Parution : Mariam Hammami, “Veritatis Imago”, Berlin, De Gruyter, 2023
The study analyzes differentiated concepts of truth in Dutch prints of the 16th and 17th centuries. Against the backdrop of religious and political crises of the time, it elaborates on how copperplate engravings and etchings not only represent veritas but, by problematizing their own medial status, reflect on visual forms of evidence generation and art’s specific capacity for truth.
OpenEdition vous propose de citer ce billet de la manière suivante :
Fiammetta Campagnoli (12 octobre 2023). Parution : Mariam Hammami, “Veritatis Imago”, Berlin, De Gruyter, 2023. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 1 septembre 2026 à l’adresse https://doi.org/10.58079/mpb0
