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The Wee Review | Scotland’s arts and culture magazine

Independent reviews and analysis on Scotland's arts and culture at the Fringe and beyond.

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Ashlee Bentley

'It still feels like I could wake up at any moment and be back at home in Ireland'. Ashlee Bentley tells us about her show, 'Wallflower'

Stuart Goldsmith

'We need action, right? Not pandemic-scale action, we need World War Two-scale action!' Stuart Goldsmith talks about new Fringe show, 'Canary'

Edith Alibec

'‘I love the madness!’ Edith Alibec tells us about her Fringe show, 'The Void'

Marty Gleeson

'It feels very alive. It feels like those cordyceps mushrooms that invade the brain of an ant'. Marty Gleeson tell sus about her debut Fringe show, 'Dog Ear'

Milo Edwards

'Sexting killed the art of the sexy letter.' Milo Edwards tell us about his new Fringe show, 'Catamaran'

Davina Bentley

'I didn’t think I’d be wearing a ruff at points, dressed like Henry VIII!' Davina Bentley tells us about her debut Fringe show, 'Dancing While Old’

David Hoare

'He went on this tirade about how dancing should always be sexual.' Musical comedian David Hoare tells us about new Fringe show, 'How To Live To 100'

Alex Kitson

'It’s like fitness. How much would you pay for a boot camp?' Alex Kitson talks about our collective dwindling attention span in new show, 'Now Look Here'

Sarah Roberts

'My biggest fear is being alone. But my second biggest fear is being around people.' Sarah Roberts tells us about her new Fringe show, 'Scary Movie 7'

Candace Bryan

'If late-stage capitalism was a person, I’m not concerned with hurting their feelings.' Candance Bryan talks to us about her new show, 'Don’t Be Ridiculous Everyone Wants This'