For Your Consideration: Did Annie Lennox Influence Jerskin Fendrix’s Score for Poor Things?

LIKE DRACULA IN FRANCIS FORD COPPOLA’s 1992 FILM, who is haunted by his own shadow, Poor Things can’t seem to escape its gothic predecessor. Director Yorgos Lanthimos’ whimsical dark comedy won four Oscars in March, including awards for costume and production design, for its surreal reimagining of Victorian Europe–drawing heavily on Coppola’s old-Hollywood aesthetic. But attentive viewers […]