The Tastemakers, 2026
Since this is a brief piece, I thought I would violate my own rule about not posting work in its entirety here because of Substack’s use of the Pangram AI system.
Kazys Varnelis
architecture, art, technology, and their intersections. native plants too. mirroring content from varnelis.net
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Latest posts
On Substack and Ai
Now, more than ever, I would rather you read my work where it belongs, on my website.
On the Lost Canals of Vilnius (and Exile)
A reflection
The Generative Unconscious
An Introduction
Forty-Four PDFs, 2019-2026
Plus thoughts on bespoke software, vibe coding, and the return of personal computing.
Ecological Balance and the Sacred Landscape of Senjōgahara
This is the third and final post on our trip to Japan, which ended a month ago.
The Zakkyo Biru of Ginza
This post also lives on my website: https://varnelis.net/works_and_projects/the-zakkyo-biru-of-ginza/ The photographs will look better there, especially if you are reading on a computer.
Zen, Time, and Three Gardens in Kyoto
A week ago, I promised I would restart the Florilegium (the section of this Substack on native plants and landscape) again.
Changes to this Substack
I’ve made some changes to my Substack.
The Salon and the Olympics
You can read this on my site, either on the blog itself, https://varnelis.net/works_and_projects/the-salon-and-the-olympics/. Clicking on a footnote will take you there because of multiple limitations in Substack, so be warned!