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Étiqueté : Arezzo

Appel à contribution : « Duecento painting: The art and technique of Margarito d’Arezzo and his contemporaries », Arezzo, Museo Nazionale d’Arte Medievale e Moderna, 9-10 octobre 2025, date limite le 20 septembre 2024

This interdisciplinary conference invites collaboration between colleagues working on all aspects of Duecento painting, from art historical studies to scientific analysis, technical research and conservation. The conference aims to provide an exceptional opportunity to share and discuss works of art by Margarito d’Arezzo and his contemporaries in the region. The call is now open for conference paper submissions. Papers on a wide range of subjects will be considered, including works on panel, sculptures, wall paintings, textiles, and...

Séminaire: “Vasari, Arezzo, and the Trecento: Art and the Medieval Tradition in Renaissance Tuscany”, Research Forum Seminar Room, The Courtauld Institute of Art, Somerset House, Strand, London, Wednesday 23 November 2016 5:00 pm – 6:30 pm

In the 1550s and 1560s Giorgio Vasari renovated the Pieve and cathedral in his hometown of Arezzo and created several new altarpieces for the Pieve, where he established his family funerary chapel. These projects traditionally, and understandably, have been closely associated with Counter-Reformation tenets and treatises. The art and architectural history of both sites, however, suggests that Vasari was as much, if not more, invested in stressing continuity and cohesion of ritual and iconographic tradition, especially that...