I’m building a website right now, and the more I sit with it, the more I realize it isn’t just a website.
It’s an altar.
An altar to the thing I’ve been called to do from day one, which is to write.
That sounds beautiful, and it is. But it’s also bringing up the old noise. The insecurity. The anxiety. The obstructive grinding that can happen when you’re about to create something that matters, and suddenly every external voice you’ve ever internalized wants a seat at the table.
What will people think?
How will this be received?
Is this good enough?
Is this polished enough?
Who do you think you are?
And what’s interesting is that my art practice has been a direct unraveling of that.
I’ll talk about this more later, because it deserves its own space, but art has been teaching me something my writing is now asking me to embody in a deeper way. When I make art, I’m not making it for approval. I’m in it for pleasure. I’m in it for integration. I’m in it for the experience of being with color, texture, image, instinct, movement.
When the old questions come up there, they’re easier to put down.
But writing is different for me.
Writing has always been intimate. Biographical. Journal-like. Even the pieces I’ve shared publicly have carried that quality of inner excavation, of trying to understand myself honestly enough that someone else might recognize herself in the truth of it.
So now, as I build this website, I’m noticing a new kind of tension.
The website wants to become a repository for the pieces themselves: the essays, the teachings, the transmissions, the body of work.
And this Substack feels like something else.
It feels like the place where I let you into the process around how and why and what I’m creating. The place where I speak from the threshold. The place where the work isn’t only presented, but revealed in its becoming.
And that brings me to the word that has been giving me trouble:
Essay.
What the fuck is an essay?
Truly.
Because the moment I call something an essay, some old part of me assumes it needs to become more formal, more structured, more academically acceptable. Suddenly I’m back in a classroom I may or may not have been paying enough attention in, wondering if I need a thesis statement, citations, footnotes, a bibliography, and a level of polish that proves I’m allowed to enter the form.
The anxiety is almost comical, except it’s not.
Because underneath the anxiety is something very real.
What I’m writing about feels important.
Not important in the inflated sense. Not important as in, “Look at me, I have something profound to say.” Important in the devotional sense. Important because there are truths moving through me that feel substantive, alive, and necessary. Truths about women, power, spirituality, patriarchy, soul, embodiment, healing, rupture, repair, magic, desire, and the systems that have trained us to abandon our own knowing.
These pieces feel less like opinions and more like transmissions I’m responsible for listening to carefully.
Each one asks something of me. Each one feels like its own shamanic journey. It requires attention, reverence, honesty, and a willingness to let the truth become more important than my fear of being seen.
So yes, part of me wants to say, “Fuck it. Write what you want to write and see where it goes.”
And another part of me knows this isn’t about being careless with the form. It’s about not letting the form become another altar to external authority.
Maybe the question isn’t, “Is this good enough to be an essay?”
Maybe the question is:
How does this truth want to be carried?
How does a thing get communicated in the most authentic, reverent, devotional, and impactful way?
That’s the field I’m entering.
Not perfection. Not performance. Not some stiff idea of literary legitimacy that makes the living thing freeze in my hands.
I’m interested in the writing that can hold devotion and clarity. The writing that can think and feel at the same time. The writing that doesn’t sever intellect from body, or structure from soul, or discipline from wildness.
I’m interested in the essay as a vessel.
A chalice.
A spell form.
A place where lived experience, pattern recognition, spiritual intelligence, cultural critique, and inner truth can gather into something coherent enough to be received.
So this is a beginning.
A note from the altar while I build the altar.
A first dispatch from the threshold.
I don’t know yet exactly what this Substack will become, but I know it will be part process, part practice, part witness, part field note from inside the work.
And I know this:
I’m writing.
That’s the devotion.
That’s the offering.
That’s the place I’m starting from.
P.S. The first essay is dropping soon.
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