A Technical and Aesthetic Deep-Dive into Technicolor Process IV

Color as an Ontological Shift The history of color cinematography is inseparable from the trajectory of the Technicolor Motion Picture Corporation—an entity that did not merely supply an industrial service, but fundamentally redefined the ontological status of the moving image. Between 1932 and 1955, the three-strip system, formally designated Technicolor Process IV, represented the apex [ ]