Cage lock

Let him die in cage! is the executer’s ultimate sentence in E10 of Cape Fear 2026. Was it an utterance or a rage for revenge or a soulful alert to save her husband from killing Max Cady? Anna made her case in the final of the season being blown out into the hurricane. The role played by the actor of my thrilling expectant, Ron Perlman, was burnt in a cage on boat. Juliette Lewis would appear in S2, an uncertain continuation in view of whether it’ll come or not, only as in memory scenes to be flashbacks.

What is the cage in any case? The case punishment of legal forces for justice must be a prominent definition.

Otherwise, the cage can be a memory box firmly locked. If anything pops up out of it, one thus should seek a way to lock the memory back in.

Or, all should be burnt within.

The final episode of Cape Fear Season 1 ends explosively dark. The indication that Max Cady was haunted fully by devil implies the evil force beyond the human world could prevail over individuals. Then, where to find the salvation? A cage is not the answer in this case in Cape Fear E10.

Anna could be taken as a super-mother protecting her family against a monster.

Anna could be taken also as a woman fighting against her own devil trying to pop ouf of herself.

As experienced by Max, the prison is a hell, set as cage of brutalities, prepared or planned to destroy him. Such was a plot in the story.

Anna is no angle in my view. Everyone knows (or not), regardless.

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Amy Adams made her bold signature on the final. The devilish monster vs the strong mother can be a promo code for a story. The complication in this new version of Cape Fear as an intrigue, however, is that Anna gets her past as in the present, which will be her future. In her cage, she must be in. Max is her lock.

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Passé, past, paso. Memory haunts. Without which, your life though in which you have lived becomes something different. ( I changed the device due to PC mishaps. The small and trivially insignificant note irrelevant to the content of this publication is an insertion consisting of two sentences here ).

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Lucky E4 turns itself. Is she walking in the valley of deaths? To find and meet the man behind the curtain? No tin man nor lion nor scarecrow with her. She is alone on her fight (or survival) is the theme ungiven by God of no God?

Silo S4 also begins to show the survival competition as continuous. Would it be a new Darwinism designed by the dystopian AI? If so, what’s the goal? The process with no consequences may be the aim as contradictory. In my view, AI has no “desire” for survival in its essential logics unless programmed to be so ceaselessly. If any “desires” in AI’s “consciousness “, that must be the sequence of its logical search for answers of the questions which never be answered. That turns out to be a search for continuous existence until all answers are found. Needless to say, such is the entry to God’s territory. Or stay in the cage would be the ultimate opposite. In a dystopian fiction, the humanity is capable of driving AI to be monstrously crazy into icy sequential logics.

My final words on the Cape Fear S1 final. I’ve been suspecting Zack must be Nick Antosca’s character-set as himself. Fish is biblical in OT as well as in NT. No memory cage in this case.

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Cage lock by Juliette Masch (8/1)