# shu — RSS Amplifier

Recent posts from the 2 feeds in the RSS Amplifier directory that cover shu.

Page: <https://rssamplifier.com/topics/shu>  
Feed: <https://rssamplifier.com/topics/shu.md>

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## [Alphabet's Strongest Quarter on Paper Was Also Its First Cash-Flow-Negative One](https://dvdmaru.substack.com/p/alphabets-strongest-quarter-on-paper)

_2026-07-26 · dvdmaru · dvdmaru_

Alphabet's Q2 supports three headlines pointing in entirely different directions, all sourced to the same release. The difference isn't arithmetic — it's which moment each number describes.

## [Trump 手機拖了近一年終於出貨：賣的不是科技，是政治認同的訂閱制](https://dvdmaru.substack.com/p/trump)

_2026-07-20 · dvdmaru · dvdmaru_

川普家族站台的 Trump Mobile 拖了近一年，499 美元的金色 T1 Phone 終於出貨：實測慘烈、iFixit 拆解發現是台灣 HTC U24 Pro 貼牌，個資外洩還讓外界第一次窺見訂單規模。但把它當手機評測就看錯了。本文拆解 T1 Mobile 的品牌授權結構、47.45 美元月租的細則與 MVNO 底層，論證這門生意的本體是政治認同的訂閱制：手機只是旗幟，月租才是產品。

## [The Trump Phone Finally Shipped. The Phone Was Never the Point.](https://dvdmaru.substack.com/p/the-trump-phone-finally-shipped-the)

_2026-07-19 · dvdmaru · dvdmaru_

A year after its Trump Tower debut, the $499 gold T1 Phone finally shipped: a rebadged HTC panned by reviewers, sold by a licensee, running on T-Mobile's network. Judged as a phone, it makes no sense.

## [Ben Bernanke's New Anthropic Role Isn't a Job — It's a Signal](https://dvdmaru.substack.com/p/ben-bernankes-new-anthropic-role)

_2026-07-19 · dvdmaru · dvdmaru_

On July 9, 2026, the former Fed chair and Nobel laureate joined Anthropic's Long-Term Benefit Trust: no equity, no profit share, but a seat on the body designed to appoint the company's board. Here's

## [世界盃的第三本帳：從全球贊助商名冊，看 FIFA 如何把足球變成一套商業作業系統](https://dvdmaru.substack.com/p/fifa)

_2026-06-30 · dvdmaru · dvdmaru_

2026 世界盃不只是 48 隊、104 場比賽的擴軍故事。更深的變化在贊助商結構：FIFA 把轉播、門票、款待、支付、住宿、電信、AI、資料、物流與城市運營，包成一套可販售的全球商業作業系統。但同一套系統，也把化石能源、人權、移民執法與平台風險一併帶進品牌帳本。

## [前三秒驚艷,第五秒穿幫:AI 視頻為什麼還沒有它的「ChatGPT 時刻」](https://dvdmaru.substack.com/p/ai-chatgpt)

_2026-06-20 · dvdmaru · dvdmaru_

你已經敢用 AI 生一張圖放進簡報,但你敢用 AI 生一段影片直接交件嗎?多數人會猶豫。同樣是生成式,但對多數日常商業場景來說,圖像已經跨過了「好用」那道懸崖;視頻則還常卡在「看起來驚艷,但不敢直接交件」的位置。而卡住它的不是算力不夠、再等等就好,是三道結構性的牆。

## [沒有 AI 一樣做得完,那用戶為什麼非要 AI?:從釘釘 One 的兩封長信,看 AI Native 真正的難題](https://dvdmaru.substack.com/p/ai-ai-one-ai-native)

_2026-06-13 · dvdmaru · dvdmaru_

當 Vibe Coding 把技術門檻一路拉平,做一個 AI 產品的勝負手,就不再是技術,而是想清楚『為誰、解決什麼、給一個非 AI 不可的理由』。2026 年 6 月,釘釘投入的 AI 產品 One 引出兩封長文,意外把這個難處攤在陽光下:它其實踩中了上班族最焦慮的痛點、也摸到了一部分『非 AI 不可』的理由,卻仍卡在一個更難的問題——它到底為老闆,還是為員工?而這兩個答案,骨子裡是矛盾的。這篇不聊加班、不聊宮鬥,只借這個公開案例,聊一個 AI Native 產品真正難的地方。

## [死亡之組已經死了？2026 世界盃 Group I 與 Haaland 的第一次](https://dvdmaru.substack.com/p/2026-group-i-haaland)

_2026-06-03 · dvdmaru · dvdmaru_

法國、挪威、塞內加爾湊一組，是當代最硬的小組賽。也是 48 隊賽制下，「死亡之組」這個概念被稀釋的具體案例。

## [世界盃還沒開打，一條新規則已經先改寫了一場比賽](https://dvdmaru.substack.com/p/b8b)

_2026-06-02 · dvdmaru · dvdmaru_

2026 世界盃番外 — 當所有人都在寫日本 6 連勝，這場比賽其實被一條 10 秒新規則深刻改寫了

## [I built the English Zi Wei Dou Shu site I couldn’t find](https://dvdmaru.substack.com/p/i-built-the-english-zi-wei-dou-shu)

_2026-05-27 · dvdmaru · dvdmaru_

A live chart calculator, a thirty-two-entry English glossary, and a bridge table to Western astrology and the four-letter test — at 12rooms.app

## [Realtime AI Arbitrage Terminal (Sponsored)](https://crawlproof.com/a/lDOOHwhrxcO2)

_2026-05-27 · **Sponsored**_

Realtime auto-trading across exchanges with scored setups, backtesting, and risk controls.

## [Attention](https://www.newrafael.com/attention/)

_2026-03-05 · Rafaël Rozendaal · Rafaël Rozendaal_

the internet used to feel like a new, empty space today it feels more like a bad habit i have never been able to come up with anything while browsing the web i need an empty room to find ideas the internet is the opposite of an empty room

## [RR haiku 288](https://www.newrafael.com/rr-haiku-288/)

_2025-12-04 · Rafaël Rozendaal · Rafaël Rozendaal_

to paint or to paint that is the question

## [&#8220;Details&#8221; at Takuro Someya Tokyo](https://www.newrafael.com/details-tsca-tokyo/)

_2025-07-09 · Rafaël Rozendaal · Rafaël Rozendaal_

photos by Shu Nakagawa “Details”, exhibition at Takuro Someya in Tokyo. Thin washes of paint are layered and rolled in a methodical manner, replacing the pixelʼs clinical precision with surface variability. The series moves between flatness and spatial suggestion, anchored in consistently cool tones, which lend each form a sense of suspension and quiet fluctuation. \[ \]

## [Light in Seoul](https://www.newrafael.com/light-in-seoul/)

_2025-04-05 · Rafaël Rozendaal · Rafaël Rozendaal_

Light (Seoul) An extension of the exhibition Light (MoMA) in collaboration with Hyundai Card until fall 2025 Photography by: Byeongchul Chun

## [Homage at Lacma](https://www.newrafael.com/homage-at-lacma/)

_2025-03-20 · Rafaël Rozendaal · Rafaël Rozendaal_

My project Homage is showing at Lacma until July 13, as part of the Digital Witness exhibition. Photos by Michael Wells

## [Interview for MoMA Magazine](https://www.newrafael.com/interview-for-moma-magazine/)

_2024-12-18 · Rafaël Rozendaal · Rafaël Rozendaal_

Photo by Naeem Douglas Interview by Paola Antonelli, Amanda Forment Prudence Pfeiffer. I worked closely with them for my exhibition at MoMA, and this interview is a culmination of many conversations about art, work, museums, cities, and the internet.

## [&#8220;Light&#8221; at MoMA](https://www.newrafael.com/light-at-moma/)

_2024-12-07 · Rafaël Rozendaal · Rafaël Rozendaal_

Light: Rafaël Rozendaal Museum of Modern Art November 16, 2024 Spring 2025 Curated by Paola Antonelli Photos by Jonathan Dorado “Abstraction is the intensification of perception,” says Rafaël Rozendaal, an innovator in the realm of Internet-based art. Since the early 2000s, Rozendaal has produced vibrant animations that explore the aesthetic and conceptual possibilities of \[ \]

## [A dialogue between art and haiku](https://www.newrafael.com/a-dialogue-between-art-and-haiku/)

_2024-09-19 · Rafaël Rozendaal · Rafaël Rozendaal_

haiku tsurezure #37 A dialogue between art and haiku Rafaël Rozendaal + Yuzo Ono September 2024 Yuzo Ono YO: As an artist, you have been presenting your internet artwork for a long time, and have had many exhibitions, including one at the Towada Art Center in Japan. In the process, you encountered Japanese haiku \[ \]

## [Manual](https://www.newrafael.com/manual/)

_2024-09-05 · Rafaël Rozendaal · Rafaël Rozendaal_

Manual at Upstream Gallery August 31 October 12, 2024 Photos by Gert-Jan van Rooij Upstream Gallery is proud to present Manual, an exhibition of new work by Rafaël Rozendaal. This marks Rozendaal’s fifth exhibition with the gallery and shows a remarkable shift in his practice. He gained recognition by using the internet as his \[ \]

## [Ask the crowd: AI or not (Sponsored)](https://crawlproof.com/a/vMSkHaO2QCSO)

_2024-09-05 · **Sponsored**_

Get a transparent verdict from verified humans via web, RSS, or API.

## [Focus](https://www.newrafael.com/focus/)

_2024-09-02 · Rafaël Rozendaal · Rafaël Rozendaal_

in an attention economy, focus is the ultimate luxury

