The exhausting reality of having to “keep your shit together” to survive, alongside a lingering fear of losing her mind, is a constant concern of the work of Phoebe Collings-James (b.
Sonia E. Barrett’s practice uses material transformation and collective labour to dismantle imperial authority and connect colonial histories to contemporary geopolitics.
Jenny Mcllhatton reflects on her journey from the fashion industry to participatory art, and on the importance of community, touch, and visible repair in her practice
Kunnath's work serves as a provocation against heteronormativity, reimagining what it means to be a woman in both contemporary and traditional South Asian society.
The domestic space not as a stable interior but as a site continually constructed through everyday practices, personal histories, and social conditions.
Francesca Fantoni talks with designer and food activist Emilio Hernández about Cocina CoLaboratorio's work in Mexico, where gatherings around soil become tools for collective ecological learning.