
The (Possibly) Last Time Stations
In the year leading up to our departure from Hong Kong, every moment spent on the island took on a new significance.
A Malaysian writer, wandering the earth, listening to the universe and writing the stories behind my photographs.
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In the year leading up to our departure from Hong Kong, every moment spent on the island took on a new significance.

At the wet market in Shek Tong Shui (literal translation: rock pool beak), a district in Hong Kong with a colourful past, there is a fruit and flower stall on the street level.

Slivers of souls.

The young girls in the photographs are not my children.

It’s a sultry May evening.

In the cramped cluttered store

It was during the days of pandemic lockdown when I chanced upon the Yeung Hau temple on the fringes of the sleepy fishing village of Tai O on Lantau Island.

Official weather predictions in Hong Kong are eerily accurate, so even though the usual typhoon season had passed, when the issued forecast called for heavy rain, gusty winds, a T3 later in the evening, perhaps even a T8 overnight, you could hear the clanging alarm bells going off in every Hong Konger’s head.

Towards the end of her event at the Hong Kong International Literary Festival in 2025, I presented Yuzuki Asako, the bestselling Japanese author, with a pillow-soft bor lor bao (pineapple bun), stuffed with a thick slab of chilled butter.

I stand on the balcony of my usual Airbnb while on a caregiving mission to Penang.

When you pose for this photograph - one arm on your daughter’s shoulder and the other arm gripped tightly by your son - you don’t know it will be the last lion dance you ever arrange at your parents’ house in your childhood hometown of Ipoh.