Text within this block will maintain its original spacing when published
I. Pocket Drumming Sometimes drummers ought not move. Of course their limbs angle and arc, swish through small space, create booms beneath the asphalt roof, an oak tree, the moon. But the beat. The beat. If the beat stays in one place everybody else gets a free ride. This is the secret to making the rest of the band sound better: a generous act from within the racket. II. Free Drumming I want to lose time for awhile, shake it the way a dog shakes after water. Instead I fall deeper into it as the setting sun recedes behind an imagined mountain, pulling the leftover daylight down into itself. My limbs are run by a metronome directing me through habitual patterns of motion. I have played nothing new in years. III. No drumming Can't the drummer stop, leave space for the thoughtful discourse of a violin, a piano promising rain, acoustic guitar, a candle flame? The drumming we want is no drumming. Nothing at all. Not silence but not thunder, a moving train, or the trash truck dropping an emptied dumpster to the pavement. Alas, spring birdsong is accompanied by a helicopter overhead.
My debut full-length solo album Exist Everywhere is available exclusively on Bandcamp, for pay-what-you-wish digital downloads or to purchase as a limited edition vinyl record.

Comments
Nothing yet. Say the first thing.
Sign in to join the conversation.