Listen to new single “The Account” ft. the wind between ONLY HERE:
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If you’re reading this, it means you are the first to learn about and hear the new song from the new Dis Fig – AKA producer and vocalist Felicia Chen – What To Make Of These Mortal Hands is phenomenal, powerful, devastating and beautiful. Chen was driven by a desire to express deep emotions through meticulously crafted, innovative production and expressive vocals. On acclaimed collaborations with The Bug, The Body, and Asian Dope Boys, Chen’s sound is indelible. Her solo work utilizes electronic, industrial, and bass-forward music as filters for sonic plentitudes, unbounded and wholly her own. Every granule of sound is in service of alchemizing intense emotion and vulnerability. What To Make Of These Mortal Hands is an ambitious widening of Dis Fig’s scope, traversing tectonic dynamic shifts and heartrending arrangements in a filmic study of humanity’s capacity to create both beauty and devastation.
The album’s worlds are built within an architecture of fierce bass, sub-frequencies, and an array of distortions and electronics, laid atop Chen’s versatile voice. No stranger to extremes, Dis Fig finds new, exciting combinations and balances to expand her form and shape the sound of her new record. “A throughline for me is trying to create a womb-like chamber through sound,” explains Chen. “I wanted this record to feel like stepping into its own distinct world. It’s meant to be a portal with a guide, taking your hand and inviting you in with care.”
Dis Fig has a preternatural ability to ground massive sounds with tactile rhythms and her instinctually connective voice. What To Make Of These Mortal Hands charts a cinematic arc exploring a complex web of feeling with extraordinary purpose and focus. Chen’s curiosity unearths ecstatic and absorbing environments. The album is a staggering display of innovative songcraft and unfathomable emotion–a musical world like no other.
What To Make Of These Mortal Hands was mixed by Seth Manchester, mastered by Heba Kadry, and the vinyl was cut by Josh Bonati. The record features contributions from the wind between, Diana Miron, Lee Buford, and Liam Andrew.
The record features a layout by Daniel Castrejón, inner sleeve by GENG PTP, art by Felicia Chen, and photography by Najla Said. What To Make Of These Mortal Hands will be available on mail order exclusive Opaque Maroon LP get it while you can andand CD. All formats come with a download coupon and get the single instantly when you pre order on any format!
Consider yourself invited! Peals are hosting a listening party in Baltimore on Tuesday, August 4 at Idle Hour, doors at 7 pm and music at 8 pm. The listening party is free! Bruce of Peals will introduce the new record, sign copies, and spin some favorite selections. LA… stay on the lookout for a party on the west coast as well.
Peals is the Baltimorean duo of William Cashion of Future Islands and Bruce Willen of Double Dagger. Their latest albums The Compound 76 and Le Pantoum 46 are out next week, July 31st, on Thrill Jockey.
“For either their first or second show, Cashion and Willen brought along a table lamp—the kind of old-fashioned thing you’d find in a thrift store, with a bulbous brass base and a thick shade that seemed much too big. They toted it to every subsequent gig, placing it between them on a table or the floor. It made the whole thing feel homey, as if they’d invited you into their living room to relax and listen, to sit still in some different space for a spell and walk away new. When Peals started, their Baltimore scene was known for paroxysms and energy—Dan Deacon, Ponytail, Ecstatic Sunshine, Future Islands, Double Dagger, and on and on. This was a calming project, a comedown for band and audience alike. The world hasn’t slowed or softened in the last decade. And Peals, heard here just before what we can hope is only a decade-long pause, still offers another option, a way out, an antidote.”
- Grayson Haver Currin
And a bonus playlist!
“When Peals first started playing together, we made each other mix CDs to share some tracks that inspired each of us to explore this new musical direction, which departed from our work in Double Dagger and Future Islands. This playlist includes some of the artists from these mixes who influenced the early days of Peals, along with other musical touchstones that shaped our approach.”
— Peals
If you have FOMO, you should!! The Magic Tubers were so great last night, making us sway to the heartbreakingly beautiful “Marker of a Drowning” from their new album Heavy Water.
Listen to it here:
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They also dropped the office favorite (and best title of the year?) “Where the Place Becomes Forgetting.” The track is an essential listen—and absolutely spellbinding live!
If you are within driving (or biking, bussing, etc.) distance to any of the shows below, the show is a must see. You will not regret it - the Chicago crowd demanded an encore and the Tubers obliged.
Get to the show!!
Jul. 23 - Rock Island, IL - Rozz Tox [tickets]
Jul. 24 - Minneapolis, MN - The Cedar [tickets]
Jul. 25 - Milwaukee, WI - Jazz Gallery
Jul. 28 - Cincinnati, OH - Woodward Theater [tickets]
Jul. 29 - Nashville, TN - Random Sample
Jul. 30 - Boone, NC - Huzzah Books
Jul. 31 - Asheville, NC - Ayurprana Listening Room
Special note to Ashevilleans: The Ayurprana Listening Room is doing a ticket giveaway in partnership with Bagatelle Books. Win 2 tickets to see Magic Tuber Stringband live on July 31st and get a copy of the Tuber’s book pick Trilogy by Hilda Doolittle (H.D.), which served as a direct inspiration for a track and the cover of Heavy Water.
Tubers say: “The title of the piece “Tribute to the Angels” comes from that of a poem by Hilda Doolittle, written during World War II. It’s part of her Trilogy series in which she revisits the ‘old gods’ and the shards of myth, divinity, and the humanity that manage to persist through wartime and fascism. ‘Tribute to the Angels’ includes a description of an apparition of the Virgin Mary to the poet and her two friends within a dream, which inspired the installation we created for teh cover of Heavy Water.”
You can see more info on the Magic Tuber Stringband’s IG
Can’t make it to the show? Grip Heavy Water on Turquoise vinyl here and get the full album download immediately when you buy.
Jack Quartet commissioned Jules Reidy to compose for them—the results are astounding.
Side A features the full composition and side B is the composition reimagined, reworked, and reconfigured by Jules. If you like Ellen Arkbro, Catherine Lamb, Sarah Davachi, claire rousay, then you not only have some fine taste but we believe jules’s new album is for you!
Listen to “Shadow Symmetric for JACK Quartet (excerpt)”:
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Clerestory is available for pre-order on CD and metallic gold vinyl, both of which include an insert that holds the original score and a diagram of the fundamental frequencies of just intonation used by the composer and performers. Recorded by Ryan Streber at Oktaven Audio, New York 2026. Cover images: Inside, Crystals, and Circuitry by Jules Reidy, commissioned by anorak as part of September Sessions 2025 at Mint, Stockholm. Artwork is by Libuše Jarcovjáková. Photos by Johan Österholm.
From Sydney, Melbourne, and Brisbane, claire brings you on the road with her via photo diary.
Listen to “somewhat burdensome” as you scroll:
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