
Windstorms, Birchbark and Cottonwood, and a Carol for the Dormition and Assumption of Mary
A detail of the Assumption of Mary, from this drawing of the Glorious Mysteries of the Rosary.
Daniel Mitsui is an artist who makes minutely detailed ink drawings. He desires to make art that is faithful to tradition yet strikingly original, and vigorously medieval in spirit. He is also a poet and a designer of typefaces and ornament.
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A detail of the Assumption of Mary, from this drawing of the Glorious Mysteries of the Rosary.

detail image from an altar card

I was recently commissioned to design a chasuble, to be worn by a man who will be ordained a priest next year.

My second poetry collection, The Gustable God, includes original hymn texts for both St.

The Nativity of St.

I was recently a guest on Matthew Wilkinson’s podcast The Pursuit of Beauty. In a wide-ranging conversation lasting about two hours, we discussed Gothic, Japanese and Celtic art, typographic styles, millefleur tapestries, the Gutenberg press, and generative artificial intelligence, among other things. You can

I recently finished this drawing of a Chi-Rho monogram (a traditional abbreviation of the name Christ, or Χριστος in Greek), with figures of Jesus as Salvator Mundi, the Virgin Mary, and John the Baptist.

Constructed languages, those intentionally devised by one person or group rather than developed gradually from previously existing language, have become familiar in our culture; JRR Tolkien famously made many of them for his literary work, and other fantasy and science fiction authors have since done the same.

The heart of my second poetry collection, The Gustable God, is a series of seven hymns and carols for Pentecost, each of them using either phrases from, or poetic forms associated with, a different language.

I have been working on my typeface Victor, on and off, for about twelve years.