The Sonic Pathos of the Pavement: How Kevin Leonard and Rommell Sermons Map New York’s Soul in “4 to 7”

In the quiet, suspended vacuum of the theater, a solo performer stands alone—yet the stage is crowded. In “4 to 7,” a gripping 75-minute soliloquy written by Emmanuel Martin Di Feliciantonio and directed by Rommell Sermons, the urban landscape of New York City is transformed from a static backdrop into an active, breathing antagonist, confessor,... Continue Reading →