
Confidence, challenge and considerable promise in The Place CAT Summer Show
Moving between contrasting choreographers, styles and emotional worlds, all the dancers, all 16 or under, performed with flair, confidence and impressive technical ability.
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Moving between contrasting choreographers, styles and emotional worlds, all the dancers, all 16 or under, performed with flair, confidence and impressive technical ability.

Myths and Modern Masters is not only about Acosta himself. It’s just as much a celebration of the talent at the two companies he leads.

Framed by trees, open sky and an atmospheric set, the production embraces its surroundings with confidence. Andrew Lloyd Webber’s score has lost none of its appeal. Drew McOnie’s choreography is frequently inventive and full of theatrical pleasure.

Not the exclamation of a recalcitrant teen but a new dance-theatre work by Jie Zhou (周婕) that reflects on how dress, profession, societal and social expectations shape how we see ourselves and are seen by others, and can stop us leading a fuller life.

A roller-coaster journey through the artist’s life, incorporating many of her greatest hits alongside some less familiar material.

Flamenco brings exactly the right kind of commotion to Indiana Lown-Collins’ production: hot, busy and impossible to keep private... Pablo Egea, in particular, brings a striking sculptural quality to the flamenco posture

After retiring from the Bayerisches Staatsballett at the end of the 2025-26 season, Judith Turos talks to Jeannette Andersen about her career and the changes that have taken place in the company during her time

It may be 26 years young, but Matthew Bourne’s The Car Man is still packing audiences in, taking them on a supercharged ride.

A biennial festival, now in its 11th edition, offering dance performances, music theatre and workshops for children of all ages...

Sixteen years after 5 Soldiers first appeared, Rosie Kay’s new documentary brings its five dancing bodies together with the voices of five former soldiers