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Cooking as Meditation for Ananda Coomaraswamy Knowing the area: sink, counter, stove-oven, one’s relieved of the extraneous and is thus focused on one’s own motor functions—the actions themselves induce a plateaued state of oneness; in the eternity of now, the metal cup when clinked resounds throughout the cupboard, the sound reminiscent of singing bowl percussion in the hands of a Buddhist; ruminations on the scent of pepper, ingredients in and out, seasonal vibrations— preciseness eludes an unsteady hand, but we’ve always measured by feeling—the end result’s a sand mandala, for food and art never last too long, as all things’re temporary— the flavor itself’s a confirmation of one’s own skill and labor, and if not disciplined, you’ll hope for a taste which lasts forever in the face of a world that won’t Omar Zefier is an artist, writer, and sound designer. His works have appeared in ExPat Press, Tough Poets Review, and Red Cedar Review.
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煮饭作为一种冥想 给 Ananda Coomaraswamy 翻译:诗验室 对整个厨房了如指掌:洗碗槽、台面、灶烤一体, 心无旁念于是可以全神贯注 于自己的运动功能——行动自身 催生一种和谐的平稳状态;在此刻的永恒中,金属 杯碰撞时在橱柜里发着回响,这声音 让人想起佛教徒手中颂钵的敲击声; 关于胡椒味、进出配料、以及四季振动的沉思—— 精确避开不稳的手,但我们向来 都是靠感觉度量——最终获得一座沙坛城, 因为美食与艺术从未过久停留,一如万物都只是过眼云烟—— 味道本身只是一个人厨艺与劳动的见证者, 倘若不够自律,你会希望有一种永恒的味道 在一个不永恒的世界面前 Omar Zefier 是一名艺术家、写作者兼声音设计师。其作品散见于「ExPat Press」「Tough Poets Review」及「Red Cedar Review」等处。
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