I translate a lot of different kinds of books—manga, light novels, the regular sort of novels, the occasional work of non-fiction—but the majority of my work is manga, if only because there is more of it that needs to be translated. (Especially after the Covid-induced explosion in sales in 2020. Thanks for keeping me gainfully employed, murderous pandemic!) And while I do translate a variety of genres, the bulk of my work tends to be books about people living their lives, often queerly and having relationships which are more or less difficult. Think less action sound effects and more thought balloons.
I’m terrible at coming up with sound effects, despite my best efforts and the enormous glossary I have built over the last couple decades, so it’s probably a good thing I’m not on any Shonen Jump titles. (Although fun fact! I translate Shonen Jump light novels. All the action is described in words instead of SFX, and words are a thing I am good at, so it works pretty well.) But occasionally, I get frustrated with the introspective relationship angst. Japanese is a highly context dependent language, which means that sometimes, if you are not certain of the context, parsing a sentence can be next to impossible. And a lot of the thought balloon type titles I work on leave so much so open-ended that I’m forced to spend way too much time wondering exactly what the “that” in this particularly sentence is actually referring to.
And the angst! My manga characters go through some hard times. They deal with betrayal, mental illness, disapproving family, hornily exorcising ghosts (okay, that was just the one manga), and all that can wear a translator down over the course of a work day.
Continue reading “Ore no Imoto ni Kateru Ki ga Shinee: Tamekou”









