers said the guidance “provides an unintentional ‘roadmap’ for how LLMs could avoid FDA regulation.”

Generative AI will change everyday clinical tasks. It has earned a great deal of attention for its promise to reduce physician and nurse burnout, and to improve healthcare operational efficiencies, but LLMs that summarize clinical notes, medications and other forms of patient data “could exert important and unpredictable effects on clinician decision-making,” the researchers said.

They conducted tests using ChatGPT and anonymized patient record data, and examined the summarization outputs, concluding, that results raise questions that go beyond “accuracy.”

“In the clinical context, sycophantic summaries could accentuate or otherwise emphasize facts that comport with clinicians’ preexisting suspicions, risking a confirmation bias that could increase diagnostic error,” they said.

…However, it’s a dystopian danger that generally arises “when LLMs tailor responses to perceived user expectations” and become virtual AI yes-men to clinicians.

“Like the behavior of an eager personal assistant.”…

(18) A BIT SHY OF THE MARK. Damien G. Walter’s history “The war for the Hugo awards” begins by saying that the first Hugo Awards (1953) were “so small scale that no plans were made to run them again.” Although the runners of the 1954 Worldcon didn’t give them, Ben Jason, who was instrumental in resuming the Hugos in 1955 (see “The Twice-Invented Hugos”) told me that the people who created the awards intended them to be annual. So that’s Walter taking a bit of literary license. You’ll have to check to see how closely the rest of his video hews to history.

[Thanks to Mike Kennedy, Andrew Porter, Lise Andreasen, Kathy Sullivan, John Hertz, Daniel Dern, Steven H Silver, Michael J. Walsh, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 1/30/24 Ocean’s Elven

Posted on January 30, 2024 by Mike Glyer

(1) SO FEW REMAIN. George R.R. Martin calls these “Dark Days” at Not a Blog.

…2023 was a nightmare of a year, for the world and the nation and for me and mine, both professionally and personally.   I am very glad that it is over.

Unfortunately, so far 2024 looks to be even worse….

…I am famous and I am wealthy and, supposedly, I have a “big platform.” Whatever that is. But I have grown more and more cynical about this supposed “power” that people keep telling me I have.   Has anything I have ever written here ever changed a single mind, a single vote? I see no evidence of that. The era of rational discourse seems to have ended.

And death is everywhere.   Howard Waldrop was the latest, and his passing has hit me very very hard, but before him we lost Michael Bishop, Terry Bisson, David Drake… from my Wild Cards team, Victor Milan, John Jos. Miller, Edward Bryant, Steve Perrin… I still miss Gardner Dozois and Phyllis Eisenstein and my amazing agent Kay McCauley… Len Wein is gone, Vonda McIntyre, and Harlan Ellison… Greg Bear too, and… oh, I could go on.    I look around, and it seems as though my entire generation of SF and fantasy writers is gone or going. Only a handful of us remain… and for how long, I wonder? I know I have forgotten people in the list above, and maybe that is the destiny that awaits all of us… to be forgotten.

For that matter, the entire human race may be forgotten.   If climate change does not get us, war will. Too many countries have nukes….

(2) FLASH MOB. The term Larry Niven coined for his stories of a world with transport booths is in the mainstream now. Shelf Awareness’ headline about this crime is: “Deadtime Stories, Lansing, Mich., Victim of ‘Flash Mob Robbery'”.

…Owner Jenn Carpenter wrote that around 2:30 p.m., a van pulled up to the corner of Washington and South St., and five teenagers wearing backpacks, carrying a big black trash bag, got out and entered the bookstore, where they remained for approximately 15 minutes.

“During this time, they took turns asking me questions and keeping me occupied on the bookstore side of the shop, while the rest of them stuffed their backpacks with over $1,300 worth of merchandise,” she continued…

The WILX story has more details: “Lansing’s Reotown store ‘Deadtime Stories’ victim of theft, catches individuals on security footage”.

“The very first clip that I pulled up was them stuffing hundreds of dollars of merchandise in backpacks,” said Jenn Carpenter.

In Lansing’s Reotown, a well known book store, Deadtime Stories, fell victim to a theft. The owner, Jenn Carpenter says she had no idea she had been stolen from until another store owner asked her to check her security footage.

In the security footage, you can see a group of people stuffing store merchandise in a backpack, purse, and even in their pants.

“We lost more yesterday in stolen than we made in sales,” said Carpenter,“This brazen like an entire group of people coming in and just stuffing hundreds of dollars worth of merchandise in their bags and leaving… I’ve never seen anything like it.”

The business across the street, Vintage Junkies, also fell victim to the thefts. The owner says the group took more than $700 in merchandise, even stealing a lamp.

(3) STUDYING OCTAVIA BUTLER. Lois Rosson, a historian of science, is The Huntington’s 2023–24 Octavia E. Butler Fellow. She is currently working on a project about the depiction of outer space over the course of the Cold War titled Scientific Realism and American Astrofutures: Octavia Butler and the Space Environment. “Interview with Octavia E. Butler Fellow Lois Rosson” at The Huntington.

Durkin: You have noted that Octavia E. Butler grew up in Pasadena, not far from NASA’s Jet Propulsion Laboratory. How do you think that informed her work? And how does that inform your scholarship?

Rosson: For me, this is one of the most interesting parts of my project. The triangle formed by JPL, the Hollywood special effects industry, and commercial aerospace in Southern California has had an outsized impact on the look of outer space. A lot of the illustrators I write about found work in these three industries, and they often moved from one to another.

As you’ve noted, Butler grew up in the northwest part of Pasadena, in close physical proximity to JPL. That said, the scientific and technical expertise concentrated in the region was parsed out socially, not geographically. Pasadena’s public schools were segregated until as late as 1970 and officially desegregated only because of a federal court order. In fact, Pasadena was the first city outside of the South that needed such a mandate. Butler graduated in 1965 from John Muir Technical High School, which was then a vocational school serving the area’s growing African American population.

So, there’s a moment in my story when the illustrators I write about and many of their scientific collaborators are concentrated around JPL, Caltech, and Hollywood, and they are using a frontier model to articulate the landscapes of the outer solar system. Butler is living in the same environment at the same time and forming very different ideas about how society should be organized in space. Unsurprisingly, the arid landscapes of the West take on a different meaning in her work. In her Parable series of novels, outer space represents an escape from the degradation of Earth’s landscapes. In Butler’s work, space settlement looks more like diaspora, which upends the frontier logic we’re used to. Casting space as something other than a frontier helps us understand the persistence of the metaphor more clearly and rethink how we relate to space as an environment.

(4) AWARD FOR CALIFORNIANS. The 2024 Golden Poppy Awards were presented by the California Independent Booksellers Alliance on January 25. The 14 categories include a sff award.

Octavia E. Butler Award for Sci Fi/Fantasy/Horror: Maeve Fly by CJ Leede (Tor Nightfire)

(5) OCTAVIA BUTLER MURAL. Publishers Weekly’s January 29 “Picture of the Day” shows authors Sherri L. Smith (l.) and Elizabeth Wein (r.) celebrating the launch of their book American Wings: Chicago’s Pioneering Black Aviators and the Race for Equality in the Sky (G.P. Putnam’s Sons Books for Young Readers), with a visit to Octavia E. Butler Magnet STEAM Middle School in Pasadena, Calif.

View this post on Instagram

A post shared by Sherri L. Smith (@rhymeswithcapri)

(6) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

A Chinese fan writes in English about recent events and their impact

The author of this was OK for me to link to the source, but after a brief discussion with them, I am presenting their original unedited English language text here instead. We did not discuss any of the things that they allude to in this text; I am more interested in conveying to a wider audience the sort of thing that (I imagine) many Chinese fans are feeling, than getting into the weeds of the specifics.

The problem is not that Chinese SF is without hope. I won’t be disappointed if that is the case because there would not be any hope at the very beginning. The problem is that, people who actually care about Chinese SF, who make every effort to make it shine, who knows this industry, who want this explained fairly, are being dishonored, silenced, denied, warned. They even had to warn each other about potential cost: it’s not worth it to hang on anymore.

So, that’s it. The opportunity was cast away for a generation at least. People who had cherries picked got their fruits and headed for the next big one. The catastrophe was left behind for writers, publishers, mag editors to deal with.

As a SF reader for nearly 20y but not one who read Chinese SF for years, I was not familiar with many candidates before con. But I just heard too many familiar stories of what the survivors have to worry about afterwards.

The dishonesty, like a thorns crown, was forced on the winners’ head. Few would expect blood trailing from behind, but the bleeding will not go away easily. It was never the fault of the winners, but penalty is put on them.

I hate it.

Mike has been provided with the link to the original source, just so that he can verify that this isn’t something I’ve invented myself.

Fact-checking Babel’s status in China

Regarding all the discussion about why Babel was declared ineligible, here’s an attempt at rumour-control of the specific issue of whether it is legally published and available within China. This isn’t intended to prove or disprove if or why any censorship or interference took place in the Hugo nominations, but just to clarify whether the work is available.

On January 22nd, Yin Harn Lee pointed out on Twitter that Babel had been published and was available for purchase in China. I replied with a link to a Tweet I’d made a couple of days earlier, referring to the fact that it had recently ranked 4th in a list of the top 10 SFF books of 2023 on Douban. (I’m not sure how that list was generated – from sales, user activity, a judging panel, or something else. Also, I’d only come across that list via a post from a Chinese Twitter user, but their tweets are protected, so I can’t really credit the “real” source for that info.)

A few days later, I did a bit more digging. Per Douban (which is China’s equivalent of Goodreads/IMDB/etc), the publisher of that translated edition is 中信出版集团, which can be translated as something like CITIC Press. I’ve since had it confirmed that CITIC Press is ultimately part of CITIC Group, and their Wikipedia article has some interesting nuggets about their founding and ownership.

Note: CITIC being the publisher of Babel explains a comment on Weibo I saw shortly after the Hugo finalists were announced. My quite probably incorrect recollection is that it translated as something like “CITIC won’t be happy”, which didn’t make any sense to me at the time, even after I’d read the Wikipedia article linked above. In retrospect, I’m guessing that by the time the finalists were announced, Babel had already been announced as an upcoming publication by CITIC. Given all the buzz about it, CITIC would likely be expecting to gain a lot of publicity and enthusiasm from the Hugo nomination that many of us were assuming was a dead certainty.

(7) FUTURE TENSE. The January 2024 entry in the Future Tense Fiction series is “Sad Robot,” by E.R. Ramzipoor. The story is about what happens when a globally crucial AI system is in need of therapy. Future Tense Fiction is a monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 30, 1955 — Judith Tarr, 69. Did you know Judith Tarr breeds Lipizzan horses at Dancing Horse Farm, her home in Vail, Arizona? They figure into her romantic fantasies that she wrote under the name Caitlin Brennan which she used for her White Magic series, The Mountain’s Call and sequels, and the House of the Star novel. Yes, romantic fantasies.

Her Hound and the Falcon trilogy (The Isle of Glass, The Golden Horn and The Hounds of God) is set in twelfth and thirteenth century Europe. With elves. Yes elves. Why not?

Her Epona series (White Mare’s Daughter, The Shepherd Kings, Lady of Horses and Daughter of Lir) is set in prehistoric Europe. It takes the theories of archaeologist Marija Gimbutas that a matriarchal society existed in Paleolithic Europe. I’ve read her rationale on that — it’s interesting. The novels are a good read though perhaps a bit dogged at times.

Now Household Gods co-written with Harry Turtledove is a rollicking good novel that’s fun to read. Time travel, ancient Roman gods, a feisty female character — wharf’s not to like?

The next one being His Majesty’s Elephant. Charlemagne. A gift of magical elephant. A supernatural plot afoot.

A Wind in Cairo allows her to show her love of horses as one of the characters is a male who for his transgressions is transformed by a sorcerer into a magnificent stallions in medieval Cairo where one of victims is now his jockey.

Finally there’s Living in Threes which Book Cafe quite nice sums up this way, “Three lives. Three worlds. Three times. Three young women, past, present, and future, come together to solve an age-old mystery and save a world..” A novel where you don’t need the Bechdel test.

She’s written some fifty shorter pieces of fiction, none collected, save those in, and try not to be surprised, in her Nine White Horses: Nine Tales of Horses and Magic collection.

(9) BRAIN CHIP. “Elon Musk’s Neuralink implants brain chip in first human” reports Reuters.

The first human patient has received an implant from brain-chip startup Neuralink on Sunday and is recovering well, the company’s billionaire founder Elon Musk said.

“Initial results show promising neuron spike detection,” Musk said in a post on the social media platform X on Monday.

Spikes are activity by neurons, which the National Institute of Health describes as cells that use electrical and chemical signals to send information around the brain and to the body.

The U.S. Food and Drug Administration had given the company clearance last year to conduct its first trial to test its implant on humans, a critical milestone in the startup’s ambitions to help patients overcome paralysis and a host of neurological conditions.

In September, Neuralink said it received approval for recruitment for the human trial.

The study uses a robot to surgically place a brain-computer interface (BCI) implant in a region of the brain that controls the intention to move, Neuralink said previously, adding that its initial goal is to enable people to control a computer cursor or keyboard using their thoughts alone….

(10) NO RELATION TO THAT FLYING SQUIRREL. Atlas Obscura remembers “How NASA Got Involved With Parachuting Beavers”.

IF YOU WERE WANDERING THE wilds of the Wasatch National Forest in Utah in September 2023, you might have encountered a strange sight: a line of slowly marching horses, with beavers saddled on their backs. Unfortunately, the rodents were not wearing tiny cowboy hats and boots. They were inside carriers, but their journey via horseback was still a fairly Wild West–type of solution to a problem. These beavers were headed to a new home—a battleground in the fight against drought and wildfires in the region….

…For decades, people have gone out of their way to move beavers across great distances. Today’s preferred methods—hiking, humping, and horseback rides—are an improvement over 1948, when beavers were parachuted out of planes in Idaho. Back then, Idaho Fish and Game had loaded the animals into boxes designed to spring open upon landing, and then dropped them over the Sawtooth Mountain Range….

…However, the reason behind all of this shuttling beavers around has completely reversed since the 1940s. Then, they were being sent to remote locations because humans didn’t want them around. Today, in Idaho, Utah, and other sites, they’re being brought back. Beavers are ecosystem engineers—and the ecosystems they create happen to be key to limiting wildfires and managing drought conditions. The mini-paratroopers have been revealed to be mini-firefighters, and it was the results of that aerial feat in 1948 that helped kick it all off, at least once NASA took notice….

(11) DESERT SONG. “Dune Spice Opera 2024 remaster” available for sale at Bandcamp.

From the first Dune 1991 game, reworked in 1992 with Philippe Ulrich, a classic of 90’s Electronic music now available in a qualité never Heard before!

Carefully remastered using modern tools, this 2024 version features spectrally enhanced sound, wider stereo, and clearer dynamics, rendered in Hi-Res Audio 96/24 format.
Includes also a special bonus: The full game OST in a yet unveiled quality!

(12) VIDEO OF THE DAY. Deadline sums up the “’Ministry Of Ungentlemanly Warfare’ Trailer”.

The Ministry Of Ungentlemanly Warfare will be released on April 19. Think Ritchie meets Magnificent Seven and Inglourious Basterds….

…The true story covers Winston Churchill and Ian Fleming’s secret WWII combat organization. The clandestine squad’s unconventional and ‘ungentlemanly’ fighting techniques against the Nazis helped change the course of the war and gave birth to the modern Black Ops unit.

The script by Paul Tamasy and Eric Johnson, Arash Amel and Ritchie is based on war correspondent and military historian Damien Lewis’ best-selling book of the same name. Tamasy and Johnson initiated the project and sold it as a pitch to Bruckheimer and Paramount in 2015….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Joey Eschrich, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/26/23 One-Eyed, Once-Scrolled Flying Purple Pixel Eater

Posted on September 26, 2023 by Mike Glyer

(1) HEAR JEMISIN ON WORLDBUILDING. N. K. Jemisin’s lecture at Cornell on October 4 will be livestreamed: “N. K. Jemisin to speak on imagining a better future” in the Cornell Chronicle.

N. K. Jemisin, award-winning fantasy author and critic, will give the Bartels World Affairs Lecture on Wednesday, October 4, at 5:30 p.m. in the Rhodes-Rawlings Auditorium.

The campus community is invited to join an in-person livestream watch party in Klarman Hall and attend a reception and book signing with Jemisin in the Groos Family Atrium after the event. A free watch party ticket is required. General admission is sold out. The lecture will also be livestreamed by eCornell.

In this Bartels World Affairs Lecture, fantasy author N. K. Jemisin will share how she learned to build unreal worlds by studying our own — and how we might, in turn, imagine a better future for our world and reshape it to fit that dream.

Join us for Ms. Jemisin’s lecture and a discussion featuring a panel of distinguished Cornell faculty to kick off “The Future,” a new Global Grand Challenge at Cornell. We invite thinkers across campus to use their imaginations to reach beyond the immediate, the tangible, and the well-known constraints. How can we use our creativity to plan and build for a future that is equitable, sustainable, and good?

(2) FOOLS’ NAMES AND FOOLS’ FACES. [Item by “Orange Mike” Lowrey.] I will be appearing this coming Sunday as a special guest star in a lecture/presentation called Depths of Wikipedia Live, at the Majestic Theatre in Madison, WI. Ticket information at the link:

Join Depths of Wikipedia creator Annie Rauwerda on a journey through Wikipedia’s most interesting corners. You’ll have the time of your life [citation needed]…

(3) SALT LAKE CITY BOOKSTORE THREATENED. The King’s English Bookstore in Salt Lake City, UT was temporarily shut down by a bomb threat on Sunday morning targeting a drag queen story hour. Salt Lake City police heard of a “suspicious circumstance” around 9:30 and, after determining it was a bomb threat, evacuated the store to search for explosives, clearing it to reopen around 11. Tara Lipsyncki has hosted that drag queen story hour for five months. “Salt Lake City bookstore cleared after receiving bomb threat” – Fox13Now has the story.

…Salt Lake City Police said they learned of a “suspicious circumstance” at the King’s English Bookshop, located at 1511 S. 1500 East, around 9:30 a.m. They later determined that it was a potential bomb threat and evacuated the building.

…The threat came in an hour and a half before “Sunday Storytime” with drag queen Tara Lipsyncki.

She’s been reading children’s books at the shop on the last Sunday of every month for five months now. She said she was heading to the King’s English when the co-owner, Calvin Crosby, called her to say the store had received a bomb threat.

“The parents and the queer kids that need this event and need to be seen, I feel for them,” she said….

Salt Lake City Mayor Erin Mendenhall posted to X, “I cannot say this strongly enough, EVERYONE belongs in Salt Lake City. The actions today to cause fear at @KingsEnglish around a drag story time event are not welcome here. We’re looking forward to working with King’s English so this event can happen at a future date for all those who wanted to be there today.”

Sad Puppy Brad R. Torgersen joined others piling on the mayor with slurs about pedophilia.

Lipsyncki wrote in an Instagram post:

View this post on Instagram

A post shared by Tara Lipsyncki (@taralipsyncki)

(4) WGA WEST AND EAST BOARDS VOTE TO LIFT STRIKE. A membership ratification vote comes next. “Writers Strike Is Over: WGA Votes to End Work Stoppage” reports Variety.

The Writers Guild of America (WGA) strike is officially over.

On the 148th day of the work stoppage, the board of the WGA West and council of the WGA East voted unanimously on Tuesday to lift the strike order as of 12:01 a.m. PT on Wednesday. following a tentative agreement on a new contract with the Alliance of Motion Picture and Television Producers (AMPTP). That means writers can go back to work as of Wednesday even before the final ratification vote.

The ratification vote will be held from Oct. 2-Oct. 9. The WGA will hold member meetings on both coasts this week in person and on zoom to discuss the details of the contract. Given the enthusiastic endorsement of the WGA negotiating committtee, it is expected to be easily ratified by strike-weary members.

(5) TOYS’R WHO? “57 Years Later, A Forgotten Sci-Fi Villain is Making an Unexpected Comeback” – Inversefills in his dossier.

…With the release of the action-packed trailer for all three Doctor Who 60th-anniversary specials, airing this November, BBC confirmed that Neil Patrick Harris is playing the Toymaker. The name seems obvious — when he’s not donning a tuxedo and top hat, the character is dressed like a sinister Gepetto, and constantly surrounded by toys. But there’s more to him than just a toy-making gimmick: the Toymaker, also known as the Celestial Toymaker, is one of the oldest villains of Doctor Who, first appearing in a serial that aired 57 years ago.

Originally played by Michael Gough, the Toymaker made his debut in the 1966 serial “The Celestial Toymaker,” as a cosmic adversary to the Doctor who forced the Doctor’s companions to play a series of seemingly childish but deadly games. Think Squid Games but everyone is dressed in questionably oriental-looking robes (the Toymaker’s nickname was also “the Mandarin” — it was the ’60s). The Toymaker trapped his victims in a kind of pocket universe called the Celestial Toyroom, which he could manipulate to his whim. If his victims lost the games, they would become the Toymaker’s playthings forever, but if the Toymaker lost, the Toyroom would be destroyed and he would be forced to build another. The Toymaker also appeared to only be able to exist within his pocket universe, and couldn’t — or wouldn’t — leave it. But in the upcoming Doctor Who anniversary special, it seems that the Toymaker has made it into the main universe, and he’s pulled Donna Noble (Catherine Tate) into his schemes….

(6) CHENGDU WORLDCON UPDATE. [Item by Ersatz Culture.]

Video showing the con venue at an early stage in construction — https://www.bilibili.com/video/BV1dM4y1D7w4/

This is one I stumbled across, it was posted on February 9th, although the video title mentions January 5th, which was perhaps when it was filmed? (Which would be two weeks before the venue and date change was officially announced.)

What is the progress of the main venue of the World Science Fiction Convention? Cover anchor takes you on a tour of the “Nebula” main venue (January 2023, 1)

(7) RILEY ON THE COVER. Although the story by David A. Riley initially accepted by F&SF was turned down after social media raised the issue of Riley’s history of having once been part of the UK’s National Front (see “F&SF Will Not Publish Riley Story”), a different work by the author has been announced as part of the lineup of Rogue Rocket Press’ Best of Lovecraftiana. (Lovecraftiana is a quarterly.) Riley also announced it on his blog: “The Best of Lovecraftiana Magazine will include The Psychic Investigator”.

The Best of Lovecraftiana Magazine will include my story The Psychic Investigator, which is likely to be the last of my Grudge End tales as it brings them to a post-apocalyptic end.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born September 26, 1869 — Winsor McCay. Cartoonist and animator who’s best remembered for the Little Nemo strip which ran between The Wars and the animated Gertie the Dinosaur film which is the key frame animation cartoon which you can see here. He used the pen name Silas on his Dream of the Rarebit Fiend strip. That strip had no recurring characters or theme, just that a character has a nightmare or other bizarre dream after eating Welsh rarebit. What an odd concept. (Died 1934.)
Born September 26, 1872 — Max Erhmann. Best remembered for his 1927 prose poem “Desiderata” which I have a framed copy hanging here in my work area. Yeah big fan. Genre connection? Well calling it “Spock Thoughts”, Nimoy recited the poem on Two Sides of Leonard Nimoy, his 1968 album. Who here has actually heard it? (Died 1945.)
Born September 26, 1888 — T. S. Eliot. He’s written at least three short poems that are decidedly genre, “Circe’s Palace” “Growltiger’s Last Stand” and “Macavity: The Mystery Cat”. Then there’s his major work, “The Waste Land” which is genre as well. It’s worth noting that Lovecraft intensely hated the latter and wrote a parody of it called “Waste Paper: A Poem of Profound Insignificance”. (Died 1965.)
Born September 26, 1935 — Juan Zanotto. An Italian-born Argentine comic book artist whose Italian Yor series was used as the basis of the 1983 Yor, the Hunter from the Future film. It has a fourteen percent rating over at Rotten Tomatoes. Who’s seen it? And he drew the Marvel Comics War Man graphic novel which was written by Chuck Dixon. (Died 2005.)
Born September 26, 1946 — Louise Simonson, 77. Comic editor and writer. She started as editor on the Creepy, Eerie, and Vampirella titles at Warren Publishing. Working for DC and Marvel, she created a number of characters such as Cable and Doomsday, and written quite a few titles ranging from Doomsday, Wonder Woman, Conan the Barbarian and X-Terminators. She’s written a Star Wars title for Dark Horse.
Born September 26, 1957 — Tanya Huff, 66. Her Confederation of Valor Universe series is highly recommended by me. And I also give a strong recommendation to her Gale Family series. I’ve not read her other series, so I’ll ask y’all what you’d recommend. Oh and her Blood Books series, featuring detective Vicki Nelson, was adapted for a television series as Blood Ties. And yes, it was, like Forever Knight, filmed and set in Toronto. It’s streaming pretty much everywhere.
Born September 26, 1959 — Ian Whates, 64. The Noise duology, The Noise Within and The Noise Revealed, are space opera at its finest. And his City of a Hundred Rows steampunk urban fantasy series sounds damn intriguing. As an editor, he’s put together some forty anthologies of which I’ll note only one of the most recent, London Centric: Tales of Future London, as it’s a quite amazing collection.

(9) AD ASTRA INSTITUTE WORKSHOP. The Ad Astra Institute‘s new speculative-fiction workshop “Writing in (& about) the Age of Artificial Intelligence” led by Christopher McKitterick will run from October-December. Outline below; full information at the link.

The format differs from prior workshops in that it’s a Science, Technology, & Society course blended into our “Science into Fiction” low-intensity writing workshop structure – our first pro workshop with a syllabus that includes weekly readings and viewings for discussion to inspire and inform participants. We hope people enjoy it and get a lot out of the experience.

This third SiF course takes place over the course of about two months, so it’s much lower-intensity than our residential summer workshops – suitable for people with day-jobs. But if you want high-intensity, it can be as intense as you like by getting more involved in Discord discussions, write-ins, reading and watching more stuff and talking with the others about it, playing around with chatbots, and so forth.

The developmental and brainstorming weekend takes place October 21-22, and after six weeks of drafting a new story (and one week to critique one another’s work) we’ll hold our critique weekend on December 9-10. We’ll host both workshop weekends in hybrid format (in-person in Lawrence, KS, plus on our Discord channel), so there’s no need to come to LFK unless you want to rub elbows with the small in-person cohort.

Workshop leader (and Ad Astra director) McKitterick is getting married this week and will be away while everyone is getting starting reading and watching, but will check in while on the road. Soon after he gets back to LFK in October, we’ll begin hosting discussions and write-ins.

Registration is now open! There are only a few spots left, so check it out soon if you’d like to participate. Alums are eligible for a small AdAstranaut scholarship right off the bat, plus – thanks to generous donors and attendees who pay full price – we can offer a few further scholarships, as well. So don’t let cost be a barrier to participating if you’d like to join.

Ready to take a deep-dive into AI and write a new story this fall? It needn’t be about AI, and you won’t get an “F” for failing to read and discuss enrichment materials, but hopefully the’ll inspire and get you writing.

(10) WHERE THE CORPSE FLOWER GROWS. On October 27-28, The Huntington Library in Pasadena, CA will roll out some events, entertainments, and displays in the Halloween spirit for “Strange Science at The Hauntington”. Full details and tickets at the link.

Join us for an evening of chills and thrills! Witness spirited performances and special displays of rarely seen objects from our vaults. Hear spine-tingling stories, learn weird scholarly facts, and experience twisted fantasies on the dance floor.

(11) PRESENT AT THE CREATION. Frankenstein 1930 at the Long Beach (CA) Playhouse between now and October 21 – full details and tickets at the link.

Just in time for the Halloween season, FRANKENSTEIN 1930 harkens back to the Universal monster movies of the 1930s in a stage homage that features all the elements we love and remember from those films: the stone walled laboratory, the crazed scientist, angry villagers, a swooning yet determined heroine, a fearful storm, and the hideous but sympathetic creature with its confused mind and powerful, undisciplined body. Can Victor Frankenstein and his fiancée Elizabeth subdue his deadly creation, or will the final confrontation be the end of them all?!?

(12) RIGS IN SPACE. [Item by Steven French.] Space drugs are coming soon! “Building in zero gravity: the race to create factories in space” in the Guardian.

… For some startups, the most pressing questions in manufacturing right now are: how do you build computer parts, harvest stem cells or produce pharmaceuticals while in space?

A group of founders say it’s already happening, at least at the research level. Nasa has given a $2m grant to scientists who want to see if zero-gravity conditions can help produce new stem cell and gene therapies. The defense company Northrop Grumman partnered with a startup that aims to produce semiconductors in space. By the end of this decade, one expert says, we’ll be using items that contain some element that was built off of Earth.

Why go through the trouble of “off-planet manufacturing”? Jeff Bezos told CBS’s Gayle King that heavy manufacturing and air-polluting industries could operate away from Earth. “This sounds fantastical … but it will happen,” Bezos said.

Advocates say that certain conditions in space, including the lack of gravity, low temperatures and near-perfect vacuum, mean that certain ingredients, such as crystals, can be made at a better quality than on land….

(13) A VERY BIG DESERT ISLAND. Nature says “This is what Earth’s continents will look like in 250 million years”. It will take true grit to survive this.

…Up to 92% of Earth could be uninhabitable to mammals in 250 million years, researchers predict. The planet’s landmasses are expected to form a supercontinent, driving volcanism and increases to carbon dioxide levels that will leave most of its land barren.

“It does seem like life is going to have a bit more of a hard time in the future,” says Hannah Davies, a geologist at the GFZ German Research Centre for Geosciences in Potsdam. “It’s a bit depressing.”

Earth is currently thought to be in the middle of a supercontinent cycle¹ as its present-day continents drift. The last supercontinent, Pangaea, broke apart about 200 million years ago. The next, dubbed Pangaea Ultima, is expected to form at the equator in about 250 million years, as the Atlantic Ocean shrinks and a merged Afro-Eurasian continent crashes into the Americas.

…If humans are still around in 250 million years, Farnsworth speculates that they might have found ways to adapt, with Earth resembling the 1965 science-fiction novel Dune. “Do humans become more specialist in desert environments, become more nocturnal, or keep in caves?” he asks. “I would suspect if we can get off this planet and find somewhere more habitable, that would be more preferable.”…

(14) A LITTLE TOUCH OF HARRY IN THE NIGHT. Unlike King Kong, Harry Potter will not be climbing the building as part of this celebration: “Empire State Building to light up in Harry Potter’s Hogwarts house colors Wednesday to mark 25th anniversary” at AMNY.

The Empire State Building will light up in the four Hogwarts house colors on Wednesday, Sept. 27 to mark the 25th anniversary of the first Harry Potter book published in the U.S.

With a flick of the wand and a “Lumos,” the Tower Lights will shine in Gryffindor red, Hufflepuff Yellow, Ravenclaw blue, and Slytherin green at sunset.

A magical pop-up cart with free copies of “Harry Potter and the Sorcerer’s Stone” and bottled Butterbeer will be given to guests who purchase tickets to the 86th floor Observatory from 2 p.m. to 5 p.m., while supplies last.

The Empire State Building, Wizarding World franchise partners, and Scholastic collaborated to organize the anniversary event, which all Muggles are also invited to come.

(15) A TARTAN FOR OGRES? It’s Nice That tells how “You can now book a stay at Shrek’s swamp for free on Airbnb”. It’s in Scotland!

Shrek is giving Barbie a run for its money. After Barbie’s Malibu DreamHouse recently returned to Airbnb (this time hosted by Ken), the holiday rental platform has listed Shrek’s Swamp on its site. Located in the Scottish Highlands, the property is a real-life recreation of the homestead built by everyone’s favourite ogre.

According to Airbnb, anyone can request to book. One lucky group of three will be chosen for a two-night stay from 27-29 October, where they’ll experience all the luxuries of Shrek’s swamp – from “earwax candlelight” to the ogre’s iconic outhouse. The property was designed exclusively for this campaign, and is independently owned and operated by Ardverikie Estate….

[Thanks to Andrew Porter, Ersatz Culture, John King Tarpinian, Steven French, “Orange Mike” Lowrey, Remco van Straten, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day John Lorentz.]

Pixel Scroll 2/8/22 Something Pixel This Way Scrolls

Posted on February 8, 2022 by Mike Glyer

(1) COMING ATTRACTIONS. Somtow Sucharitkul told Facebook friends his movie The Maestro will play in L.A. in June. (See the story of the film here.) He wants help to make its appearance a hit.

To my friends in Los Angeles:
THE MAESTRO will open at one of the Laemmle theaters, probably in June, exact dates and location TBA.
Before then, I would like to mobilize the F/SF/H community, the Thai community, and the Music community to try to make the run a success and even to push it beyond one week.
So happy to be following in the footsteps of Dakota Loesch and Scott Monahan the creators of “Anchorage” which just enjoyed a run with this chain.
Any friends of mine in L.A. who would like to help me organize all our potential viewers, need all the grassroots help we can get! I will fly in for the opening for sure, and maybe some others from the team.

(2) PREGENERATION. “Doctor Who’s Jodie Whittaker announces pregnancy at Brit Awards 2022” – Metro News has the story.

Jodie Whittaker revealed exciting news as she graced the Brit Awards 2022 red carpet, confirming she is pregnant with her second child.
The Doctor Who actress attended the star-studded awards ceremony at London’s O2 Arena on Tuesday wearing a dress from British designer Chimone.

(4) ARTIFICER INTELLIGENCE. “Artist uses AI to perfectly fake 70s science fiction pulp covers – artwork and titles” – CDM Create Digital Music will tell you how.

The way a lot of press gets this wrong, of course, is to say things like “the AI made some sci-fi book covers.” Even as these algorithms get a lot more sophisticated than averaged pixels or a Markov chain, they are still just algorithms, lacking in agency, albeit with enormous data sets as source material. In turn, though, that makes some of the aesthetic peculiarities they generate all the more interesting, and means that it’s helpful to understand them as generative tools in the hands of artists. They’re the outcome of a lot of human effort in mathematics, code, and ultimately human choice, even if that last bit upsets those in search of general artificial intelligence.
Lewis Hackett is that artist, and cleverly selected what we’re seeing, combining a graphics technique called Clip Guided Diffusion for the imagery with familiar GPT3 techniques for the titles. And he’s done a great job selecting the results and aping the typography style by hand….

Thank you to @peterkirn for another feature in CDM, this was a fun little project close to my heart as I draw a lot of my inspiration from the incredible history of Sci-Fi artwork and design https://t.co/KLyU70EkWz
— -=HACKMANS=- (@_hackmans_) February 7, 2022

(5) SPACE ODYSSEYS – HOW LIKELY? At The Space Review Jeff Foust asks, “Are space movie studios sci-fi fantasies?”

Remember all the excitement a couple years ago when Hollywood media reported that Tom Cruise planned to film a movie in space? The NASA administrator at the time, Jim Bridenstine, confirmed that NASA was in talks with the famous actor for filming some kind of movie—no one was really sure what it would be about—on the International Space Station, but there’s been little overt progress since then. Cruise remains grounded for the foreseeable future: given the schedule of missions to the ISS, the soonest he could go is early 2023.
Those reports did apparently convince the Russians to do their own space movie, called The Challenge, with the cooperation, and maybe financial support, of Roscosmos. A director and an actress flew to the station in October to film scenes of a movie that’s supposed to come out later this year, putting The Challenge in line to become the first feature-length dramatic movie with major parts of it filmed in space (a distinction that’s required for earlier documentaries or Richard Garriott’s short spoof Apogee of Fear.) Take that, Tom Cruise!
Both Cruise’s rumored plans and the upcoming Russian film seem to have convinced people there’s a market for shooting movies in space. Last month, Axiom Space, a company adding commercial modules to the space station that will later become part of a standalone commercial space station, said it had been selected by a company called Space Entertainment Enterprise (SEE) to build an “inflatable microgravity entertainment venue” called SEE-1 that would be attached to its own commercial modules….

(6) SCIENTISTS IN SCIENCE FICTION. Dream Foundry is adding videos of Flights of Foundry 2021’s programming to their YouTube channel. Some highlights include “The Unhelpful Legacy of Mad Scientists: Writing Scientists as Positive Role Models” with Octavia Cade, Benjamin C. Kinney, and Arula Ratnakar, moderated by Sid Jain. View on YouTube.

(7) MARTIAN HOP. You can still enjoy the online portion of the “Mars. The Red Mirror” exhibit at the Centre de CulturaContemporània de Barcelona: “Inside the red mirror”.

This is a virtual space where you can imagine your own view of Mars: god, symbol and planet in its different metamorphoses. You may have visited the exhibition or simply clicked on to this page skipping between links and other everyday internet browsings. It depends on how much time you want to spend, how much concentration is required and how curious you are….
The voice of the meteorite
I am a rare stone. Call me KSAR Ghilane 002 or whatever name your imagination conjures up. I come from Mars. I have travelled through space for thousands of years until I reached my unexpected destination in the desert you call the Sahara. I was discovered as a result of the insatiable curiosity for exploring that is inherent to your species. Now you can see one of my fragments. I come from the deepest strata on the Red Planet. I have a story to tell you. Because I am also a meteor, like the storms, typhoons and hurricanes you can’t control.

(8) DOUGLAS TRUMBULL (1942-2022). Director and special effects creator Douglas Trumbull died February 7 at the age of 79. He directed Silent Running. Trumbull got three Academy Award nominations for visual effects (for Blade Runner, Star Trek: The Motion Picture and Close Encounters of the Third Kind) and, in 1992, a special scientific and engineering award for his work helping to design the CP-65 Showscan Camera System for motion picture photography. In 2012, he received the Academy’s Gordon E. Sawyer Award, a special technical Oscar for his contributions to the industry. The Associated Press has an extensive tribute: “’2001,’ ‘Blade Runner’ effects pioneer Douglas Trumbull dies”.

(9) ROBERT BLALACK (1948-2022). Oscar-winning Star Wars visual effects artist Robert Blalack died February 2. Deadline highlights his career.

… At the age of 29, he designed and supervised the Star Wars VistaVision Composite Optical production pipeline, which allowed all the groundbreaking 365 VistaVision VFX shots in Star Wars. Much of what he created for the film was built on a (relative) shoestring. With a VFX budget of just $1.6 million for the film, Blalack made use of obsolete VistaVision optical composite equipment from Hollywood’s Golden Years that could be had for a song.
“My task was to scavenge the Hollywood junkyards for any VistaVision Composite Optical mechanics,” he wrote, “figure out how to upgrade those relics with custom state-of-the-art optics, design a photographic process to mass-produce the movie’s 365 VistaVision composites, and then train and supervise the Star Wars Composite Optical crew.”
The result was what he called, “This Rube Goldberg assemblage of ancient composite printer hardware, state-of-the-art optics and the mass-production blue screen color-difference composite techniques were the backbone of the celluloid system…subsequently used on all ILM VistaVision VFX Composite Opticals.”
Blalack was part of the team that founded Industrial Light and Magic, and again the effort was driven by necessity….
In 1983, Blalack added an Emmy to his trophy case for his work on ABC’s The Day After, a TV movie about a nuclear holocaust which captured the public imagination due in no small part to his visual effects. It was seen by 100 million people in the U.S.
His other credits would comprise a career to be proud of unto themselves. They include effects on Carl Sagan’s landmark PBS series Cosmos; transformational visions in Altered States, Wolfen, Cat People and RoboCop; and FX in service of comedic classics such as Airplane and The Blues Brothers.

(10) MEMORY LANE.

2007 — [Item by Cat Eldridge] Fifteen years ago on this evening, the short-lived Flash Gordon series that debuted on Sci-Fi on August 10, 2007 ended. The series was developed by Peter Hume who served as executive producer and the showrunner. He wrote the first and last episodes of the series which lasted twenty one episodes as well as many others. He would later be the Executive Producer of Primeval: New World and was involved in Charmed and Fantasy Island as well.

The primary cast which was all Canadian was Eric Johnson was Flash Gordon, Gina Holden as Dale Arden, Jody Racicot as Dr. Hans Zarkov and John Ralston as Ming the Merciless. Anna Van Hooft had a recurring role as Princess Aura.

So how was it received? Not at all well as the New York Post stated in a frankly hostile review that it was “a disgrace to the name of the enduring comic-strip-character-turned-movie-and-TV space hero.” And U.K. TV Zone stated that it might “have worked if the early episodes hadn’t been so dire that no-one but reviewers are still watching.” Ouch. It probably mercifully has no audience rating at Rotten Tomatoes.

I have not seen it and would like to know how it was. So, who here has seen it?

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born February 8, 1828 — Jules Verne. So how many novels by him are you familiar with? Personally, I’m on first-hand terms with Twenty Thousand Leagues Under the Sea, Journey to the Center of the Earth and Around the World in Eighty Days. That’s it. It appears that he wrote some sixty works and a lot were genre. And of course, his fiction has become the source of many other fictions in the last century as well. (Died 1905.)
Born February 8, 1905 — Truman Bradley. He was the host of syndicated Science Fiction Theatre series which ran from 1955 to 1957. It aired its last episode on this day in 1957. On Borrowed Time, a fantasy film, is his only other SFF work. (Died 1974.)
Born February 8, 1918 — Michael Strong. He was Dr. Roger Korby in the most excellent Trek episode of “What Are Little Girls Made Of?”. He also showed up in Green Hornet, Mission Impossible, I-Spy (ok I consider it genre even if you don’t), Galactica 1980, Man from Atlantis, The Six Million Dollar Man, Planet of The Apes, Kolchak: The Night Stalker and The Immortal. (Died 1980.)
Born February 8, 1938 — Ned Brooks. A Southern fan involved for six decades in fandom, and he attended his first Worldcon in 1963. He wrote two associational works, Hannes Bok Illustration Index and Revised Hannes Bok Checklist back in the days when print reigned surpreme. ISFDB shows that he was quite the letter writer. Mike has an appreciation of him here. (Died 2015.)
Born February 8, 1944 – Rogert Lloyd Pack. He was John Lumic in the “Rise of the Cybermen” and “The Age of Steel”, both Tenth Doctor stories. (He was the voice of the Cyber-Controller in these episodes as well.) He was also Barty Crouch, Sr. in Harry Potter and the Goblet of Fire. And he played Quentin Sykes in the Archer’s Goons series. (Died 2014.)
Born February 8, 1953 — Mary Steenburgen, 67. She first acted in a genre way as Amy in Time After Time. She followed that up by being Adrian in A Midsummer Night’s Sex Comedy which I suppose is sort of genre though I’ll bet some you will dispute that. She shows up next in the much more family friendly One Magic Christmas as Ginny Grainger. And she has a part in Back to the Future Part III as Clara Clayton Brown which she repeated in the animated series. And, and keep in mind this is not a full list, she was also in The Last Man on Earth series as Gail Klosterman.
Born February 8, 1962 — Malorie Blackman, 60. Her excellent Noughts and Crosses series explores racism in a dystopian setting. (They’re published as Black & White in the States.) She also wrote a Seventh Doctor short story, “The Ripple Effect” which was published as one of the Doctor Who 50th Anniversary e-Shorts. She’s readily available on all digital platforms.
Born February 8, 1969 — Mary Robinette Kowal, 53. Simply a stellar author and an even better human being. Chair of the last Worldcon. I’m going to select out Ghost Talkers as the work by her that I like the most. Now her Forest of Memory novella might be more stellar. She’s also a splendid voice actor doing works of authors such as John Scalzi, Seanan McGuire and Kage Baker. I’m particularly amazed by her work on McGuire’s Indexing series. So let’s have Paul Weimer have the last words on her: “I thought it was Shades of Milk and Honey for a good long while, but I think Calculating Stars is my new favorite.”
Born February 8, 1979 — Josh Keaton, 43. He voiced the Hal Jordan / Green Lantern character in the most excellent Green Lantern: The Animated series which is getting a fresh series of episodes on the DC Universe streaming service. Yea! I’m also very impressed with his Spider-Man that he did for The Spectacular Spider-Man series.

(12) COMICS AS A CASE STUDY. [Item by John A Arkansawyer.] Who knew? I did not: “Not Even a Superhero Could Fix Global Supply Chains” in The American Prospect.

World War II and 9/11 couldn’t halt comic book production; COVID did. In 2020, as the world flipped on its head, even comics couldn’t evade a concentrated economy’s bursting fault lines. Diamond Comic Distributors—the industry titan that distributed Marvel and DC Comics for a quarter-century—shut down operations in April 2020 for nearly two months.
While distribution eventually restarted, the industry has continued to suffer lags. Entering the third year of the pandemic, frustrations run deep among comic book enthusiasts. Paloma Deerfield has worked for more than five years at Vault of Midnight, a comic book shop in Grand Rapids, Michigan. Her favorites include X-Men, Saga, Demon Slayer, Jujutsu Kaisen, and the indie comic publisher Boom! Studios. It’s disappointing, says Deerfield, “not being able to stock the shelves the way we want to.”
Buyers and sellers alike are feeling the impact not only from comic book distribution delays, but also from a shortage of bags and boards—the materials used to preserve collections in mint condition.
At BCW Supplies, an Indiana-based company that provides over 900 hobby accessories for collectors and retailers, backing boards are processed in their Indiana facility, while plastic bags are produced in their China factories, according to marketing manager Ted Litvan.
The paper industry’s significant price increases, explained Litvan, are due to higher demand outside of the collectibles industry. In early 2021, Amazon and other e-commerce giants snatched up the majority of the world’s cardboard supply. The cost of producing corrugated cardboard tripled last year too. For imported goods, meanwhile, “the ports are a mess,” and BCW can no longer predict when a shipment will be available for final delivery….

(13) FREUD AND C.S. LEWIS DRAMATIZED. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Sarah Hemming reviews Freud’s Last Session, a 2010 play by Mark St Germain about an imaginary encounter between Sigmund Freud and C S Lewis in 1939, that is on stage at the Kings Head Theatre (kingsheadtheatre.com) through February 12. It stars Sean Browne as Lewis and Julian Bird as Freud.

Lewis, who finds himself repeatedly drawn to the couch as if by a magnet, talks about his childhood. For Freud, in physical agony and contemplating his end, arguments about the finality of death feel far from theoretical.

For both men the imminent conflict (of World War II) weighs heavy. Lewis still bears the scars of his First World War experience; Freud has recently fled Austria. The conversation is interrupted by a couple of moments of mortal terror–an air road siren; the throes of aircraft overhead–well realised in Darney’s staging. Browne and Bird bring the two adversaries springing to life.

(14) NO MIRACLE ON 35TH STREET. Bob Byrne wrote a series showing members of The Wolfe Pack how Nero and Archie are riding out the pandemic in the Spring of 2020. Black Gate has been reprinting them, and the latest installment is: “Nero Wolfe’s Brownstone: Stay at Home – Days 34 and 35”.

…He eyed me levelly. “You know very well that you took that laundry to Lee’s as an infantile response to my insistence that the laundry go out that day. I highly doubt that Swann’s was closed.”
I was nonplussed. He continued. “No doubt, you instructed Mister Lee to put extra starch in my collars. And you added the cuffs out of spite.”
I gave him hurt expression number three. “I did no such thing.” I stared at the wall, thoughtfully. “Although, I did practice my Chinese with him. I might have said, ‘extra’ when I meant ‘less.’ My Chinese is a little rusty.”
He snorted. “Ridiculous. You don’t even speak Chinese.”
“Can’t get more rusty than that.”…

(15) AS YOU WISH. Kotaku explains now a “Sly NYT Crossword Puzzle Tricks Star Wars, Star Trek Fans”.

…The clever puzzle simply asks: “The better of two sci-fi franchises.” Depending on your preference, the answer is either Star Wars or Star Trek. The double entendre was highlighted in Wordplay, the Times’ crossword column along with a note about the choice from puzzle constructor Stephen McCarthy.
“I am a fan of both Star Wars and Star Trek, so it’s nice to be able to highlight both (not to mention the friendly rivalry between the two fandoms) in one puzzle,” McCarthy says in the column….

Fun little trick in the Sunday New York Times crossword yesterday: the central theme clue was "The better of two sci-fi franchises", and regardless of whether you put Star Wars or Star Trek, the crossing clues worked pic.twitter.com/NS4LDxwxxl
— ?att (@matttomic) February 7, 2022

(16) SCIENCE IN A VACUUM. “Science and the Sublime” is an exhibit The Huntington in San Marino, CA has assembled around a famous painting temporarily on loan.

Feb. 12, 2022–May 30, 2022
Huntington Art Gallery
One of the great masterpieces from the Age of Enlightenment, Joseph Wright of Derby’s monumental An Experiment on a Bird in the Air Pump (1768) depicts a small group of people gathered around a candlelit table on which a lecturer in natural history is performing a scientific experiment, namely the creation of a vacuum, as described by chemist Robert Boyle in the 17th century. As air is slowly removed from a glass jar, the fate of a cockatiel inside the jar hangs in the balance. The observers’ reactions range from fascination to dismay. In Wright’s hands, the tableau is an exercise in the sublime, a moment of extreme tension recast as a dramatic meditation on the fragility of life. At the same time, the experiment being performed relates to advances in the fields of science and medicine, making the scene a celebration of human achievement.
“Science and the Sublime: A Masterpiece by Joseph Wright of Derby” presents the powerful 6-by-8-foot painting on loan from the National Gallery in London, where it is one of that institution’s most popular paintings, along with 15 works from The Huntington’s own collections, including two smaller paintings by Wright and 13 rare objects from the Library’s holdings. The exhibition’s theme highlights two major strengths of The Huntington’s collections—British art and the history of science—providing a unique opportunity to juxtapose materials that are not normally displayed together. Alongside Bird in the Air Pump, are rare books and ephemera that reveal the real science behind the elements that Wright depicts on canvas, as well as the contemporary moral and aesthetic debates with which he engages.
The loan of Bird in the Air Pump is part of a reciprocal exchange with the National Gallery, where The Huntington’s most famous work, Thomas Gainsborough’s iconic painting of The Blue Boy (ca. 1770), will be on display for London museumgoers for the first time in a century, from Jan. 25 through May 15, 2022.

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Tom Becker, Darrah Chavey, Jennifer Hawthorne, John A Arkansawyer, Will R., Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 1/4/22 If You Like My File And You Think I’m Pixely, Come On Baby Let Me Scroll

Posted on January 4, 2022 by Mike Glyer

(1) ACCESSIBILITY ISSUES RAISED ANEW. Mari Ness, who recently called out Discon III’s accessibility issues, today tweeted about another setback involving the Viable Paradise writers workshop. Thread starts here.

For the record, this is NOT the first time I have called out Viable Paradise about this publicly and spoken to the VP folks.

They have told me that the problem is trying to find an accessible place that is also affordable.
— Mari Ness, still masked (@mari_ness) January 4, 2022

But what I, a wheelchair user, hear when that's said is:

"We'd rather stay in Martha's Vineyard in a place, rather than welcome you to the community."
— Mari Ness, still masked (@mari_ness) January 4, 2022

Now, look, sure. I'm at the point in my career where VP would probably not be all that useful to me, personally.

But not that long ago, it WOULD have been. I wanted to go. I considered the costs carefully.

And then I looked at the accessibility info.
— Mari Ness, still masked (@mari_ness) January 4, 2022

The “Accessibility at Viable Paradise” webpage discusses the provisions made by the workshop.

(2) SAVE THE CITY COMPOSER Q&A. “’Rogers: The Musical’ composer reveals a deleted ‘Hawkeye’ scene” — an Inverse interview with Marc Shaiman.

HAWKEYE’S POST-CREDITS SCENE was unlike anything we’ve seen before. While Marvel normally teases the future, their latest series ended with a victory lap in a full encore performance of in-universe Broadway sensation Rogers: The Musical’s “Save the City.”
Many fans weren’t pleased with this prime spot looking backwards instead of forward, but the scene paradoxically did something new. After 20-odd teasers and reveals, the most surprising choice was not revealing anything at all. It also allowed the fabulous music and lyrics of Marc Shaiman and Scott Wittman to take center stage.
Shaiman and his co-lyricist Scott Wittman are Broadway legends, with Hairspray and Charlie and the Chocolate Factory among their many collaborations. But Hawkeye posed unique challenges: how do you create a show tune that fans would enjoy but Clint Barton would walk out of? How do you immortalize a classic Marvel moment in a silly but loving way? The answers involve a lot of lore, some speculation, and tons of encouragement from the brains behind Hawkeye….

There’s an official soundtrack (only) of the number here on YouTube. I also discovered a fan-made video performance version by “Stray and the Soundtrack” here which is a lot of fun.

(3) TOLKIEN SAINTHOOD. Francisco García, President of STP, the Peruvian Tolkien Society, reports they offered a Mass for the 130th birthday of JRR Tolkien and for the advancement of his Cause of Canonization on January 3. A video of the service is available on Facebook.

(4) COSTA BOOK AWARDS. The 2021 Costa Book Awards, a UK literary prize sponsored by a coffee company, have been announced. None of the shortlisted genre works are winners.

The prize has five categories – First Novel, Novel, Biography, Poetry and Children’s Book. The winner of each receives £5,000. The Costa Book of the Year will be chosen from among them and get a £30,000 prize. The overall winner will be announced on February 1.

2021 First Novel Award – Open Water by Caleb Azumah Nelson (Viking)
2021 Novel Award – Unsettled Ground by Claire Fuller(Fig Tree)
2021 Biography Award – Fall: The Mystery of Robert Maxwell by John Preston (Viking)
2021 Poetry Award – The Kids by Hannah Lowe(Bloodaxe Books)
2021 Children’s Book Award – The Crossing by Manjeet Mann(Penguin)

(5) A KAIJU FORETASTE. Tor invites readers to “Download a Digital Preview of The Kaiju Preservation Society”, the first five chapters of John Scalzi’s forthcoming novel.

When COVID-19 sweeps through New York City, Jamie Gray is stuck as a dead-end driver for food delivery apps. That is, until Jamie makes a delivery to an old acquaintance, Tom, who works at what he calls “an animal rights organization.” Tom’s team needs a last-minute grunt to handle things on their next field visit. Jamie, eager to do anything, immediately signs on.
What Tom doesn’t tell Jamie is that the animals his team cares for are not here on Earth. Not our Earth, at at least. In an alternate dimension, massive dinosaur-like creatures named Kaiju roam a warm and human-free world. They’re the universe’s largest and most dangerous panda and they’re in trouble.
It’s not just the Kaiju Preservation Society who’s found their way to the alternate world. Others have, too. And their carelessness could cause millions back on our Earth to die.

(6) BUTLER’S GEOGRAPHY. The Huntington has arranged some companion events and interactive online resources to enrich their “Mapping Fiction” exhibit. These three relate to Octavia Butler.

Lecture – Revisiting Octavia E. Butler’s Pasadena
Saturday, March 19, and Saturday, April 23, 2022
2–3:30 p.m.
Pasadena Public Library, La Pinturesca Branch
Free with reservation; limited capacity [ticket info available soon]
On two Saturdays this spring, Ayana Jamieson, local educator and founder of the Octavia E. Butler Legacy Network, will lead a moderated conversation about our desire to locate Butler’s Pasadena.
Walking/Driving Tour – Octavia E. Butler’s Pasadena: A Literary Tour
Visitors can take a self-guided walking or driving tour of the locations around Pasadena where Butler lived, visited, and often found inspiration. Tour maps are available online and in the exhibition gallery. You can also access the tour in Google Maps. After you take the tour, share your pic by tagging it #WalkWithOctavia.
The Literary Life of Octavia E. Butler: How Local Libraries Shaped a Sci-Fi Legend
An interactive map by the Los Angeles Times of Octavia Butler’s life in books.

(7) BOGDANOFF TWINS DIE. Twin brothers Grichka and Igor Bogdanoff (b. August 29, 1949) both died on COVID (on December 28 and January 3, respectively). In 1976, they published Clefs pour la science-fiction, and from 1979-86 co-hosted the science fiction show Temps X, which introduced several British and American science-fiction series to the French public, including The Prisoner, Star Trek, and Doctor Who. They also were involved a controversy in which it was alleged the brothers wrote nonsensical advanced physics papers that were nonetheless published in reputable scientific journals.

(8) JAY WOLPERT (1942-2022). Screenwriter Jay Wolpert has died at age 79. Before he started writing movies, he also created The Price Is Right TV game show. The Hollywood Reporter mentions his credit for Disney’s film The Count of Monte Cristo, and for helping to start another Disney franchise —

…Wolpert then found himself as the first writer hired by Disney to tackle a movie adapting its classic theme park ride, The Pirates of the Caribbean. Once again, he channeled his Classics Illustrated love plus his affinity for pirates — he had once made a pilot for a swashbuckling game show titled Duel in the Daytime — to write the script for Pirates of the Caribbean: The Curse of the Black Pearl (2003).
Three other scribes joined the film, but when the movie that starred Johnny Depp, Orlando Bloom and Keira Knightley was released, Wolpert received a story by credit, and he would also receive a credit for creating characters in the four subsequent feature sequels. He spent the next decade or so working on several Disney movie projects, including a reimagining of The Sword and the Stone.

(9) MEDIA BIRTHDAY.

2001 — [Item by Cat Eldridge.] Twenty one years ago, the first of four episodes of the RoboCop: Prime Directives series first aired on Space in Canada. The series, created by Fireworks Entertainment, consists of four feature-length episodes: Dark Justice, Meltdown, Resurrection, and Crash and Burn. It follows up directly on the first Robocop film.

It was directed by Julian Grant as written by Brad Abraham and Joseph O’Brien who I guarantee hadn’t done anything that you’d heard of. Robocop here was Paige Fletcher who played the narrator in the HBO genre anthology series The Hitchhiker. Other primary cast were Maurice Dean Wint, María del Mar Geraint Wyn Davies, Leslie Hope and Anthony Lemke.

Reception for the series was generally good. Allan Johnson writing for the Chicago Tribune said that it was “worthy of Verhoeven’s movie, never letting up on the satirical nature of the original, not shying away from the mayhem, and making good use of special effects.” It didn’t do well on the Scifi Channel because, as usual, that channel didn’t bother to publicize it at all.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born January 4, 1890 — Malcolm Wheeler-Nicholson. Creator of the modern comic book by publishing original material in the early Thirties instead of reprints of newspaper comic strips. Some years later, he founded Wheeler-Nicholson’s National Allied Publications which would eventually become DC Comics. (Died 1965.)
Born January 4, 1946 — Ramsey Campbell, 75. My favorite novel by him is without doubt The Darkest Part of the Woods which has a quietly building horror to it. I know he’s better known for his Cthulhu mythology writings but I never got into those preferring his other novels such as his Solomon Kane movie novelization which is quite superb.
Born January 4, 1958 — Matt Frewer, 64. His greatest role has to be as Max Headroom and Edison Carter on the short-lived series of the same name. Amazingly, I think it still stands thirty-five years later as SF well-crafted. Just a taste of his later series SF appearances include playing Jim Taggart, scientist and dog catcher on Eureka, Pestilence in Supernatural, Dr. Kirschner in 12 Monkeys and Carnage in Altered Carbon. His film genre appearance list is just as impressive but I’ll single out Supergirl, Honey, I Shrunk the Kids, The Stand, Monty Python’s The Meaning of Life (oh do guess where he is in it) and lastly Night at the Museum: Secret of the Tomb, a series of films that I really like.
Born January 4, 1960 — Michael Stipe, 62. Lead singer of R.E.M. which has done a few songs that I could say are genre adjacent. But no, I’ve honored him here for being involved in a delightful project called Stay Awake: Various Interpretations of Music from Vintage Disney Films. Lots of great songs given interesting new recordings. His contribution was “Little April Shower” from Bambi which he covered along with Natalie Merchant, Michael Stipe, Mark Bingham and The Roches. Fun stuff indeed!
Born January 4, 1982 — Kerry Condon, 40. She provides the voice of F.R.I.D.A.Y. in the Marvel Universe films. More impressively, she was the youngest actress ever to play Ophelia in a Royal Shakespeare Company production of Hamlet. She also played Clara on three episodes of The Walking Dead, and I see she was Dr. Zoe Boyle In Believe, one of those many series that disappeared before anyone knew they existed.
Born January 4, 1985 — Lenora Crichlow, 37. She played Cheen on “Gridlock”, a Tenth Doctor story. She played also Annie Sawyer on the BBC version of Being Human from 2009 to 2012. And she appeared as Victoria Skillane in the “White Bear” of Black Mirror.
Born January 4, 2000 — Addy Miller, 22. She is on the Birthday List for being Sarah in Plan 9. Really? They re-made that movie? Why? And yes she played A Walker in that other show. My fave role by her is because of the title, it was a short called Ghost Trek: Goomba Body Snatchers Mortuary Lockdown, in which she was Scary Carrie Carmichael. And yes you can watch it here.

(11) COMICS SECTION.

Marc de Wolf relays news from Mars.

https://twitter.com/eenWolf/status/1379765004501680130

(12) GOING FOURTH. Arturo Serrano is on fire! Check out his review of Matrix Resurrections — “In ‘Resurrections,’ the toxic legacy of ‘The Matrix’ is the new villain to defeat” — at Nerds of a Feather. Beware Spoilers.

Lana Wachowski is very much aware of how dangerous it was to ask for another Matrix movie.
In the first scene of The Matrix Resurrections, a self-professed fan of Neo watches a deliberately inaccurate remake of The Matrix, one where the female lead loses. Then this fan intrudes into the narrative, rescues one of her heroes, and exits a movie theater, running for her life.
The title of the movie she’s desperately fleeing? The Root of All Evil.
What, pray tell, is the root of all evil? The love of money.
That’s the horror Resurrections is trying to avoid, and despite its corporately mandated existence, it manages to not lose itself.

(13) SOLE SURVIVOR GAMES. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber reviews “battle royale” games where, like The Hunger Games or Squid Game, all the characters fight each other until only one survives.

In the world of gaming, the first titles to imitate Battle Royale, such as the visual novels Dangonrompa and Zero Escape, explored similar themes, but the big successes today are shooters with no such intellectual pretensions. Here a group of players are dropped from a plane across a large map and must scavenge weapons and fight until only one survives. These have become the dominant form in online gaming…
…The genre has also proved versatile. A number of non-violent games have offered eccentric takes on the battle royale, ranging from the candy-coloured obstavle course Fall Guys to Tetris 99, where 99 players stack blocks in a last-man-standing competition. Today there is truly a battle royale for every player, and last week I finally found one for me–new release Babble Royale, a spin on Scrabble in which players parachute letter tiles on to a board and compete to be the last speller standing.

(14) THE BOTTOM LINE. For the fourteenth year, Jim C. Hines has shared his professional earnings results in “2021 Writing Income”.

… So while I produced almost two books, 2021 was a year with no original Jim C. Hines publications, which is a bit frustrating and discouraging. It also makes the income numbers more interesting, at least to me.
2021 Income: The biggest check came from the Delivery/Acceptance payment for Terminal Peace. While I delivered that manuscript in September 2020, the payment didn’t make its way through the system and get to me until 2021. I’m kind of glad, because otherwise this year’s numbers would be a lot more depressing…

(15) GET YOUR BETS DOWN. [Item by SF Concatenation’s Jonathan Cowie.] SF² Concatenation has just tweeted; its first advance post ahead of its seasonal edition (slated for mid-month). This advance post relates to its team’s informal bit of fun as to the best books and film or the past year. The SF² Concatenation have been doing this for quite a few years now and have something of a track record of some of their choices going on to be short-listed for awards (a few even winning). See here and scroll down.

(16) TRAILER PARK. From Disney+, The Book of Boba Fett Episode 2 trailer.

(17) A LITTLE OOPS. There were a lot of eyeballs on the big reunion – too many to miss a mistake like this: “Harry Potter reunion special mixes up Emma Watson and Emma Roberts: ‘How did this happen?’”

…The makers of HBO Max’s hit reunion special, Harry Potter 20th Anniversary: Return to Hogwarts, accidentally swapped in a childhood photo of Emma Roberts for franchise star Emma Watson….

GUYS HELP ME THATS LITERALLY EMMA ROBERTS NOT EMMA WATSON ?????????????????? #ReturnToHogwarts #HarryPotter20thAnniversary pic.twitter.com/bLbXcCUpnh
— ???????????????????? (@vee_delmonico99) January 1, 2022

(18) A CENTURY AHEAD. Isaac Arthur lays out his “Challenges & Predictions for the Next 100 Years” – that will sober you up!

Every year has new challenges, every generation faces its own unique crises, and as we move into the New Year, we will look at the challenges facing us in the next century and set out Top 10 Predictions for life in the year 2121.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Meredith, Steven H Silver, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 11/20/21 Down Slupps The Pixel-Ma-Phone To Your Ear

Posted on November 20, 2021 by Mike Glyer

(1) NAVIGATING LITERATURE. The Huntington Library’s “Mapping Fiction” exhibit will run January 15-May 2. The Pasadena, CA institution timed the event to coincide with the centennial of the publication of James Joyce’s groundbreaking 1922 modernist novel, Ulysses. Maps from J.R.R. Tolkien, Octavia Butler and other creators will also be displayed.

Octavia E. Butler, Map of Acorn from notes for *Parable of the Talents*, ca. 1994. (Detail)

“Mapping Fiction” is an exhibition focused on the ways authors and mapmakers have built compelling fictional worlds.
Drawn entirely from The Huntington’s collections, “Mapping Fiction” includes a first edition of Joyce’s novel and a typescript draft of one of its chapters, cartographically inspired intaglio prints of Dublin as described in the book, other mappings of the novel and the famous texts to which it alludes, and materials related to the annual celebration of Bloomsday in Dublin on June 16—the single day in 1904 during which the novel takes place.
About 70 items will be on view, focused on novels and maps from the 16th through the 20th century—largely early editions of books that include elaborate maps of imaginary worlds. Among the highlights are Lewis Carroll’s 1876 edition of The Hunting of the Snark, Robert Louis Stevenson’s maps from Treasure Island and Kidnapped, J. R. R. Tolkien’s map from the trilogy The Lord of the Rings, and science fiction writer Octavia E. Butler’s hand-drawn maps from notes for Parable of the Talents (1998) and her unpublished novel Parable of the Trickster. In addition to Butler’s archives, the show draws on The Huntington’s archival collections of Jack and Charmian London, Christopher Isherwood, and others, as well as the institution’s rich print holdings in travel narratives, English literature, and the history of science.

There will be related events, including this Butler-themed tour of Pasadena.

Revisiting Octavia E. Butler’s Pasadena
March 19 and April 23, 2022
2–3:30 p.m.
In conjunction with “Mapping Fiction,” The Huntington has produced a map of Octavia E. Butler’s Pasadena. Visitors can take a self-guided walking or driving tour of the locations around Pasadena where Butler lived, visited, and often found inspiration. Tour maps will be available online and in the “Mapping Fiction” exhibition gallery. On two Saturdays this spring, Ayana Jamieson, founder of the Octavia E. Butler Legacy Network, will lead a moderated conversation about our desire to locate Butler’s Pasadena. Registration information and locations to come.

(2) TALKING TOONS. [Item by Martin Morse Wooster.] I listened to this podcast by Leonard Maltin with cartoon historians Jerry Beck and Mark Evanier — Maltin on Movies: “Talking Toons with Jerry Beck and Mark Evanier”. Jessie Maltin wasn’t on the podcast because she just gave birth to Maltin’s first grandchild. (Playing with his granddaughter, Maltin joked, was “more fun than television!”

All three men are Boomers whose love of cartoons went back to when they were kids and Channel 9 in New York City and Channel 11 in Los Angeles would show anything (remember Colonel Bleep? They do.) They have deep knowledge of animation history. Did you know that the first Peanuts cartoons were done for the Tennessee Ernie Ford show? Or that when The Bugs Bunny Show aired in prime time for two seasons on ABC in the early 1960s it had all sorts of original footage, including work by Chuck Jones and Bob McKimson, that no one has seen in 50 years?)

Jerry Beck is involved with the international animation association ACIFA, and discussed his efforts at cartoon preservation. He noted that Paramount, unlike Disney and Warner Bros., doesn’t think they can make money from old cartoons. ACIFA is working with the UCLA and Library of Congress archives to preserve significant work by Terrytoons and Max Fleischer that only exist in flammable negatives. ACIFA also helped restore a 16-minute Smell-O-Vision cartoon (with voice work by Bert Lahr) that was shown before the smelly The Scent Of Mystery.

The best find in previously lost cartoons was when Maltin’s classic Of Mice And Magic was translated into Russian, and Russian cartoon fans reported they discovered the last lost Betty Boop cartoon, featuring Boop’s nephew, Buzzy Boop. The cartoon is currently being restored.

This was a fun hour.

(3) ERASMUSCON. There’s a Dutch bid for Eurocon 2024. They propose to hold the con in Rotterdam in August 2024. They are taking presupports:

Become a supporter of the bid for €25,-
or a Friend of the bid for €100,-

(4) BIG SIX. Nerds of a Feather’s Paul Weimer gets recommendations in “6 Books with Marjorie B. Kellogg”, who’s the author of Lear’s Daughters, Harmony, and The Dragon Quartet series.

4. A book that you love and wish that you yourself had written.
The Left Hand of Darkness, by Ursula LeGuin.
This book I have reread, more than once, and still find moving and magical. Her portrayal of an alien civilization is so deeply drawn, so compassionate, so non-comic-booky, and yet so relevant and relatable to our own Earth-bound issues and selves. It’s what Science Fiction can do like no other genre.

(5) TALKIN’ ABOUT MY REGENERATION. Jessica Holmes tries to figure out who this confused fellow is who sees Doctor Who’s face in his mirror…in 1966. That year isn’t a trick of the TARDIS — it’s today’s date at Galactic Journey! “[November 20 1966] Doctor…Who? (Doctor Who: The Power Of The Daleks [Part 1])”

It was with a mix of curiosity and trepidation that I tuned into Doctor Who this month. The character we know and love has vanished forever, and in his place is a stranger– A stranger who calls himself the Doctor. But is it really the same man? Once again, we have to ask the essential question that the programme was founded on. Doctor…who?

(6) I’M FEELING BETTER. James Davis Nicoll is in tune with “I Will Survive: Five Stories About Living to See Another Day” at Tor.com.

This year Canadian Thanksgiving was celebrated on October 11^th. American Thanksgiving will fall on November 25^th. In both cases, they are glorious feasts celebrating the end of harvest season. However, the first European Thanksgiving in the New World may have been Martin Frobisher’s on May 27^th, 1578. As you might guess from the date, Frobisher and his crew were not giving thanks for a bountiful harvest. They were grateful to have survived their latest quest for the Northwest Passage. And isn’t simple survival something for which to be grateful?
The characters in the following five works would no doubt agree that while survival has its challenges, it is far superior to the alternative….

(7) TUNE IN. “Pee-Wee Herman to Host Radio Show on KCRW” reports Variety.

The short version is that legendary star of the screen Pee-Wee Herman will launch a radio show on KCRW, the popular National Public Radio station based in Santa Monica, Calif., and will be accompanied by his pals Chairry, Magic Screen and Miss Yvonne. A rep for the station tells Variety that for now, it will be just one show on Nov. 26 at 6 p.m. PT (and available on demand for one week after airing), but who knows?

Hi @KCRW, did you get the letter I sent you? I really REALLY want to be a radio Disc Jockey. But I never heard back from you. #DJlife #DreamBig pic.twitter.com/CBXPJMPEe1
— Pee-wee Herman (@peeweeherman) November 10, 2021

(8) LEFLEUR OBIT. Actor Art LaFleur died at the age of 78 on November 17 reports Deadline. The character actor had many genre roles in his resume: Jekyll and Hyde . . . Together Again, The Invisible Woman, WarGames, Trancers and Trancers II, Zone Troopers, The Blob (1988), Field of Dreams (he’s the one who tells Moonlight Graham “Don’t wink, kid”), Forever Young, The Santa Clause 2 and The Santa Clause 3: The Escape Clause (as the “Tooth Fairy”), Speed Racer. On TV, LaFleur appeared in episodes of The Incredible Hulk, Wizards and Warriors, Tales from the Crypt, Space Rangers, Strange Luck, A.J.’s Time Travelers, Angel and Night Stalker (2005).

(9) MEDIA BIRTHDAY.

1964 — Fifty-seven years ago, the second adaptation of H.G. Wells’ First Men in the Moon was released into theatres, this one complete with the superb special effects of Ray Harryhausen. The first time it was adapted was a 1919 British black-and-white silent film version, directed by Bruce Gordon and J. L. V. Leigh. (It is currently lost with film prints known to exist.) This screenplay was by Nigel Kneale and Jan Read. The primary cast was Edward Judd, Martha Hyer and Lionel Jeffries.

I have no idea what it cost as that’s not recorded but it only made one point three million. Most critics liked with Variety saying that “Ray Harryhausen and his special effects men have another high old time in this piece of science-fiction hokum”, though the New York Times called it “tedious, heavyhanded science-fiction vehicle that arrived yesterday from England”. Audience reviewers at Rotten Tomatoes are currently lukewarm on it giving it a fifty-three percent rating.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born November 20, 1923 — Len Moffatt. He’s a member of First Fandom. Len and his second wife June helped organize many of the early Bouchercons for which he and June received a Lifetime Achievement Award from the Bouchercon staff. He was a member of LASFS. He wrote far too many zines to list here. Mike has an excellent look at his memorial here. (Died 2010.)
Born November 20, 1923 — Nadine Gordimer. South African writer and political activist. Her one genre novel was July’s People which was banned in her native country under both governments. Her three stories are collected in Beethoven Was One-Sixteenth Black and Other Stories. She received the Nobel Prize in Literature, recognized as a writer “who through her magnificent epic writing has been of very great benefit to humanity”. (Died 2014.)
Born November 20, 1926 — John Gardner. Author of more Bond novels than one would think possible. He’d write fourteen original James Bond novels, more than Fleming wrote, and the novelized versions of two Bond films, License to Kill and GoldenEye. He’d also dip into the Sherlock universe, writing three novels around the character of Professor Moriarty. Rights to film them were optioned but never developed due to a lack of funding. (Died 2007.)
Born November 20, 1929 — Jerry Hardin, 92. He’s best known for playing Deep Throat on The X-Files. He’s also been on Quantum Leap, Starman, Brimstone and Strange World, plus he was in the Doomsday Virus miniseries. And he made a rather good Samuel Clemens in the two part “Time’s Arrow” story on Next Gen.
Born November 20, 1932 — Richard Dawson. Usually one appearance in a genre film or show isn’t enough to make the Birthday list but he was Damon Killian on The Running Man, a juicy enough role to ensure his making this list, and twenty years earlier he was Joey on Munster, Go Home! He’d voice Long John Silver on an animated Treasure Island film in the Seventies. And he had a one-off on the classic Fantasy Island as well. (Died 2012.)
Born November 20, 1944 — Molly Gloss, 77. Her novel Wild Life won the 2000 James Tiptree, Jr. Award. She has two more SF novels, The Dazzle of Day and Outside the Gates. Her “Lambing season” short story was nominated for a Hugo at Torcon 3, and “The Grinnell Method” won a Sturgeon.
Born November 20, 1956 — Bo Derek, 65. She makes the Birthday list for being Jane Parker in Tarzan, the Ape Man. There’s also Ghosts Can’t Do It and Horror 101 as well as the two Sharknado films she just did. A friend of Ray Bradbury, she was the presenter when Kirk Douglas received the 2012 Ray Bradbury Creativity Award.
Born November 20, 1959 — Sean Young, 62. Rachael and her clone in the original Blade Runner and the sequel. More intriguingly she played Chani in the original Dune which I’d completely forgotten. A bit old for the role, wasn’t she? She was the lead, Helen Hyde, in Dr. Jekyll and Ms. Hyde. And she’s a Trekkie as she was in the Star Trek: Renegades video fanfic pilot as Dr. Lucien. But who isn’t?

(11) COMICS SECTION.

Shoe has a little wizardry joke.
The Flying McCoys depicts a super embarrassment.
I was today years old when I discovered Bogart Creek.

#medieval #knights #cpr #FirstAid pic.twitter.com/bZGGLCTSpI
— Bogart Creek (@BogartCreek) June 1, 2021

(12) A BOOKTUBE PODCAST. Cora Buhlert’s latest Fancast Spotlight interviews Robin Rose Graves of The Book Wormhole:“Fancast Spotlight: The Book Wormhole”.

Tell us about your podcast or channel.
The Book Wormhole is a monthly updating BookTube channel where I provide spoiler free reviews and discussions of the books I read. Science Fiction makes up the majority of what I cover on the channel, and while I lean more towards female, POC and/or LGBT authors, I read both classics as well as contemporary releases. I balance popular books with indie and underrated titles. I promise there will be at least one book you’ve never heard of before on my channel.

(13) EIGHTIES HIT POINT PARADE. Meaghan Ball recalls three D&D Choose Your Own Adventure-style fantasy romance novels from days gone by: “Roll for Romance: The Forgotten D&D Romance Novels of 1983” at Tor.com.

… Seeking a way to get more young women involved in the roleplaying game (despite the fact that girls have been playing since the beginning, but that’s another story entirely), Dungeons & Dragons also branched out and commissioned a series of Choose Your Own Adventure-style romance novels. Since you probably haven’t heard of them, you can rightly assume they didn’t set the publishing world on fire—but they are fascinating relics, especially for fans of D&D and/or ’80s romance novels….

(14) BIG WINNER. Lela E. Buis covers Amazon’s sf book of 2021 and a Dragon Award winner: “Review of Project Hail Mary by Andy Weir”.

…Weir fuels a constantly rising action line with various emergencies that go wrong and have to be solved by the application of science and engineering expertise. This is brilliantly plotted; the ship and the characters are well developed, and the science is well-research and applied….

(15) A BOOK WITH CHARACTER(S). Paul Weimer tells what makes this humorous sff book work in “Microreview [book]: Obviously, Aliens by Jennie Goloboy” at Nerds of a Feather.

…The novel also has a lot of heart. It treats its characters, even the ostensible antagonists, rather gently and with love and respect. You will get to know Dana, Adam, Jay, Sophie and the rest and get to know them, road trip style. (If this book were ever turned into an audiobook, this novel would be really fun to listen to on a driving adventure). Sure, the characters go through all sorts of disasters, reversals, and “can you believe THIS?” but it is a very lighthearted tone….

(16) FORWARD PROGRESS. There’s a new form of space propulsion that could change the satellite and space probe game. From Nature’s “News & Views” overview: “Iodine powers low-cost engines for satellites”.

Satellites organized in flexible networks known as constellations are more agile and resilient than are those operating alone. Manoeuvring satellites into such constellations requires inexpensive, reliable and efficient engines. Many networked satellites have electric propulsion thrusters, which generate thrust by using electrical energy to accelerate the ions of a propellant gas. However, the choice of gas presents a problem. Ionizing xenon requires a relatively small amount of energy, but xenon gas is expensive and needs to be compressed in high-pressure tanks to fit on board a satellite. Krypton is cheaper, but still requires a complex and heavy gas-storage and -supply system. …Rafalskyi et al. report a successful demonstration of an iodine-ion thruster in space — offering a cheaper and simpler alternative to xenon or krypton…

Research paper here (Open access).

(17) HEARTWARMING AND OTHERWISE. “10 Weirdest Charlie Brown Parodies Of All Time”is a roundup of YouTube videos at Yahoo!

This special, along with the Halloween and Christmas productions featuring Charles M. Schulz’s beloved Peanuts characters, have become staples of pop culture. They also inspired a genre of parody productions that frequently reconfigure Charlie Brown, Linus, Lucy and the others in ways that Schultz would never have imagined, let alone condoned.
For those with a warped sense of humor and no squeamishness over occasional deep-dives into NSFW entertainment, here are the 10 weirdest Charlie Brown parodies that you’ll be able to find online.
“Bring Me the Head of Charlie Brown.” One of the earliest works by Jim Reardon of “The Simpsons” fame was this 1986 cartoon made during his studies at the California Institute of Arts. Reardon spoofs Sam Peckinpah’s “Bring Me the Head of Alfredo Garcia” in a comically violent tale that shows Charlie Brown being ruthlessly hunted by his many antagonists before he gets his revenge in a massive shootout….

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Marvel’s Guardians of the Galaxy,” Fandom Games says this game answers the question, “What if Cowboy Bebop was written by Joss Whedon?” and its premise is “you love these characters so much you’d pay $60 to have them talk for 15-20 hours.”

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]

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