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Reviews, news and previews edited by Thom Dibdin

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Cavalleria Rusticana / Pagliacci

Aria Alba – Opera For All brings a double bill of one-act operas to Stockbridge Church this Fringe, with the classic pairing of Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci in a programme that emphasises the women in these narratives of male jealousy and coercion.

Afternoon Arias

★★★★★ Transcendent Brian Bannatyne-Scott, Beth Taylor and friends bring operatic treats to Edinburgh New Town Church with Afternoon Arias (Airs dans L’Apres-Midi) for one performance only.

CQD to SOS: A Titanic Story

★★★☆☆ Haunting Bringing the Edinburgh Rep Company’s lineup of six centuries in six shows at the Fringe into the 20th century is CQD to SOS: A Titanic Story, a glimpse into the infamous sea disaster through the eyes of its wireless operators: two on Titanic herself and one on Carpathia, racing through the ice-filled night to render aid.

Transmission

★★★★☆ Messy fun Transmission, produced by Sanctuary Queer Arts at the Anatomy Lecture Theatre at Summerhall, is angry, hopeful, fragmented and whole.

The Ostrich Principle

★★★☆☆ Powerful message David Hughes and Kirsten Milliken’s The Ostrich Principle at the Scottish Storytelling Centre combines time-honoured storytelling techniques with urgent political issues, in a way that does not always knit together but has considerable effect.

This Little Thing of Ours

★★★☆☆ Rumbustious This Little Thing of Ours, from MB Musicals at theSpace @ Venue 45, is a slice of late-night entertainment whose scattergun approach largely pays off.

Daughter of Sweden

★★★★☆ Accomplished Daughter of Sweden, from Stockholm’s Teater Kaleido, is an entertaining and informative slice of history, beautifully performed.

Carrie: The Musical

★★★★☆ Electrifying Carrie: The Musical from the Edinburgh University Footlights at Paradise in Augustines is a gory and emotional adaptation of Stephen King’s novel, with music by Michael Gore and lyrics by Dean Pitchford.

Halfway Home

★★★☆☆ Fresh There is something very apt in seeing Halfway Home, a new play by Deliverance Theatre, in its late-night slot. The characters are tired. Tired of working so hard, tired of the bureaucracies they need to deal with. Tired of being stuck

Room 1219

★★★★☆ Sympathetic Room 1219, from Keystone Theatricals at theSpace @ Surgeons Hall for the middle week of the Fringe, is a reclamation of a Hollywood icon, carefully presented and gracefully acted.