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The Seattle Times Classical Music – The Seattle Times

Read reviews and all the latest news from the world of classical music.

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New downtown Seattle music venue planned for office tower

The Seattle Chamber Music Society will bring a new, dedicated chamber music hall to downtown Seattle, setting up shop in a recently renovated office tower.

How youth orchestras compose community

Local youth orchestras offer valuable experiences for students to grow, explore and connect with their communities, student contributor Alice Chen writes.

Seattle all-woman symphony orchestra debuts this summer

Unbound Symphony, which features women and gender-marginalized performers, will host its first performance at Highline Performing Arts Center this July.

New Seattle Center festival highlights classical music

The first-ever Seattle Center Classical festival, a free, open-to-the-public classical music event, takes place Sunday.

Seattle Chamber Music Society expands its reach this summer

A roving summer festival, concert truck, virtual concert hall and new record label are just some of Seattle Chamber Music Society's moves this season.

Speight Jenkins, who built Seattle Opera into a force, dies at 89

The opera champion, famous for his passion, generosity and hands-on attitude, left an indelible mark on Seattle’s classical music scene.

Seattle Symphony announces new CEO after yearlong search

Jeremy Rothman, currently chief artistic officer of The Philadelphia Orchestra and Ensemble Arts, will start his position with Seattle Symphony on Sept. 1.

Seattle philanthropist Maryanne Tagney gives $1M gift to ArtSmart

The Philadelphia-based nonprofit that provides free music lessons and individual mentorship to youth in underresourced communities across the country — including here in Seattle.

Jane Austen music is focus of Seattle Symphony program

The special one-night program at Seattle Symphony is in honor of the recent 250th anniversary of Austen’s birth.

Seattle Opera’s ‘Carmen’ heightens the comedy and the tragedy

Seattle Opera's production of George Bizet's classic heightens the contrast between the story's tragic and comedic elements.