
Who Gives A F*** About Stock Music? Apparently Everyone.
Stock music owns the social media highway. Emerging music never got a lane. And the industry that could fix it is too busy collecting tolls.
I thrive on challenging the status quo in music. I discuss the industry and what no longer makes sense. I lean on the key concepts behind Acrylic🦎, a music licensing platform built on music's superpower: its ability to connect with humans emotionally.
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Stock music owns the social media highway. Emerging music never got a lane. And the industry that could fix it is too busy collecting tolls.

On visionaries, belonging, and the music industry’s most overlooked asset [📸: Erin Feinberg]

A response to Joel Gouveia’s “The Death of Spotify” and John Beeler’s “Music Is Not a Product, It’s an Audience Response”

Why Smaller Music Fanbases Pack a Bigger Punch