Back from the Dead: The Evil Dead

Fog washes through the screen. A camera tied to a board and worn around the neck for stability provides a low, smooth tracking POV (a shot that will later become know as Deadite-cam). Cut to a car with 5 happy-go-lucky twenty-somethings singing and following a map toward a remote cabin in the hills. The locals wave at them. They cross a rickety bridge. And there is the sense they will never be…