Ressources numériques en sciences humaines et sociales OpenEdition Nos plateformes OpenEdition Books OpenEdition Journals Hypothèses Calenda Bibliothèques OpenEdition Freemium Suivez-nous

Parution : Sarah Roberts, “Ambition, Art, and Image-Making in an Early Quattrocento Court. The Palazzo Trinci Frescoes”, Londres, Routledge, 2025

This study provides new interpretations of the little-known but fascinating Palazzo Trinci frescoes, relating them for the first time both to their physical context and to their social, political, and cultural environment.

Chapters show how a humanist agenda subverted the historical and mythical associations more frequently used to promote powerful families, to point the Trinci family in new directions. It also shows how the artists involved adapted established civic, religious, and chivalric imagery in support of these ideas. The book argues that the resulting decorations are highly unusual for the period, in their serious political and social purpose. Positioning the Trinci as bringers of peace, not war, the family is now associated with culture and education and presented as willing to encourage debate about the character of the virtuous ruler and the nature of good government.

The book will be of interest to scholars working in art history and Renaissance studies.

Source

Fiammetta Campagnoli
Fiammetta Campagnoli
Fiammetta Campagnoli est docteure en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches se concentrent sur la… Lire la suite

OpenEdition vous propose de citer ce billet de la manière suivante :
Fiammetta Campagnoli (29 juillet 2026). Parution : Sarah Roberts, “Ambition, Art, and Image-Making in an Early Quattrocento Court. The Palazzo Trinci Frescoes”, Londres, Routledge, 2025. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 1 septembre 2026 à l’adresse https://doi.org/10.58079/16mx4


Vous aimerez aussi...