Hello small band of new subscribers and faithful crew of longterm readers,
I’m grateful you’re reading this and that you care to let a little poetry into your life through these newsletters of mine. Some of you I met at Branches, at Square Halo Books, at The Breath & The Clay, at Five Ponds, or the Made to Flourish Gathering. You probably heard me read a poem about my cat, or about the time I finally wrote a poem about boats and storms and Jesus. Thanks for finding me on Substack. I hope this newsletter adds something meaningful to your inbox, not just more noise.
We’re in the steep incline of the final ascent of Lent, here in these Holy days. My work in my local church is all-encompassing now, filling my dreams at night and nearly every waking moment during the day, leading up to the Triduum. Not the kind of “work-life balance” one would want to maintain, but it’s short-lived every year, and it’s in service of the one new thing under the sun: the resurrection of Jesus Christ from the dead. So I figure it’s worth it. In my tradition and in my parish, the Vigil is the height of it all. And friends, it’s almost here! Check out the gorgeous postcard-sized flyer we made this year, out of a linocut by one of our artists and the flyer designed by another artist in our midst:
What do you see in the linocut ~ tomb? water? wood? labyrinth? mountain?cabbage?
If you’re near Boston and want to be a part of a late-night Easter celebration steeped in the Biblical story of redemption, with fresh creative responses to the Scriptures in poetry, dance, choral pieces, carpentry, sculpture, music, paintings, baking, and performance art — then you are cordially invited.
In my first book of poetry, Under the Terebinth, I have a series of poems tied to the liturgical calendar, and today I offer you the 4 Holy Week poems, with a video of me reading them below.
Admittedly, these poems are very personal, and I wrote them without any intention of ever sharing them with the world (the one exception being “Holy Saturday” which was part of a larger endeavor called The Butterfly Project I knew would be read aloud in front of a small audience). I didn’t write them attempting to be some kind of creative summation of the Passion of Our Lord, but when I was gathering a manuscript, back in 2024, to send off to publishers for the first time, I realized I had the makings of a “Liturgy” section in the book. Sure enough that’s how it developed. Two weeks ago I shared one of my Lenten poems from that section, but here we are in Holy Week, so these seemed like the ones to share today. I promise I will get back to my Overness series, in two weeks’ time.
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Palm Sunday Over lunch, a conflagration of car horns, a woman with her white megaphone, and a high school marching band — humans — loud, impassioned, fill the Common in downtown Boston: Simba’s I Just Can’t Wait to Be King blends with chants on Park Street, a wildfire of noise turns the corner — “genocide” the only word I catch. Is it the sun — a surprise mid-March — that lit these souls, gathered at the fountain, on the grass and every sidewalk? Light like this on the outer edges of winter, sparks. So I join the procession, restless to wander, to dance, to shout at pedestrians who disobey the signs, walking with a sense of their own courage to an unknown destination.
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Good Friday The wind keeps me from my walk today. To wrap up in my scarf, without feeling a noose around my neck — to tuck in my shirt securely — to pull my socks up over the hem of my pants so I won’t be forced to do it twice — it’s all too much. I want to move my body out into the world save the question of things unraveling. The wind wraps around our flat like a whip — like a dragon’s tail. Pausing in the stairwell, I check the elm — try to measure its bend and weight against my son’s corner bedroom. The wind — as if to peel back the crust of the earth sends dust, candy wrappers, a shoe whirling — makes us huddle in our homes, not taking walks — Dammit a sudden wallop then a slow persisting drone — it’s not a dance I know. I pause my hurried steps again on the landing, a load of dirty clothes resting at my hip. The next gust — calculating, I can only watch the pale porch curtains wrangle, spill, twist, and fly.
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Holy Saturday I apologize for the metaphor, dear Caterpillar. I’ve read you like a Bible verse that caught my eye, scrawled on a city bench far from home. The wily human heart longs for something purer than luck or chance— uncontaminated hope. I’ve watched you grovel on what they call (I kid you not) false legs and how you eat and eat beyond appetite — it’s all too familiar, Caterpillar. How you one day turn in, get awfully quiet wound up and bound to a secrecy, I see you there — no fresh air, no sunlight. You must question the royal title in the darkness, Monarch. So yes, you bring to mind the old Pharaohs mummified, and Jesus wrapped up in strips of linen altogether still, and my own baby swaddled, in a shoe box, buried under the purple butterfly bush in bloom.
Easter Morning
it all started with
Adam’s fried egg slipping
off his plate and into the open
silverware drawer — we were
already late — steaming, orangey
goo pooled, covered every clean,
sharp knife, so I yelled
hallelujah — breath released, all clenched
teeth slackened, raised eyebrows fell
back into position then the laughter
came, shook the kitchen, racked our bodies
and settled down into hugs all
around it’s ok it’s all
going to be ok
Further up & further in,
Anna

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