A Space for Bass | LOEFAH | Early 2000’s UK Dub Step
Raz Mesinai on the physiological and psychological effects of space and bass in the works of Dub Step producer Loefah (DMZ, Swamp ‘81)
UNDERGROUND PRODUCERS ALLIANCE
Archaeacoustics of the future: Preserving the source code of underground experimental music and sound system culture. Curated by Raz Mesinai.
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1980s ACID HOUSE
Raz Mesinai on Chicago Acid House and an obsolete machine, the TB-303 Bass Line, discarded by its creators, Roland, and left for dead, like HAL or a replicant in Blade Runner, it was saved from the dump by street music producers in Chicago. These artists took the instrument and defined the resonant peaks of their own environments' acoustical space by modulating the 303’s knobs to fit body, space,…
Musical Creativity in the Age of AI
Whenever humans deal with new technologies and compare them to tools that came before them, we tend to jump in with creative intentions without first really thinking through or feeling the “surface” of it.
Ghost Stories: American Zombie Apocalypse
A "story for your ears" for bass guitar, voice by Raz Mesinai, from the Underground Producers Alliance improvisors workshop.
THE LATIN RASCALS: FREESTYLE VOCAL STUTTER EFFECTS
AN ARCHAEOACOUSTIC FINGERPRINT OF HUMAN EXISTENCE FOR FORENSIC EVIDENCE FOR THE FUTURE: Raz Mesinai
GHOST IN THE MACHINE: SUNO
An Acoustic Forensic Musicologist and Creative analysis of popular AI Music Generators. Investigations into AI Music infringement and output, with Raz Mesinai and Dr. Charles Eldering.
TAPE BOMBS PART 2
When Musique Concrète Met the Concrete Jungle
Sonic Graffiti: The Untold Story of the Tape Bomb
How a graffiti war in Harlem led to experimental cassette compositions in Jerusalem, and a sound from the future.
Intentional Noise
Tape hiss for the win
A reckoning for AI, Media and the Recording Industry
Announcing a new collaboration around the debate over AI between sound system musician Raz Mesinai and technologist and inventor, Dr. Charles Eldering.