The Geometric, Zodiacal, and Vedic Keys of Leonardo's "Last Supper" - Part 5
Leonardo’s Veiled Linear and Curvilinear Harmonies
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The Supramental Yoga of Sri Aurobindo, the Mother, and Patrizia Norelli-Bachelet, and the geometric & zodiacal keys that decode & defragment our world’s ancient symbols & myths, including the mythology of the seven-fold Apocalypse.
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The Geometric, Zodiacal, and Vedic Keys of Leonardo's "Last Supper" - Part 4
Leonardo's Holy Grail
The Geometric, Zodiacal, and Vedic Keys of Leonardo's "Last Supper" - Part 3
The Twelvefold Zodiacal Measure of the Table & the Missing Halos
The Geometric, Zodiacal, and Vedic Keys of Leonardo's "Last Supper" - Part 2
The Immortal Son Measures Out His Table
The Geometric, Zodiacal, and Vedic Keys of Leonardo's "Last Supper" - Part 1
Introduction
No Accident - Part 6
5 Saturn Returns & Sri Aurobindo's Avataric Line
"Explorations into the Leonardo Mystery" by Patrizia Norelli-Bachelet
Summary: “In Explorations into the Leonardo Mystery Patrizia Norelli-Bachelet (Thea) discusses the zodiac as the system of wholistic knowledge that Leonardo DaVinci conveys in his artwork.
The Sacred Geometry & Sanatana Dharma of Leonardo da Vinci’s Salvator Mundi - Part 4
In Part One, I revisited the Mother’s intriguing statement—from 1940–naming Sri Aurobindo as the artist of the Mona Lisa, which would suggest that she believed Sri Aurobindo was the reincarnation of Leonardo da Vinci.
The Sacred Geometry & Sanatana Dharma of Leonardo da Vinci’s Salvator Mundi - Part 3
The Supramental Yoga of Sri Aurobindo, the Mother, and Patrizia Norelli-Bachelet, and the geometric & zodiacal keys that decode & defragment our world’s ancient symbols & myths, including the mythology of the seven-fold Apocalypse.
The Sacred Geometry & Sanatana Dharma of Leonardo da Vinci’s Salvator Mundi - Part 2
In Part One I pointed to the central geometric key of Leonardo’s Salvator Mundi without illustration.
The Sacred Geometry & Sanatana Dharma of Leonardo da Vinci’s Salvator Mundi - Part 1
In January 2024, while I was in the middle of writing a series entitled, The Spherical Gnosis of the Sage & the Release of the Vedic Waters, my partner sent me a New York Times article about a Salvator Mundi (“Savior of the World”) painting attributed to Leonardo da Vinci.