
Reductio ad magna vulgaritas.
In which Lol’s transition between the funky way he had thought within the music and the way he usually thinks makes for a strange soup. One that tastes, well...what you would expect.
Lee Arnold's Substack of all comedic things.
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In which Lol’s transition between the funky way he had thought within the music and the way he usually thinks makes for a strange soup. One that tastes, well...what you would expect.

The second part of the influence of music and the underground scene of the 1960s on my aesthetic, with specific examples of the sounds and artists that inform the Zoot & Algy strip.

In which the Forekan summer festival is on!

In which the last preparations for the festival are underway.

The first part of an overview of the influence of music on visual art, the rendering of musical form in visual aesthetic, and what I like in both that influences my outlook of the Zoot & Algy strip.

In which Lol is taken to task for going too far with his musical preparations for the festival...until he explains what the basis of it all is.

A recording from Lee Arnold and Jamie Lee Hodgkin's live video

In which Melusine vents while the band blows.

In which Lol has Zoot, Algy, and the gang throw away the scores and really "score" with the music!

When trying to be something you're not, is it any surprise that you become "not"?

A primer of the characters of the Zoot & Algy strip and a peek behind the scenes of what has shaped the fool who draws them.

In which Topper enlists Fuzz, the Steward of the Swamps, in the scheme to "funk up" the music for the summer festival.

Where Zoot shows us what step to take when confronted by the choices creative endeavors present us.