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For Mosab Abu Toha
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So many books—so many I’d never even opened.
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Clearing out my office and the books that had been cramming the shelves for how many years.
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How many decades?
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Who would want them?
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Even libraries were throwing away their books.
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Then a colleague friend tells me about a young poet, a “scholar at risk,” who is planning to open a library.
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In Gaza City.
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An English-language library in Gaza!
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~
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The young scholar arrives with empty cartons—many empty cartons—and a friend waiting in the parking lot.
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We start going through my books.
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Volumes of fiction and poetry covered with dust.
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Shelves upon dusty shelves.
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Novels and poems, multi-volume anthologies of English and American literature.
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And writing handbooks.
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Who could possibly want those?
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But how better, the young scholar asks, for people in Gaza to learn the English language?
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He keeps stuffing the empty cartons.
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Until all of them are full.
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~
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I see photos.
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The sparkling library.
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The new home for my old books—many of them still unopened, still unread.
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~
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Then the war.
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The young poet—our scholar-at-risk—seized from his family, brutally beaten.
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His visa confiscated.
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His wallet.
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And Gaza bombed.
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Civilians bombed.
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Gaza City turning to rubble.
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The English-language library, with so many books still unopened, still to be read.
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Rubble.
Lloyd Schwartz is the Frederick S. Troy Professor of English Emeritus at the University of Massachusetts Boston; the Poet Laureate of Somerville, Massachusetts; and the longtime classical music critic for NPR’s Fresh Air. His seven books of poetry include He Tells His Mother What He’s Working On (Grolier Poetry Press), Who’s on First?: New and Selected Poems, Little Kisses, and Cairo Traffic (University of Chicago Press). For his poetry, he’s been awarded the 2025 David Ferry and Ellen LaForge Poetry Prize, the 2026 New England Poetry Club’s Sam Cornish Award, and fellowships in poetry from the Guggenheim Foundation, the NEA, and the Academy of American Poets. A widely published Elizabeth Bishop scholar, he has edited three Bishop volumes, including the Library of America’s Elizabeth Bishop: Poems, Prose, and Letters. For his writing on music, he has earned three ASCAP-Deems Taylor Awards and the 1994 Pulitzer Prize for Criticism.
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