Making vids for Quentin Tarantino films is an interesting experience because he is 50% “every frame…

Making vids for Quentin Tarantino films is an interesting experience because he is 50% “every frame a painting” and 50% frenetic blood and guts. Kill Bill is a film so stuffed with both of these that I was able to make two whole vids, one slow-and-low ( I posted this one last Sunday ) and one non-stop fast-paced action (this one), and never had to even think about using the same shot twice. Both…