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A Year of Bach

Bach is the greatest, and I haven't yet heard his complete catalog, so in 2024, I'm listening to every Bach composition and writing about it here.

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Guitarist Miles Okazaki on the Rhythms of Bach and Monk

Guitarist and composer Miles Okazaki has been an important guitarist in the New York jazz scene for over twenty years.

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My Polish Passport

And the new unease for American Jews

"Making Music Visible": Ballerina and Critic Faye Arthurs on Dancing Bach

Faye Arthurs spent two decades at New York City Ballet dancing Balanchine, Robbins, and Wheeldon.

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"You Can't Be Rote" - Harpsichordist Lillian Gordis on Keeping Bach Fresh

Lillian Gordis is a Franco-American harpsichordist born in Berkeley, California, and based in Paris.

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On the Shattering of Shared Silence

How do you get to Carnegie Hall?

Bach’s Transformations, with Alexandra Nepomnyashchaya

In this episode of A Year of Bach, Evan talks with keyboardist Alexandra Nepomnyashchaya about her new harpsichord album Transformations, which explores Bach’s adaptations of works by composers including Marcello and Vivaldi.

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Rooting for the Whale, and Eight Other Thoughts About Moby-Dick

Everyone seems to be reading Moby-Dick these days, so I gave it a go.

Guitarist Scott Tennant on the Lute Suites and Teaching Bach

What a pleasure to speak to guitar hero Scott Tennant about playing and teaching Bach.

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Erik Hall on Bach and the Minimalists

A conversation with Erik Hall, a multi-instrumentalist, composer, and one of the most compelling interpreters of the minimalist canon.

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New Bach Recordings: Yunchan Lim’s Ho-Hum Goldbergs; Lillian Gordis’s Joyful Harpsichord

Insofar as there are any splashy classical releases anymore, Yunchan Lim’s live recording of the Goldberg Variations is being pitched as the record of the year.