Accessing Beauty
Just as Buddhists use the breath as a tool to return to the present moment, the photographer can use the camera as a tool to access beauty wherever they are.
A Manifesto for a More Wondrous Age
Just as Buddhists use the breath as a tool to return to the present moment, the photographer can use the camera as a tool to access beauty wherever they are.
On how I found a personal motto to orient myself from moment to moment, and how you can too.
On running my first race in Tokyo, finding community, and taking things seriously, even if you're not "serious."
Snow has always meant stillness to me—a dark place to rest. But Sapporo showed me another side.
A look at 5 of the anime I'm loving so far in Summer 2026
Most of the time, when I press the shutter, I'm hoping to capture something I may be able to call “art.” But beyond these sorts of thoughtful or artistic captures, I want to remind myself to just shoot, too.
You’re walking around Tokyo, when suddenly you hear the beat of drums. You follow the sound, and before long you’re face to face with dozens of people in elaborate garb, chanting or cheering or dancing or marching or any of the above.
Plato's lost maxim.
There are times where the going is good and times where the going is hard.
I was listening to Wiki when we were both in high school; now he's 32. When did we get so old?
On Andy Anderson and Rodney Mullen, making art that advances the culture.
On wrapping up another training arc, focusing on Japanese study, and how it's influencing my fiction writing.
A new framework for evaluating risk, from Alex Honnold, baseball and through the lens of "Yomi no Tsugai"
A reminder to myself on gear acquisition syndrome.
On recent forays into new short story territory, and some fun links.
As the internet has gotten more and more narrow, more siloed, a huge percentage of my internet usage is tied up in a handful of “social media” sites. When one thread starts to fray, the whole tapestry goes pretty quick.
A look at VWFNDER + MBL, a RAW camera app for Android from Nuevo.Tokyo.
To see a World in a roll of film
On "Tongari Boushi no Atelier," both it's strengths and limitations
Of course, this doesn’t mean there’s no hope. It just means for now it’s going to have to come from somewhere else, and like everything, we’re going to have to be the ones that create it.
In which I try to describe my creative process through as many mixed-metaphors as possible.
A short note on Marie-Helene Bertino’s "Exit Zero."
A love-letter to running.
I rarely like to review images while I’m shooting, but sometimes, it helps.
I spent nearly a decade working as a set lighting technician—here's how to make your house feel like a home.
Checking in on the goals I set for myself, now that we're a quarter of the way into the year.
Reflecting on the writing of a new short story.
Reflecting on some ideas other writers have told me recently.
A look back at the best anime from the Winter 2026 season.
There’s a purity to contact sheets that I find extremely appealing. One roll of film, one sheet. They are neither an enlargement or reduction; a contact print is exactly the same size as a negative.
It’s hard to go into a work without any preconceived notion, but I find that in actually doing the work, the text is often much richer and deeper than I had expected.
You can just choose to live another way.
Luckily, you don't have to do those three years all at once.
Great dialogue lingers long after the credits roll. Here's some of my favorite quotes from anime that say something about how to live.
On Handke and other cancelled artists, getting back into reading, and avoiding the trap of "TV brain prose" as coined by Lincoln Michel
The idea for Monochrome March is simple: one month, no colors.
Kyoto can be a perplexing place, with its own atmosphere.
You know, like those guys who put away the D&D dice and throw on wizard robes and don foam swords to act out their character’s exploits in the nearest woods?
This makes me think two things; simultaneously urges me to both lean in and lean out.
This past weekend, I participated in a photography exhibition for the first time.
An empty fridge is annoying, but it’s a chance to start again.
On getting back on track.
I grew up on single-focus forums where people added signatures to their posts, you see.
A bit on my early fiction writing in 2026.
If you can’t write about your whole self in your journal, where can you?
It's a funny feeling, being lost.
A bit about my hopes and goals for 2026—the stars I’ll be using to orient myself in the coming year.
It’s hard to summarize such a significant change in a blog post of any length, but I’ll do my best.
A look at my creative work in 2025.
A look at how Monochromatic Aberration and Refrakt expanded in 2025.