After opening The Last Supper in Adobe Illustrator, the first thing I did was look for Leonardo’s “Hidden One” (Guha), i.e., his UNIT, unifying measure, or geometric “Son,” by which the veiled sacred geometry of the painting would become apparent.
It was not hard to find. In Part 8 of my “Spherical Gnosis of the Sage and the Release of the Waters” series, subtitled “The Architect and Architecture of Time,” I included an Italian Renaissance fresco of the Divine Son in Mary Magdalene’s vesica-piscis-shaped womb, in which the hand width of the Son is equivalent to the radius. Thus, I instantly suspected that the hand width of Leonardo’s Divine Son was the unifying and revelatory unit of The Last Supper.

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