
Reflections on ONE BATTLE AFTER ANOTHER
Looking back a year later, One Battle After Another is a movie that behaves as if Anderson suddenly remembered that the camera is a toy before it's an altar.
Art Still Matters.
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Looking back a year later, One Battle After Another is a movie that behaves as if Anderson suddenly remembered that the camera is a toy before it's an altar.

Newly unleashed, unproduced screenplays by David Mamet are difficult to ignore.

Zendaya is Worth the Cringe in THE DRAMA.

Deneuve as Bogart. Pretty cool.

Cinema doesn't get much more European than Yves Montand clocking Catherine Deneuve with a pineapple in LE SAUVAGE.

I was wholly involved, engaged and intrigued watching Ella McCay. We as a race should be more embarrassed by our obsession with finding new cool, cinematic ways to represent bullet trajectories.

Someone's got to be the last remaining John Cusack completist.

Even now, even all washed up, they still sound like Cheap Trick.

I trust Breaking Away completely. Simply and without strain, it remains one of the greatest and most truthful American films ever made.

Larry Cohen made the outrageous into the outrageously insightful, always in his own voice, always on his own terms. And so it is with HEADHUNTER.