Jump to content

Greek hero cult

From Wikipedia, the free encyclopedia
(Redirected from Greek hero)
Ruins of a heroön (hero-shrine) at Sagalassos, Turkey.

Hero cults were one of the most distinctive features of ancient Greek religion. In Homeric Greek, "hero" (ἥρως, hḗrōs) refers to the mortal offspring of a human and a god. In Greek religion, a hero held a specific designation as a legendary deceased mortal whose memory is honored with ritual worship at a heroön or shrine—typically centered at the hero's burial site—and who, while extraordinarily gifted in his lifetime, was not immortal or as all-powerful as a deity. Over time, this "hero" category expanded to include minor supernatural figures, thus blurring the boundary between hero and god, as demonstrated by Heracles.[1]

Scholarship on Greek hero cults relies on often conflicting literary and archaeological sources. Both record types agree on three key aspects of hero worship:[2] that hero shrines (heroa) are rare and unevenly distributed across Greece, with most regions utilizing non-specific sites to adapt figures to local civic needs; that Greek polities leveraged hero cults for state propaganda, with Sparta notably promoting specific shrines to shape public sentiment and reinforce territorial claims; and that because Greek religion viewed heroes as earthbound (chthonic) entities, worshippers treated them with cautious reverence, fearing that neglected spirits could inflict disease or misfortune.[2]

Hero cults primarily honored men. In practice, however, devotees usually paid respects to an entire family group. This included female relatives associated with the hero, such as his wife, mother, or daughters.[3]

Origins and nature of hero cult

[edit]

Scholars situate the origins of the hero cult in the Greek Dark Ages (c. 1180–800 BC), a period of Ancient Greek history which followed the wider Late Bronze Age collapse that affected much of the Eastern Mediterranean. In Greece, the Mycenaean civilization collapsed as palaces and cities were destroyed or abandoned.

In the 10th century BC, pre-literate Greeks of the Dark Ages likely invented a vanished "Age of Heroes" to interpret Bronze Age ruins and tumuli (burial mounds) and familial practices associated with these sites, presumably a form of ancestor worship.[4] Dark age Greeks began to invent stories "to individuate the persons" whom they "believed to be buried in these old and imposing sites," according to Robin Lane Fox.[citation needed]

With the emergence of the polis in the Archaic Age which followed the Dark Ages, populations began imitating their ancestors' ritual practices by making organized votive offerings[5] at sites such as Lefkandi. But lacking historical records or remembered names for the specific individuals buried at these sites, these Greeks incorporated their historical memory into an oral tradition about the dead heroes that later produced epic poetry including the Iliad and the Odyssey.[4]

Greek hero cults were distinct from the clan-based ancestor worship from which they developed.[6] As the polis evolved, hero cults became civic rather than familial affairs, and in many cases none of the worshipers traced their descent back to the hero. While the ancestor was purely local, the hero might be tended to in more than one locality. According to Lewis Richard Farnell, "The hero cult was deeply influenced by the epic tradition which suggested many a name to forgotten graves".[7] John Coldstream believed that the popularity of epic poetry could explain the presence of votive offerings in Dorian regions, where an alien, immigrant population might otherwise be expected to show little reverence for their Mycenaean predecessors.[8][9]

Cult of Oedipus on a Lucanian amphora, ca. 380–70 BC (Louvre, CA 308)

Aside from the epic tradition, which featured the heroes alive and in action rather than as objects of cultus,[10] the earliest written reference to hero-cult is attributed to Dracon, the Athenian lawgiver of the late seventh century BC, who prescribed that gods and local heroes should both be honoured according to ancestral custom. The custom, then, was already established, and there were multiple local heroes.[11] The written sources emphasise the importance of heroes' tombs and the temenos or sanctuary, where chthonic rites appeased their spirits and induced them to continue to favour the people who looked to them as founders, of whom founding myths were related. In the hero's restricted and local scope he "retained the limited and partisan interests of his mortal life. He would help those who lived in the vicinity of his tomb or who belonged to the tribe of which he himself was the founder," observes Robert Parker.[12] James Whitley interprets the co-opting of hero cults by the city-state as a strategic political gesture. As evidence, he points to the monumental 490 BC Marathon tumuli, where Athens interred its cremated citizen-heroes who died in the Battle of Marathon. Offering trenches surrounding the mound indicate that these fallen soldiers were honored with traditional chthonic rites.[13]

Types of hero cult

[edit]
Offerings to a deified hero and another deity, depicted on a Greek marble relief ca. 300 BC

Archaeologist James Whitley distinguishes four types of hero cult:[14]

Oikist cults of founders

[edit]

Such cults arose in colonies in the Hellenic world in Magna Graecia and Sicily at the grave of the founder, the oikist (from oikos, "family unit").[15] In the case of cults at the tombs of the recently heroised, it must be assumed that the identity of the occupant of the tomb was unequivocally known. Thucydides (V.11.1) gives the example of Brasidas at Amphipolis. Battus of Cyrene might also be mentioned. "Such historical examples," Whitley notes, "have clearly colored the interpretation of certain tomb cults in the Archaic period [c. 800 to 480 BC]." Such Archaic sites as the heroön at Lefkandi and that close to the West Gate at Eretria cannot be distinguished by archaeological methods from family observances at tombs (tomb cults) and the cult of ancestors.

Cults to named heroes

[edit]

A number of cult sites known in Classical times (510 to 323 BC) were dedicated to known heroes, especially of the Iliad and other episodes of the Epic Cycle. Whitley notes that figures such as Odysseus, Agamemnon and Menelaus also all have strong local connections. The cults of Oedipus at Athens and Pelops at Olympia are examples.

Cults to local heroes

[edit]

Such local figures do not figure among the Panhellenic figures of epic. Examples are Akademos and Erechtheus at Athens.

Cults at Bronze Age tombs

[edit]

These are represented archaeologically by Iron Age deposits in Mycenaean tombs, not easily interpreted because of the gap in time between the Bronze Age collapse and the appearance of the earliest votive objects. A sherd from above the Grave Circle A at Mycenae is simply inscribed "to the hero", and Whitley suggests that an unnamed race of the Silver Age might have been invoked. In Attica, such cults are those associated with tholos tombs at Thorikos and Menidhi.[16]

Women and the hero cult

[edit]

Hero cults were offered most prominently to men, though in practice the experience of the votary was of propitiating a cluster of family figures which included wives, mothers, and daughters of a hero.[3] In Moses Finley's observation of the world of Odysseus, which he reads as a nostalgic eighth-century rendering of Dark Age Greece, "Penelope became a moral heroine for later generations, the embodiment of goodness and chastity, to be contrasted with the faithless, murdering Clytemnestra, Agamemnon's wife; but 'hero' has no feminine gender in the age of heroes."[17]

Where local cult venerated figures such as the sacrificial virgin Iphigeneia, an archaic local nymphe was transformed into a mortal figure of legend. Other isolated female figures represented priestess-initiators of a local cult. Iconographic and epigraphical evidence depicts heroines as similar in kind to heroes but, in patriarchal Greek culture, typically of lesser stature.[18]

Whitley notes that the earliest heroa associate the male hero with earlier and stronger female presences.[14]

List of heroes

[edit]

See also

[edit]

References

[edit]
  1. Parker, Robert (1986). "Greek Religion". In Boardman, John; Griffin, Jasper; Murray, Oswyn (eds.). The Oxford History of Greece and the Hellenistic World. Oxford: Oxford University Press (published 2001). ISBN 9780191500626. Retrieved 17 November 2018. The term 'hero' had a technical sense in Greek religion: a hero was a figure less powerful than a god, to whom cult was paid. He was normally conceived as a mortal who had died, and the typical site of such a cult was a tomb. But various kinds of minor supernatural figure came to be assimilated to the class and, as in the case of Heracles, the distinction between a hero and a god could be uncertain.
  2. 1 2 Antonaccio, Carla M. (July 1994). "Contesting the Past: Hero Cult, Tomb Cult, and Epic in Early Greece". American Journal of Archaeology. 98 (3): 389–410. doi:10.2307/506436. ISSN 0002-9114. JSTOR 506436. S2CID 192969382.
  3. 1 2 Larson, Jennifer (1995). Greek Heroine Cults. Madison: University of Wisconsin Press. ISBN 978-0-299-14370-1.
  4. 1 2 Carla Maria Antonaccio, An Archaeology of Ancestors: Tomb Cult and Hero Cult in Early Greece (1995) and "Lefkandi and Homer", in O. Anderson and M. Dickie, Homer's World: Fiction, Tradition and Reality (1995); I. Morris, "Tomb cult and the Greek Renaissance" Antiquity 62 (1988:750–61).
  5. Whitley, James (April 1994). "The Monuments That Stood before Marathon: Tomb Cult and Hero Cult in Archaic Attica". American Journal of Archaeology. 98 (2): 213–230. doi:10.2307/506636. JSTOR 506636. S2CID 190728749.
  6. "The cult of Heroes everywhere has the same features as the cult of ancestors... the remains of a true cult of ancestors provided the model and were the real starting-point for the later belief and cult of Heroes." Rohde 1925:125.
  7. Farnell 1921:283ff.
  8. Antonaccio 1994:395.
  9. Coldstream, "Hero cults in the age of Homer", Journal of the Hellenic Society 96 (1976:8–17).
  10. R. K. Hack, "Homer and the cult of heroes", Transactions of the American Philological Association 60 (1929:57–74).
  11. Carla M. Antonaccio, "Contesting the Past: Hero Cult, Tomb Cult, and Epic in Early Greece" American Journal of Archaeology 98.3 (July 1994:389–410).
  12. Parker 1988:250.
  13. Inscriptions reveal that offerings were still being made to the heroised dead in the first century BC; the tumulus is discussed in Whitley, "The Monuments that stood before Marathon: Tomb cult and hero cult in Archaic Attica" American Journal of Archaeology 98.2 (April 1994:213–30).
  14. 1 2 Whitley1994:220ff.
  15. A general study of oikist cults is I. Malkin, Religion and Colonization in Ancient Greece (Leiden) 1987:189–266.
  16. Heinrich Schliemann, Mycenae, adduced by Whitley 1994:222 and note 44
  17. Finley, The World of Odysseus (1954; rev. ed. 1978), pp. 32ff.
  18. "Heroine cults fit well into our modern view of ancient Greek culture as firmly androcentric, though not as androcentric as some would have had us believe" (Larson 1995:144).
  19. A Dictionary of Greek and Roman biography and mythology, Bodon
  20. Stephanus of Byzantium, Ethnica, B190.20
  21. Worthington, Ian (2014). Alexander the Great: Man and God. Routledge. p. 126. ISBN 978-1-317-86644-2.

Sources

[edit]