The Non-Definitive Guide To My Favorite 69 Silver Jews Songs And My Favorite Lyric/Thing From Each One
- “Dallas” (I passed out on the 14th floor / The CPR was so erotic)
- “How To Rent A Room” (No I don’t really want to die / I only want to die in your eyes)
- “Random Rules” (In 1984, I was hospitalized for approaching perfection.)
- “Tennessee” (Her doorbell plays a bar of Stephen Foster / Her sister never left and look what it cost her)
- “Punks In The Beerlight” (Where’s the paper bag that holds the liquor / Just in case I feel the need to puke)
- “Advice To The Graduate” (Sleep on your back, and ash in your shoes / And always use the old sense of the word)
- “Blue Arrangements” (I see you gracefully swimming with the country club women / In the Greenwood South Side Society Pool / I love your amethyst eyes and your Protestant thighs / You’re a shimmering socialite jewel)
- “Suffering Jukebox” (You got Tennessee tendencies and chemical dependancies / You make the same old jokes and malaprops on cue)
- “People” (People ask people to watch their scotch / People send people up to the moon / When they return, well there isn’t much / People be careful not to crest too soon)
- “Inside the Golden Days Of Missing You” (What if life is just some hard equation / On a chalkboard in a science class for ghosts)
- “Sometimes A Pony Gets Depressed” (Happiness won’t leave me alone / Says a bird in his nest / Get a load of this fuckinh view / It’s the best in the west)
- “Black And Brown Blues” (It’s raining triple sec in Tchula / And the radio plays “Crazy Train” / There’s a quadroon ball in the beehive / Hanging out in the rain)
- “Send In The Clouds” (I am the trick my mother played on the world / Seventeen doctors couldn’t decide / Whether I should be allowed in the game)
- “I Remember Me” (He almost walked into a wall / Oh, man, she was a sight to see / And at the party down the hall / He said, “You are the highest apple in the tree”)
- “Strange Victory, Strange Defeat” (Squirrels imported from Connecticut / Just in time for fall / How much fun is a lot more fun? / Not much fun at all)
- “Trains Across The Sea” (In 27 years, I’ve drunk fifty thousand beers / And they just wash against me like the sea into a pier)
- “K-Hole” (Andre was a young black Santa Claus / He didn’t want to be like his daddy was)
- “Old New York” (Theater in the round, hey! / Stop by Howard Johnsons / Martinis on the house / You might even meet Mick Ronson)
- “Room Games And Diamond Rain” (You keep finding and reminding me / That you only can be kind to me / When you got with me and started dreaming my dreams)
- “Smith And Jones Forever” (The alleys are the footnotes of the avenues)
- “Pet Politics” (Still wearing last night’s mascara / Now that her pet was gone for sure / She was shivering so hard / It looked like there were two of her)
- “I’m Getting Back Into Getting Back Into You” (I’ve been working at the airport bar / It’s like Christmas in a submarine)
- “Federal Dust” (They don’t match and they don’t hatch in South Dakota / Here comes the coda)
- “Death Of An Heir Of Sorrows” (I wish I had a thousand bucks / I wish I was the Royal Trux / But mostly I wish / I wish I was with you)
- “Candy Jail” (Pain works on a sliding scale / So does pleasure in a candy jail)
- “We Are Real” (Repair is the dream of the broken thing / Like a message broadcast on an overpass / All my favorite singers couldn’t sing)
- “Canada” (Really it’s the drumming and enthusiasm I love about this song.)
- “Albermarle Station” (There must be a Spanish word for this feeling / The rush I get when I am stealing / From the Dust Congress, whose dollars and dimes say, “In Dust We Trust”)
- “The Frontier Index” (Robot walks into a bar / Orders a drink, lays down a bill / Bartender says, “Hey we don’t serve robots” / And the robot says, “Oh, but someday you will”)
- “Like Like The The The Death” (Do you believe in MGM endings? / Everybody’s coming back to Christmas for Texas / Folks who’ve watched their mother kill an animal know / That their home is surrounded by places to go)
- “Horseleg Swastikas” (And every single thought is like a punch in the face / I’m like a rabbit freezing on a star)
- “Buckingham Rabbit” (And so the rent became whiskey, / and then my life became risky.)
- “Honk If You’re Lonely” (We’ll laugh and we’ll flirt and we’ll dance every dance / and before the night’s over we’ll take a chance)
- “Animal Shapes” (From a corner window, I watch the falling snowflakes. / God must be carving the clouds into animal shapes.)
- “Wild Kindness” (I’m gonna shine out in the wild silence / And spurn the sin of giving in)
- “How Can I Love You (If You Won’t Lie Down)” (Time is a game / Only children play well / How can I love you / If you won’t lie down?)
- “Let’s Not And Say We Did” (These giant evergreens / Are promise ravines)
- “Rebel Jew” (Sometimes I dream of Texas / Yeah, it’s the biggest part of me / And the planes look like the sea at night / Oh, she wants to be so free)
- “Self-Ignition” (If dreams are your body telling you it’s confused / Then I’ve got a dream I think you could use)
- “Slow Education” (Everybody going down on themselves / No “pardon me”’s or “fair thee well”’s in the end / And you got that one idea again / The one about dying)
- “Open Field” (Sort of a chill, breezy, nice instrumental.)
- “Ballad Of Reverend War Character” (Guinevere orders one more beer in the smokey pick-up bar / A burnt out tramp by the exit ramp waits for one more car)
- “Aloysius, Bluegrass Drummer” (She was a hardcore gobbler and longtime guzzler of hydrogenated crap)
- “I’m Gonna Love The Hell Out Of You” (I learned double entry bookkeeping when I was 12 years old / I learned there’s no imagination in the blues / They registered my name with the Catholic hall of fame / And she said, I’m gonna love the hell out of you)
- “Pretty Eyes” (Everybody wants perspective from a hill / But everybody’s wants can’t make it past the window sill)
- “Long Long Gone” (And everybody knows, that I know what’s going on / And if cars could run on teardrops, I’d be long, long gone)
- “New Orleans” (There is a house in New Orleans / Not the one you heard about / I’m talking about another house)
- “What Is Not But Could Be If” (One has lived life carelessly / If he or she has failed to see / That the truth is not alive or dead / The truth is struggling to be said)
- “The Right To Remain Silent” (Instrumental before “Dallas”.)
- “Sleeping Is Only Love” (I had this friend his name was Marc with a “c” / His sister was like the heat coming off the back of an old TV)
- “Living Waters” (You’re at home / You’re all alone / And nobody’s calling on the telephone)
- “Pan-American Blues” (A wood-paneled room, my cigarette fumes waltz and dissolve just for you.)
- “Jackson Nightz” (Indiscernible lyrics; funny tape edit.)
- “Time Will Break The World” (Tanning beds explode with rich women inside)
- “My Pillow Is The Threshold” (I take decaf coffee / Two sugars and one cream / I don’t see the use in staying up / Just to watch TV)
- “Night Society” (Rocking instrumental.)
- “San Francisco B.C.” (We had sarcastic hair, we used lewd pseudonyms / We got a lot of stares on the street back then)
- “The War In Apartment 1812” (Indiscernible lyrics for the most part; funny title.)
- “The Country Diary Of A Subway Conductor” (‘He can afford anything’ I said / ‘he’s got dogs that blow on trumpets.’)
- “The Walnut Falcon” (Time is the lonely thing. I can dream about, but makes me go away. Dream about the swarm.)
- “We Could Be Looking For The Same Thing” (Way way out past where the sidewalks disappear / And up through bright blue blocks of sky / Where the days turn to weeks in the months the year / And we’re together, you and I)
- “Friday Night Fever” (George Strait cover.)
- “The Farmer’s Hotel” (This old yankee warlock / Brushed back a gray forelock)
- “Bar Scene From Star Wars” (Instrumental with a funny title.)
- “Cocksucker Blues” (Rolling Stones cover.)
- “There Is A Place” (I could not love the world entire / There grew a desert in my mind / I took a hammer to it all / Like an insane medieval king)
- “The Moon Is the Number 18” (Creepy instrumental.)
- “Introduction II” (My friends, don’t you know that I never want this minute to end / And then it ends)
- “Tide To The Oceans” (A million chuckers never felt wrong)
From my Silver Jews Week at One Week One Band.