‘The End of Oak Street’ Review: Weirdly cold-blooded

If nothing else, David Robert Mitchell’s The End of Oak Street proves that Warner Brothers will — and have, now — spend at least $80 million on a movie in which feathered dinosaurs “do it like they do on the Discovery Channel.” Yes, Mitchell spent nearly a decade in Director Jail following the drama surrounding criminally underrated Under the Silver Lake to make a “Dark Amblin” picture in which…